Louise Erdrich - The Master Butcher's Singing Club

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What happens when a trained killer discovers that his true vocation is love? Having survived the killing fields of World War I, Fidelis Waldvogel returns home to his quiet German village and marries the pregnant widow of his best friend who was killed in action.
With a suitcase full of sausages and a master butcher's precious set of knives, Fidelis sets out for America, getting as far as North Dakota, where he builds a business, a home for his family — which includes Eva and four sons — and a singing club consisting of the best voices in town.
When the Old World meets the New — in the person of Del-phine Watzka — the great adventure of Fidelis's life begins. Delphine meets Eva and is enchanted; she meets Fidelis, and the ground trembles. These momentous encounters will determine the course of Delphine's life — and the trajectory of this brilliant new novel by Louise Erdrich.

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He slept for hours, then started awake the way he had that morning, staring at the ceiling. Only this time, his body half lifting in the bed with that buzzing sensation of pleasure in having truly rested, he lingered in the warm sheets because of the unfamiliar sensuousness of that relief. These were the times he would, in the past, turn to Eva and begin the slow lovemaking that they’d learned from each other. Over the years, they had added to their private love — unlike others, he suspected, who did what they did to get the need over with. Other men joked or complained about the length of time their wives gave them — a little longer, maybe, if they behaved well that day. Fidelis never said a word when men got into those sorts of conversations. He knew things were different between himself and Eva, that there was something greater than the thing the other men discussed. That something had its own grandeur mixed inevitably with loss. When she died and was truly gone, the day he, and then each of the boys, threw the first clods of earth upon her casket after it was lowered into the ground, he’d had the sense of some beautiful immensity passing overhead in the heavens, away from him forever, and he’d gone very still. He’d tried not to move. The other mourners had seen a man rooted to the earth, standing like a block, dumb as a turnip. He’d become embarrassed at the picture he made and forced himself to step away. But some part of himself never did leave, he thought now; he was still standing at the edge of her grave. He was still feeling the blood squeeze through his heart, the hum of his brain, the clutch of his fingers, the earth drying in the cracks of his palms. He was helplessly alive, wholly divided into life, powerfully different from Eva. Sometimes he still felt the wonder of it.

DELPHINE DID EVERYTHING she could to distract herself from the fact that she had to thank Fidelis, had to talk to him about having freed her father on bail. She transferred all the meat from one case to the next, and scrubbed out the first air-cooled case with a sharp mixture of vinegar and water. Then she arranged all of the meats in the case again, placing between each tray the careful decorations, cut of green waxed paper, that set off the pork chops and sausages and steaks. While she was finishing, she thought of all of the other jobs she could do, but even as she added them up she grew irritated with herself. Why not talk to him this very minute? In the middle of dunking a rag to make another swipe at the glass and enamel, she wrung it out instead and laid it on the steel counter. Closed the sliding doors.

“Fidelis”—she stood behind him and he turned from his task— “you paid the bail for my father.”

He nodded, wiping his hands on his apron.

“Yes.” He acknowledged Delphine, then tried to turn back to the meat he was grinding and spicing, but there was more.

“You’ll get it back.”

“Sure,” said Fidelis.

“I will pay you back,” said Delphine. “If he…”

“But he won’t leave.”

This was going to force him to say more, and he knew it, and all that morning he had thought it out. But it was still hard for him to say what he had to say to this woman. He took a huge breath, and made the attempt. “What you did for Eva, and then what Roy did…” But that was as far as he could go.

“She was my friend, and good to my dad. I didn’t do it for you.” Delphine had decided to speak plainly.

Fidelis shrugged to say that didn’t matter, but she preempted this.

“Look,” she said, “I don’t want people to start saying things. And Tante, her especially.”

“She doesn’t know I paid.”

“But she will. She does your books. And then so will everybody else in town.”

Fidelis frowned, considering this, but remained stubborn.

“So if they do,” he said, “they’ll think of what you and Roy did for Eva.”

“I don’t want people thinking about that.” Delphine tried to keep her voice low, but it rose beyond her, sharp. “I know what they think already, I’ve heard it, and I know that your sister feeds those rumors with her gossip. I want an end to it. But I’m glad…” Here she stumbled a little, for it was hard for her to say this, and her voice dropped, low and shamed. “Thank you for getting him out. I never knew my father sober before this. It was hard on him, getting locked up, and in real trouble, after he’d finally taken the pledge.”

This was more than she’d ever said to Fidelis here, or revealed to him in this shop and in Eva’s house. It had been easier to speak her mind to him on her ground back at the farm. They turned away, both relieved and exhausted. Delphine wanted to go home and sleep. Fidelis felt a heaviness pressing on his chest. For a while that day, everything they did seemed twice as difficult, but gradually, as they ignored each other or spoke only in the most necessary monosyllables, things returned to normal. Any stranger walking into the shop would think the two disliked one another, but the truth was, neither of them could bear the danger of displaying any hint of the weight of tension each lived with regarding the other. So their rude, clipped interactions were safe ground where they could calmly coexist.

There were times bound to arise after that unprecedented exchange of words, even whole sentences, where the same might easily happen again. Not long after they spoke, Delphine became convinced that Eva’s boys were going to kill themselves. She told Fidelis, but he shrugged and said, “They are boys.” She had dealt, already, with their summer shake-ups, the near drownings, and the damned swing that, if they failed to jump off in time, smashed them headfirst into the tree trunk. Now that the leaves were off the trees and the snow had not yet fallen for them to slide on and, doubtless, to devise cunning ways to kill themselves rushing downhill, she didn’t think they’d have much else to do but hammer their thumbs or crash the homemade car they raced downhill. Thank God that Fidelis hadn’t the money to buy them guns. She could not have anticipated what they did come up with, what obsessed them, what began to run their lives after school in the late afternoons. She only had a sense of it, some tension and excitement in their doings. There were arguments and conspiratorial noises that stopped abruptly when she entered rooms. Tools were mysteriously missing. She found a great deal of dirt in the creases and the pockets of their clothing.

NINE. The Room in the Earth

A YEAR HAD PASSED since his mother’s death when Markus found himself fascinated by the idea of excavation. Raw or abandoned construction sites are magnets to children of a certain age. There was a place just on the other side of the pine and oak woods a mile or two behind the butcher shop where a grand house had been planned, the basement dug out, the dirt piled in a huge heap behind a mass of trees. The prospective owner of the place had run out of money early on. Not so much as one board had been set in place, nor had a rotting shed in the yard been pulled down and hauled away. Markus stumbled on this place one day when out hunting, which is what he called aimlessly wandering with a slingshot and a pocket of stones. He, of course, jumped down into the basement first, walked the gumbo bottom, then had trouble clawing his way out. Next he admired the scavenging possibilities of the broken-roofed shed. He ducked inside, kicked the mice berms, and poked the swallow nests to see if he could scare the birds out, but they had already flown south. He found rusted cans on the floor and, thrillingly, the head of an ax with a broken shank, which he hefted and carried out with him. Following a short, rutted trail, he then discovered the mound of earth removed from the basement. It was so high and new that it wasn’t even yet grassed over, just sprouting the coarsest weeds like a balding head. He clambered up the sides of the hill. At the top, he put down the precious ax head alongside his slingshot, lay down, and stared up at the sky.

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