Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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The car picks up speed through an amber light. Froelich stops in his tracks; he has found his glasses. They lie broken on the sidewalk at his feet. They were pushed back on his head the whole time. His baby is red-faced, tears and mucus streaking his face. “Shhh, shh, kleiner Mann, sei ruhig, ja, Papa ist hier.” But it’s no good. Froelich is weeping too.

On his way back to his own car, he makes a decision. He will tell his wife about seeing this man. But he will tell no one else. This means he will not tell the police, even though it’s clear this man must be in the country under false pretences and therefore illegally — but so are thousands of others. The government has turned a blind eye and, in some cases, recruited such men as immigrants — for whatever else these men are, they are not Communists. Henry knows; he waited years for a chance to emigrate to Canada, while men with SS tattoos under their arms received passage and the promise of jobs. But he has enough — his children have enough — to cope with, never mind taking on the past. To report this man would not only be futile; it would be to exhume what is cold and can never heal. To haunt his new family with the inconsolable griefs of his old one.

He places his baby, asleep now, into the basinette in the back seat, and tries to remember where he was going next. The orphanage, to pick up Karen. He gets behind the wheel. His wife, his children — he himself — living monuments to hope. The only possible response. Heinrich Froelich is an atheist. He pauses before he starts his car, still weeping, to thank God for his blessings.

Diefenbaker’s government was brought down in February, over his refusal to take American nuclear weapons, and Monday, April 8, is election day. Jack has just been to the rec centre and voted. He has a feeling of vindication, as though by a single vote he has struck a decisive blow.

He is fresh from a weekend, just he and Mimi. They stashed the kids with the Bouchers and went to Niagara Falls for their anniversary. He is relaxed and happy, spring has rolled in and, like a Hollywood studio team, Mother Nature has worked overtime, transforming the dregs of dreary winter into vivid spring, seemingly in the space of a day. In the poplars overhead, fat buds are ready to yield to the next warm breath; tulips bloom on the grounds of his building; and on the parade square, a flight of cadets in gym shorts jogs by. Soon there will be a wings parade and the cadets will leave the Centralia nest. This weekend Jack will see whether or not his fitness regimen has paid off, when he squeezes back into his mess kit for a formal dinner in honour of a visiting air vice-marshal.

He enters his office to find a message on his desk. “Mr. Freud called. Call back ASAP,” and Fried’s telephone number. He shakes his head—“Freud.” That’s about the size of it. He finds himself looking forward to hearing old Oskar’s reedy voice, it’s that nice a day, and as he picks up the phone he wonders to what he owes the honour of a call. Freud would say it was all Fried’s mother’s fault. He dials. Pictures what Fried’s mother must have looked like — like Fried in a bonnet.

The phone is answered on the first ring. The cautious voice. “Hello?”

“Hi Oskar, it’s Jack.”

He enjoys annoying Fried by calling him Oskar. Not only has Fried never invited him onto a first-name basis; Oskar, being an alias, is bound to be a double irritant.

“I have been recognized,” says Fried.

“What?” says Jack. “Recognized? By whom?”

“I do not know.”

“What do you mean?”

“Search me ,” he says earnestly.

Jack almost laughs aloud — Fried has been watching too much television.

“Where, when?”

“I was to the market on Saturday and I call you immediately and all throughout the Wochenende —how says one—?”

“Weekend.”

Ja , but you are not at home.”

“Just tell me what happened, Oskar.”

“I get away, I do not hesitate.”

“So someone saw you and you have no idea who he is or where he’s from?”

“I know where is he from.”

“Where?”

“I don’t tell you this.”

“Oskar, how am I going to help you if—”

“Tell Simon I am recognized.”

“Did this man call you by name?”

“He calls me by a name.”

“What name?”

“I recognize this name, this is how I know—”

“Is it your name, or not?”

Silence.

“Sir,” says Jack, “I don’t care what your real name is and you don’t have to tell me, just tell me if this fella called you by your real name.”

“No,” says Oskar, and Jack can almost see him licking his dry lower lip. “He does not say my name.”

Jack can feel the fear through the phone. He speaks gently. “Good, that’s good, now tell me, what was the name by which he called you?”

Silence again.

Jack is worried, but he is also weary. Oskar Fried does not understand the chain of command; the fact that, in the absence of Simon, Jack for all intents and purposes is Simon. Not merely the delivery boy.

Fried hesitates, then says, “Dora.”

“‘Dora?’ Why would he call you that?”

“He is from Dora.”

“Dora sent him? Who is Dora?” His wife? A KGB agent? Jack waits for Fried to answer. “Oskar? Who is Dora?”

“You are not qualified me to — you are not qualified to interrogate me.”

Jack bites his tongue and squints. Stay cool. Fried is frightened. Terrified of being taken back to the Soviet Union.

Fried says, “Tell Simon, ‘Dora’. He understands this. You tell him to call me on the telephone.”

“Fine. Meantime, just sit tight, Oskar—”

“Sit—?”

“Don’t leave your apartment. No drives.”

“I do not drive, he sees the car.”

“The car?”

“I am running to my car, he follows, he sees.”

The licence plate. Whoever saw it may see it again. May go looking for it. May find it on Morrow Street, in front of Fried’s apartment building…. “Where’s the car now, Oskar?”

“I park behind the building.”

“Good. Now don’t worry. You were spotted — you were recognized on Saturday. That’s two days ago. If anything were going to happen it would’ve happened by now—”

Jack speaks with more certainty than he feels, but it is not an unreasonable deduction. He feels a stab of guilt — he should not have allowed himself to be lulled by the silence of the past few months. He ought to have stayed sharp. On alert. He ought to have given Fried the phone number of the honeymoon suite at the Holiday Inn in Niagara Falls.

Jack is about to hang up, he has to call Simon—

“I need food,” says Fried.

Jack drops his head to his hand. “Weren’t you just at the market on Saturday, sir?”

“Yes, I am recognized before I buy.”

Jack sighs, reaches for his pencil and a pad of government foolscap, reflecting as he does that Simon will probably instruct him to move Fried immediately, straight over the bridge to Buffalo — there may be no time for groceries. He is already thinking of excuses for Mimi as to why he has to drive to London tonight as he says, “Fire away.”

“I beg your pardon?”

“What groceries would you like me to bring?”

On the other hand, Jack may not have to do another thing but brief McCarroll. It’s typical, he thinks ruefully; the American gets to ride in at the last second and take the credit. McCarroll will spirit Fried away to Wright-Patterson Air Force Base and receive a hero’s welcome. No matter. The main thing now is to keep Fried safe. And calm. He listens and writes. “Butter, yup … mustard, yup I know, hot….”

The list is lengthy and detailed — Fried’s encounter with “Dora” seems to have done nothing to blunt his appetite. Jack scribbles. “Slow down, now…. Camembert and … what? Where am I going to find cherries? They’ll cost a fortune this time of — okay, what else?”

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