Ann-Marie MacDonald - Way the Crow Flies

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets.
Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job.
Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif.
Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces,
reminds us that in time of war the lines between right and wrong are often blurred.
Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered..
, in a starred review, called
“absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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“The United States also acts in secret, for example U-2,” says Froelich.

“How else are we supposed to know the Russians are arming Cuba to the teeth?”

“What about Gary Powers when he has invaded Soviet air last May?”

“We used to do that all the time in Germany,” says Jack and grins. Froelich glances up. Jack explains, “Our fellas’d climb into their Sabres and scream across into the Eastern Sector to test the Soviet response time. The Russkies’d send up their MiGs and chase us back home. They did the same thing to us.”

“If this was so harmless,” says Froelich, “why did Eisenhower say it was a weather plane for NASA?” He relights his pipe.

The aroma reminds Jack of home. Germany. He and Mimi and their little family — something complete about their lives over there. The sense that every day the world got a bit better. Cities healed, one brick, one spire at a time, flowers bloomed in window boxes. Perhaps it’s just nostalgia … for the smiles that greeted them when people found out they were Canadian. A new alliance forged from the intimacy of enmity. The past and the present had made a pact and the result was the future. Perhaps they were simply happy there. He is taken aback at that thought, because it would imply that he is something other than happy now. But, the current crisis notwithstanding, he is happy, surely. He is not aware of being unhappy. He taps the ash from his cigar and watches it float to the ground.

“Bottom line is, Henry, Castro is a puppet and Kennedy is an elected leader.”

“It’s a pity Americans are not so fond of democracy outside their own borders.” Sparks fly from the back of the car, where Rick is welding.

“That’s not true, Henry, what about the Marshall Plan, look at”—Jack almost says Germany, but catches himself—“Western Europe, look at Japan.”

“Look at Latin America, look at Indochina—”

“Uncle Sam can’t solve the problems of the whole world—”

“Part of the world just asks him to stay away—”

“Would you rather live in the Soviet Union, Henry?”

“To question U.S. is not to love U.S.S.R., a socialist is not a Communist.”

“Are you a socialist?”

“We are both.”

“Both socialist and Commu—?”

“Nein! You and I both are socialist.”

“How do you figure that, Hank?”

“You get sick, you go to hospital, doctors fix you, you don’t go broke.”

“Medicare—”

“Is socialist.”

Jack laughs. “You’re right, some of our best policies are—”

“Soviet Union is not even Communist, is totalitarian.” Froelich looks at his wrench as though he were angry at it—“Ricky, where have you put the pliers?!”

The sparks die, Rick’s face pops up and he pushes the welding goggles back on his forehead. “They’re right there, Pops, hangin’ off your belt.”

“Oh. Danke.”

Jack sees Rick duck down again and the shower of sparks resumes. With luck, that boy will never have to fight a war. “Stalin killed more people than Hitler,” he says, and regrets it immediately — but why should he pussyfoot around Henry Froelich? The man is not asking to be patronized — he keeps that tattoo covered for a reason.

“So?” says Henry. “One, one hundred, six million, this is supposed to make someone feel better? They are all butchers.”

“I’m just agreeing with you, Henry, that’s why you don’t see Americans jumping over the Wall to get into East Berlin, that’s why the brain drain is all one way.”

“Brain drain?”

Jack pauses. This is a conversation he would be having whether or not he had ever heard of Oskar Fried. It’s fine. “It’s just a way of saying that, given a choice, many Soviet scientists would jump at the chance to come here and work.”

“Ah”—Froelich nods—“you speak of defectors.”

“I guess so.” Jack inhales the smoke along with the sharp air as Froelich straightens, intent upon the engine, scratches his neck, leaving a streak of grease above his white collar, and says, “Can you ever trust a traitor?”

Jack is taken aback. He answers, almost peevishly, “They’re not necessarily traitors. Some are idealists.”

“That’s what those Englishmen called themselves. The ones who defected….”

Just then the screen door opens and, beyond the pool of light around the car, Jack sees a girl walking toward them in the dark.

“Ricky….”

It’s Karen Froelich.

“Yeah Mum?”

“Lizzie’s asking for you, hon.”

The kid wipes his hands on a rag and heads into the house.

“How are you doing, Karen?”

“Oh I’m fine, Jack, how are you, are you worried?”

“What, me? Naw. What do you make of all this nonsense?”

She does not demur or “leave that to you men,” she says, “I think it’s bullshit.”

He hesitates, then asks, “How do you mean?”

She folds her arms across her chest — her sloppy man’s vest is the last article of clothing that would suggest female characteristics, and perhaps that’s why it’s impossible not to notice her breasts suddenly take shape with her gesture.

“’Cause between the two of them they can already destroy the planet a couple of times over.” Her tone is offhand, in contrast with her words. “They don’t need Cuba as an excuse.” She pronounces it “Cooba.”

Jack says, “Is that what you think they want to do?”

“No, I think they want to, you know, scare us. Distract us so we won’t notice … all the other stuff, you know?”

He nods. But he doesn’t know. He glances at Froelich, who watches his wife. He is in love with her. It must take a lot of love to run that household, those kids.

“Cuba’s just caught in the middle,” she says. “Under Batista, they were just America’s whore. Fidel’s the best thing that ever happened to that country.”

Jack can’t decide what is more startling: her use of the word “whore” or her use of the word “Fidel.” Not to mention “bullshit.”

“I like the Kennedys at home”—her voice deceptively young in the darkness—“they’re really getting it together with civil rights down there. But the right-wing press has been baying for Castro’s blood for months, so…. Are you guys hungry?”

Jack shakes his head. “No, I’m uh — thanks Karen.” They watch her go back in the house.

Jack shifts his eyes from the screen door, and spits out a speck of tobacco. “We can only hope Khrushchev dismantles those weapons. It’s like General MacArthur said, eh? Never fight a war you don’t intend to win.”

“Ach, win schmin, it’s all good for business, no?”

“It’s about more than that, Hank, and you know it.”

“What is it about, my friend?”

“It’s about democracy. It’s about the fact that you and I come from worlds apart and wind up standing here in your driveway, disagreeing about something that in some countries would get us flung in jail for even talking about. And that includes Cuba.”

Froelich draws on his pipe and releases the leathery aroma in a white stream. Jack sends a chain of smoke rings up to drift and distend in the October sky. The two of them look up at the spangled dome. It really is a remarkably clear night. A beautiful night on earth.

Froelich says, “You want ein Bier , Jack?”

“Ja, danke.”

“What the heck is this?”

Jack is in his basement, surveying a ramshackle of cardboard boxes that he had neatly collapsed and stacked after the move in August. They now form tunnels under blankets reinforced with every book from the bookshelves, as well as the bookshelves themselves. Heavy hardcover volumes secure the blanketed extremities — Winston Churchill’s memoirs, all six volumes, The Rise and Fall of the Third Reich , along with several years of carefully preserved National Geographic magazines, the Encyclopaedia Britannica , the Huron County phone book and God knows what else. Sleeping bags that had been laboriously rolled and stored for the winter now curtain an entrance arch fashioned from one end of the old metal baby crib. Jack reaches out and rescues part of today’s newspaper from the literary thatch-work as Mike’s head appears between the sleeping bags. His daughter emerges. “Hi Dad, want to come in?”

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