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Ann-Marie MacDonald: Way the Crow Flies

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Ann-Marie MacDonald Way the Crow Flies

Way the Crow Flies: краткое содержание, описание и аннотация

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“The sun came out after the war and our world went Technicolor. Everyone had the same idea. Let’s get married. Let’s have kids. Let’s be the ones who do it right.” The Way the Crow Flies As the novel opens, Madeleine’s family is driving to their new home; Centralia is her father’s latest posting. They have come back from the Old World of Germany to the New World of Canada, where the towns hold memories of the Europeans who settled there. For the McCarthys, it is “the best of both worlds.” And they are a happy family. Jack and Mimi are still in love, Madeleine and her older brother, Mike, get along as well as can be expected. They all dance together and barbecue in the snow. They are compassionate and caring. Yet they have secrets. Centralia is the station where, years ago, Jack crashed his plane and therefore never went operational; instead of being killed in action in 1943, he became a manager. Although he is successful, enjoys “flying a desk” and is thickening around the waist from Mimi’s good Acadian cooking, deep down Jack feels restless. His imagination is caught by the space race and the fight against Communism; he believes landing a man on the moon will change the world, and anything is possible. When his old wartime flying instructor appears out of the blue and asks for help with the secret defection of a Soviet scientist, Jack is excited to answer the call of duty: now he has a real job. Madeleine’s secret is “the exercise group”. She is kept behind after class by Mr. March, along with other little girls, and made to do “backbends” to improve her concentration. As the abusive situation worsens, she is convinced that she cannot tell her parents and risk disappointing them. No one suspects, even when Madeleine’s behaviour changes: in the early sixties people still believe that school is “one of the safest places.” Colleen and Ricky, the adopted Metis children of her neighbours, know differently; at the school they were sent to after their parents died, they had been labelled “retarded” because they spoke Michif. Then a little girl is murdered. Ricky is arrested, although most people on the station are convinced of his innocence. At the same time, Ricky’s father, Henry Froelich, a German Jew who was in a concentration camp, identifies the Soviet scientist hiding in the nearby town as a possible Nazi war criminal. Jack alone could provide Ricky’s alibi, but the Cold War stakes are politically high and doing “the right thing” is not so simple. “Show me the right thing and I will do it,” says Jack. As this very local murder intersects with global forces, reminds us that in time of war the lines between right and wrong are often blurred. Ann-Marie MacDonald said in a discussion with Oprah Winfrey about her first book, “a happy ending is when someone can walk out of the rubble and tell the story.” Madeleine achieves her childhood dream of becoming a comedian, yet twenty years later she realises she cannot rest until she has renewed the quest for the truth, and confirmed how and why the child was murdered.. , in a starred review, called “absorbing, psychologically rich…a chronicle of innocence betrayed”. With compassion and intelligence, and an unerring eye for the absurd as well as the confusions of childhood, MacDonald evokes the confusion of being human and the necessity of coming to terms with our imperfections.

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Each regulation lawn bristles with individuality — bikes, strewn toys, a different car in every driveway, each refrigerator opening onto a world of its own. Some people’s fridges contain tins of Hershey’s chocolate sauce. Others contain Hershey’s tins that harbour lard and other horrible surprises; that is the McCarthys’ fridge. Madeleine’s mother wastes nothing, having grown up in the Depression. Although, considering that everyone else’s mother grew up in the Depression too, perhaps it’s an Acadian thing. Or merely Maritime — Canada’s “have-not” provinces. So, despite the uniformity of design, no two houses in the PMQs are exactly alike until that in-between time when one family moves out and the next one moves in. In that space of time the house is no one’s. It belongs to the taxpayers of Canada. During that no one’s time, the house is scrubbed, disinfected, painted white, stripped of blinds, invaded by echoes. It stands suspended, like a deconsecrated church. Not evil, just blank. Neither dead nor living. It comes alive again when a new family pulls into the driveway and says hello to it.

Madeleine reaches into her new Mickey Mouse Club knapsack for her autograph book. Everyone in her grade three class back in Germany signed it. She opens it….

Yours until Niagara Falls , wrote Sarah Dowd, the last letters tumbling down the page.

Yours till the mountains peak to see the salad dressing, love your friend forever, Judy Kinch .

Roses are red, lilies are white, I love you dear Madeleine, morning, noon and night, your best friend, Laurie Ferry .

The book is full. All have sworn to write. Madeleine and Laurie Ferry have sworn to meet on New Year’s Day of the year 2000, in the playground of their PMQs in Germany.

The printed letters look lonely all of a sudden — gay pencil-crayon colours like party decorations after the party. She closes the book, puts it away and takes a deep breath of clover air. There’s no reason to feel sad on such a beautiful day when you have your whole life ahead of you. That’s what grown-ups say. She pictures her life rolled out ahead of her like a highway. How do you know when you’re actually travelling along your life that was ahead of you but is now beneath your feet? How many more miles?

It’s hard to move into a new house without thinking of the day when you will be leaving. Say goodbye to the house, kids . And you will all be that much older. Madeleine is eight going on nine now so she will be going on twelve next time. Almost a teenager. And her parents will be older too. She tries to remember that they are younger now, but she can’t help looking at it in the opposite way: they are older than they were in the last house. And that means they will die sooner. Every house is a step closer to that terrible day. Which house will be the last? Maybe this one. The one we are on our way to say hello to.

The sun warms the lump in her throat and threatens to set tears overflowing her lids, so she closes her eyes and rests her temple against the window frame, soothed by the vibrations of the road. The wind in her hair is swift but gentle, the sun through her closed lids a kaleidoscope of reds and golds.

Outside, the afternoon intensifies. August is the true light of summer. Thick tenor saxophone light. Unlike the trumpets of spring, the strings of autumn. Visible grains of sunlight fall in slow motion, grazing skin — catch them like snowflakes on your tongue. The land is bursting, green and gold and bark. The stalks sway heavy with corn, slowing the breeze. The countryside reclines, abundant and proud like a mightily pregnant woman, lounging. “Pick your own,” say handwritten signs. Pick me.

The Indians grew corn. This is the part of Ontario first taken from them by settlers. They fought here alongside the English, first against the French, then against the Americans in the War of 1812. Now there are reservations, their longhouses and villages survive as drawings in sixth-grade history books and life-size reproductions in tourist villages. Their tobacco is a big cash crop in these parts, but they don’t grow it. The ground is still full of their belongings and many places have been named for their nations and in their languages, including Canada. Some say “Canada” means “village of small huts.” Others say Portuguese fishermen named it Ca Nada: there, nothing.

Welcome to Stratford, Welcome to New Hamburg… . So many places in Canada where you feel as though the real place is in another country. If you come from London, Ontario, for instance, you might not say, “I come from London.” You might have to qualify it with “Ontario.” Having to explain this can sound apologetic even if you are perfectly happy to come from London. Ontario. New York was named after York in England, but no one ever thinks of York, England, when they think of New York. Mike would say, “That’s ’cause the States has better everything.”

Welcome to Kitchener . “Did you know Kitchener used to be called Berlin?” says her father, with a glance in the rearview mirror. “It was settled by German immigrants, but they changed the name during the First World War.”

They stop for bratwurst and crusty white rolls, just like home. Germany, that is. Madeleine knows she must cease to think of Germany as home. This is home now — what she sees out the sunny car window. Impossibly long driveways that lead to gabled farmhouses with gingerbread trim. Immense fields, endless miles between towns, so much forest and scrub unspoken for, Crown lands, shaggy and free. Three days of driving through geological eras, mile after mile and still Canada. The vastness is what sets it apart from Germany. Part of what makes it Canada. “You could take the whole of Europe and lose it here in the middle of Ontario,” says her father.

Madeleine leans her chin on the window frame. Picture the war in Europe, the planes and tanks and concentration camps, picture Anne Frank writing her diary, Hitler saluting the crowds. There is more than enough room for all of it to have happened in the province of Ontario.

“But it wouldn’t happen here,” says Madeleine.

“What wouldn’t happen?” asks Dad.

“The war.”

“Which war?” says Mike.

“The Second World War.”

Mike points at her, then at his own head, and spirals his finger to indicate that she’s crazy. Madeleine controls her anger. She wants to hear her father’s answer. He says, “That particular kind of war could never happen here, sweetie, Canada is a free country.”

“If it hadn’t been for the war,” says Maman, “Papa and I would never have met”—Madeleine squirms—“and you and Michel would never have come along….” Her mother has a way of shifting a subject into a tilted version of itself. Stories of bombs and gas chambers do not go with the story of the air force dance in England where her parents met — The Story of Mimi and Jack. Maman sings, “‘Underneath the lantern, by the barrack gate….’” And that’s it for any serious discussion of the war.

Madeleine’s father is not an actual veteran, but he would have been had it not been for the airplane crash. Most of her friends’ dads are veterans — pilots and aircrew. Her German babysitter’s dad was a veteran too, of the Wehrmacht. He had one arm and their family went everywhere on a motorcycle with a sidecar. Some Canadian families made trips to see the concentration camps. Laurie Ferry saw piles of shoes at Auschwitz. But Madeleine’s father says, “There’s a difference between learning from history, and dwelling in the past.” Her mother says, “Think nice thoughts.”

Madeleine found an old Life magazine in the dentist’s waiting room on the base. On the cover was a dark-haired girl not much older than herself. Anne Frank. She stole the magazine and pored over it guiltily for weeks, until it disappeared from her room. Maman had rolled it up, along with several other magazines, in order to line a pointed clown hat as part of Madeleine’s Halloween costume.

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