Thomas McGuane - Ninety-Two in the Shade

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Set in Key West-the nation's extreme limit-this is the story of a man seeking refuge from a world of drug addiction by becoming a skiff guide for tourists-even though a tough competitor threatens to kill him.

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* * *

When Faron Carter was with his wife, he could contrive to deprive his face of all expression whatsoever. In this way he was able to keep from letting her know where she was picking up points and where she was losing them. It was a good little stunt; and without it, Carter would doubtless be in the rubber room at the state funny farm conducting Chinese fire drills. Now, when he had deprived his face of emotion, he had a wide and expressionless mouth like the juncture of a casserole dish with its lid.

Today his wife was ironing in front of the set, watching a teenage dance hour. The music was coughing so explosively that he could feel it in the ironing board when he rested his hand. And now and then the television would give them close-ups of the dancers with the points of their tongues protruding from the corners of their mouths. It was out of this world.

Jeannie Carter had been a pretty Orlando baton twirler twenty years ago; but now she looked like death warmed over; you had the feeling that if you touched your fingernail to her forehead, the skull within would jump into your lap. She was a driven lady with the baton and back-seat feel-ups so long past they were scarcely good for an off-color laugh on pinochle night; Jeannie Carter just needed a lot of goods to keep the mortal wolf from the door. She was a forlorn little sociopath, crazy with accumulated purchases, who could have been saved from her shopping sprees only by a weekly gang-fuck behind the high school; for she was not so degenerated that the varsity club wouldn’t line up the way they would, in mountain regions say, for a healthy sheep or yearling cow full of burdock and thistles. The truth was, Faron Carter did his best; but when she scrabbled, eyes popping, on his spacious chest, twisting a fierce and cosmically insatiable twat around his simple meat, it was in a vision of bleak and endless space that could only be modified to something in which she could live by purchases and then more purchases.

Now that is not to say she used her scattered ownerships to harm her neighbors, nor even, God knew, to characterize herself with her friends and what was left of her family.

It started with the showpieces. Their first showpiece was this modest concrete block house with its two bedrooms, its terrazzo-floored john and Florida room. There were reproductions on the walls that were more pitiful than tasteless; and Faron Carter’s tournament citations, his stuffed world’s records.

The second showpiece was the air-conditioned station wagon with the electric everything and the power-assisted altogether. It was cream-colored and had tooled Naugahyde upholstery. After ten months, none of it was scuffed; they had no children. I want my Gran Torino scuffed, thought Jeannie. I want the rich simuwood cherry-and-oak body paneling covered with a little one’s scratches. I want some li’l peeper to give me fits hacking around with the Selectshift Cruise-O-Matic, the RimBlow Deluxe three-spoke steering wheel or the Power-plus positive windows. I wanna look down at the optional color-keyed vinyl floor carpet and see bubble gum with them precious toothprints.

At each of her temples, Jeannie had barely visible veins that showed under her film of skin. You wouldn’t want to touch them either. When Jeannie used to poise heels together on the fifty-yard line, the white bulbs of rubber making a pale circle around her flawless twirling, her perfect, silver-sateen-enclosed, indented buttocks sent half the audience into a jack-off frenzy that made them blur out the first quarter of the game itself.

And Jeannie knew that. Twirling, dropping to one knee for the catches, then prancing downfield in a mindlessness now growing culturally impossible, she was a simple pink cake with a slot. And two broad bleacher-loads wanted a piece of it. It was a whole civilization up shit creek in a cement canoe without a dream of a paddle.

Now with veins in her temples ready to leak and a skull to jump out of its pale, thin envelope, she wanted to buy things. And it only made her sorry when she did; not that Carter went after her. He would come home and there would be some unpaid-for showpiece and Jeannie weeping by the TV and drawing flower-print tissues in decorative colors from a gift box. And Carter would feel sorry because he had just come from the Lions Club luncheon where things seemed fine; and here they’d gone from bad to worse.

They had gotten to the point of collection agents; and sometimes when Carter came in from guiding he found Jeannie in terror because some beef-fed muscleman had been around putting the heat on; or had perhaps gone so far as to garnishee the infrared barbecue oven or intercept some panel truck trying to deliver a love seat.

Years ago, in the lid of a makeup box she still used, she had printed this message from a book by Roger L. Lee called Baton Twirling Made Easy:

There is a tendency when strutting to shorten one’s stride. If one allows his stride to become less than thirty inches, he will crowd the first rank in the band. This, naturally, will cause the first rank to shorten its stride, throwing the entire band off.

Today, again, Carter had to explain that he couldn’t have every customer that came to the dock; there was another guide as much in demand as he was; and a kid who was the real McCoy was having a skiff built.

“Couldn’t you talk to Myron,” she pleaded.

“Myron doesn’t have anything to do with it. He just tells you what’s happened after it has happened.”

There was no use explaining. When Jeannie first saw Myron Moorhen at his desk with the yellow sheets and the columns of numbers streaming from his fingertips to the word TOTAL, something imprinted. Myron had the combination; and if you could only talk to him right, the immense empty space would send runners and connections toward one another.

And everything would be O.K.

* * *

Olie Slatt said, “I wouldn’t trade this certificate for a king’s ransom. It cost me an arm and a leg to get to the southernmost U.S. and this right here is your high point.”

“I hope she works out that way,” said Dance, “but to tell you the truth, I expected to see you a little sooner than this and now I’m booked up sixteen days straight.”

“What does that mean?”

“It means the soonest you could fish with me would be seventeen days from today.”

“But what about my damn certificate! I up-chugged for ten hours!”

“Wait a darn second now, Mr. Slatt. This certificate is good for a day’s guiding. You can go with the other boy on the dock here, the old boy in fact I learned everything I know off of.”

Olie Slatt was wearing a green plaid suit today, a little short at all its cuffs like a Pinky Lee outfit, except that Slatt was rawboned and pared off to a kind of resistant and cartilaginous surface that seemed implicitly violent in this wax-museum suit.

“Where do I find this other one?” Slatt’s pale and sullen face seemed to hang from the ring of his mouth.

“Right there in the bait shack.”

“I mean, look at me. Do I look like a rich man? Do I look like a man who can pay Howard Johnson sixteen times in a row to go out fishing on the seventeenth? What kind of queer breed of odds and ends do you have to get down here for you to think like that?”

“Well, you go in there and ask for Faron Carter and give him your certificate. That old boy is a regular fish hawk. If it’s in Monroe County and swims, he’ll put it in the boat.”

Olie Slatt turned as he crossed the lawn. The vent of his plaid coat was agape over his shining rump. “I whooped up ten hours of pie filling for that paper,” he said. “My nose is still burning and my gut feels like a mule kicked me. So, don’t you nor your sidekicks never try to put me off nor hand me down the line because I’ll come back lickety-split and be on you like a dog without a mother.” By this time Carter was in the bait-shack doorway listening in. “—I mean to hightail it back to Montana ten days from now with a trophy under my arm or I’m going to know the reason why. I have spent my leisure hours on the Missouri after paddlefish and saugers and dreaming of one day coming home to Roundup with a tropical trophy. Everybody knows why I am here. My reputation depends on my comin home with the goods.” All the time Dance watched him, Slatt was twisted around on his shining butt so you could see each button of his plaid suit fastened, his hamstrings sprung taut under the thin white socks as he flexed with irritation from head to toe; and Dance, already nonplused by existence in general, looked at Olie Slatt and thought he acted like a frog in a cloud of fruit flies.

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