Thomas Mcguane - Nobody's Angel

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Patrick Fitzpatrick is a former soldier, a fourth-generation cowboy, and a whiskey addict. His grandfather wants to run away to act in movies, his sister wants to burn the house down, and his new stallion is bent on killing him: all of them urgently require attention. But increasingly Patrick himself is spiraling out of control, into that region of romantic misadventure and vanishing possibilities that is Thomas McGuane's Montana. Nowhere has McGuane mapped that territory more precisely — or with such tenderhearted lunacy — than in Nobody's Angel, a novel that places him in a genre of his own.

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“The note. It said he would be back by hunting season. I’m taking my grandfather in the hills then. And you can go. Or whatever you decide.” All Patrick could think in the indescribable panic that touched him was, I’m sure he’s getting the best of care. He’s going to have to live a few days without her at the side of his bed.

Claire smiled. “Then we have some time together,” she said.

“I wish we had a lot of time together.”

“We don’t, darling. Let’s not pine for what we don’t have.”

Patrick thought, I’ve lied my way into this. What ever happened to the officer and the gentleman? He concluded that it had never been the case. The hell with it. “What are we to make of this?”

“I think we’re going to have a perfect time,” said Claire. “I’m real encumbered, but I’m falling in love with you.”

“That’s what’s happening to me.”

“Isn’t it so nice?”

“I don’t know if those are the words,” he said.

Shortly thereafter, packing saddlebags to take some limited supplies to the divide, the horses tied nose to nose at wind-twisted spruce next to the creek, Patrick knew that he was going to have to say something. But he was determined not to say it now. Otherwise the police or the papers or some blind, abstract party would do the work for him. So he was going to have to say something.

When they got to the top of the world where the lichen made free, unearthly effects, as though the rocks were stained by sky, they tied the horses once more, loosened cinches and made love on cold ground where spring flowers were blooming in the mouth of winter. Then they tied a knot at the corners of the Hudson Bay and enclosed themselves in it, though the blanket now smelled of the four-thousand-foot pull just made by Leafy and Box L.

“The thing is this: When I got to the house, the thing is, Tio was there, actually.”

“He was? You say he was there?”

“And at first things seemed quite normal. He just insisted that I be removed from this situation and that way this would never have happened. I didn’t think I saw him overwrought. He showered and changed. And suddenly he’d fallen and it was kind of … a fit.”

“Why didn’t you tell me?”

“I wanted the time with you.”

“What’s the matter with him? You liar!”

“I don’t know.” He was stung.

“Did they get him to the hospital?”

“I took him.”

“You were there when he fell apart? He’s not going to like that.”

“Does he always come out of these?”

“Yes. I wish you hadn’t lied to me.”

“Well, I just did,” said Patrick angrily.

“Is he hurt?”

“No, and the doctor on emergency had seen him before. So I thought they’d know what to do.”

“They will. But it doesn’t show up on the brain scan or in blood tests. And it never happened before we married.”

“That could just be coincidence.”

“It’s not. But you didn’t tell me the truth.”

“Are you entirely guilty for these fits? Is that your opinion?”

Patrick’s question sent Claire on a jag, as though somehow it all had to be pinned down immediately or their own fortunes would be swept under by the same malady.

“My family persuaded Tio that I had married beneath myself. I could have prevented Tio from believing that. I assure you he was a very nice boy and he bought what my family had to say. Tio never looked up from the work my father had set him to do until he had proven he was a genuine Tulsa patrón just like my father. It took years. And when Tio returned his attentions to me, I just wasn’t really there anymore. He began saying peculiar things. And when my father was dying, Tio hung around his hospital room. He said he wanted to be in at the death. He succeeded, the only one to see the so-called final gasp. Then, sir, we went on a tear: Ruidoso, Santa Fe, Vail, La Paz. I didn’t know whether he was happy or sad. He didn’t know if I was there with him or not, and it just lingered like that until we started on home from Palm Springs. Tio stood up in front of the in-flight movie and went haywire. He was horrible and superhuman and we had to make an emergency landing in Phoenix. They had this center where they could study him, and let’s see, I think it was there that he asked me whether or not I was going to let him go under. And I said I wouldn’t. Two days later, he was pounding that. WATS line. And like I said, it’s not on the brain scan or in the blood tests. But I did say I wouldn’t let him go under. I hope you’ve got that clear.”

They didn’t come down from the divide until darkness had fallen and the shining mantle of stars had rotated into the night. The stars looked like matches. There was some word for matches that was very close to the word “lucifer.” They looked like lucifers; and the horses picked down over the blasted rocks. You couldn’t see their legs and down in the trees Patrick and Claire couldn’t see each other and the lucifers were hidden behind the branches and even in the cold you waited for the lightning. “It would be hard for us to be much of anything with that hanging over us,” Claire said, almost asking. Patrick felt the sickness overcome him, the sickness he had known, one way or another, would come. “Tio knows me very well. He studied very closely and saw me falling in love with you. And I’m the one who made him so mean.” Leafy slid on the granite veil that caught the vague light of stars; and sparks streamed from her iron shoes. “What do you wish?” Claire asked.

“I wish you’d shut up.”

43

LOITERING BEFORE THE HOSPITAL SEEMED NOT THE IDEAL thing. Pacing like an expectant father, he had less than the routine beatitude upon his face. Presently Claire emerged, and from an unofficial doorway, suggesting familiarity with the place.

“He’s resting. He’s completely conscious.”

“What did he say?”

“He said that he was surprised to see me and that he thought I had come because I found sick people amusing.”

“He’s lost none of his sense of humor. Did he tug at your heartstrings?”

“Somewhat.” Her eyes clouded over as she turned to gaze at Patrick. A doctor arrived on a ten-speed bicycle and shot past very close, so that for a moment the air was filled with bay rum.

“Let’s go.”

They drove toward Claire’s place. Patrick told her about the condition of its interior, the carcasses, the bottles.

Claire turned on the radio. “The girls all look prettier at closing time.” “I wish things would lighten up,” she said. “I know we’re grown and all. But I’d like to dance my ass off.”

“Tell me about it.”

“We’ll survive this. But what is that worth?”

Patrick remembered Germany when the drugged girls were carried screaming from the cafés, the sense of flames in the doorways, the nerve net hanging vulnerable in empty space. Now the space was turning to enclosure and that was probably what Claire meant by wanting to dance her ass off. He wasn’t sure; but it had her quality of saying the right thing.

She was not prepared for the inside of the house. While Patrick raced around filling plastic bags, Claire flung open the windows, upstairs and down. Soon the wind coursed through the place, carrying flies and stink to blue eternity. When Patrick went upstairs he could see a shadow below, just as when Tio had paced the night of their dinner. At the top of the stairs was a photograph of Claire’s wedding. She looked quite the same, except that in the photograph she wore her hair in an old-fashioned chignon; but perhaps that was just the style of wedding pictures, the photographer hoping to give his work a lasting quality by suggesting the newlyweds had died some time ago.

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