Alasdair Gray - Unlikely Stories Mostly

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‘Too clever for its own good in parts, but otherwise a damned good read.’ Col. Sebastian Moran in the Simla Times.
‘This anthology may be likened to a vast architectural folly imblending the idioms of the Greek, Gothic, Oriental, Baroque, Scottish Baronial and Bauhaus schools. Like one who, absently sauntering the streets of Barcelona, suddenly beholds the breathtaking grandeur of Gaudi’s Familia Sagrada, I am compelled to admire a display of power and intricacy whose precise purpose evades me. Is the structure haunted by a truth too exalted and ghostly to dwell in a plainer edifice? Perhaps. I wonder. I doubt.’ Lady Nicola Stewart, Countess of Dunfermline in The Celtic Needlewoman.
Alasdair Gray’s most playful book earned a place in this Classic Series by being in print since first published by Canongate in 1983. This completely amended edition has two new stories; also a postscript by the author and Douglas Gifford.

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Nan had taken needles and wool from her apron pocket and was quietly knitting and smiling to herself. Gordon lay nearby pretending to sunbathe. He was worried. He really did not know Nan well. He had only seen her at the homes of friends, and had not even spoken to her much. His invitation to the party had been a surprise. Nan did not know him as well as several other people she might have invited. He had assumed she knew what he felt for her and was giving him a chance to know her better, yet since he arrived she had not paid him any special attention. Now she sat placidly knitting, sometimes glancing sideways at Clare with a slight ironic smile; yet he believed he saw in her manner a secretive awareness of him, lying apart and wanting her.

“Ach, the bitch,” he thought, “she’s sure of me. She thinks she can hurt me all she likes. Well, she’s wrong.” He got up, went to the table and started piling the plates together.

“I’ll take these indoors,” he said.

“Oh, don’t bother,” said Nan, smiling at him lazily. “Someone will have to shift them,” said Gordon sternly.

He took several journeys to carry the table things into the kitchen. It was cool and dim indoors. Nan’s father and three of her silent brothers were eating a meal at the kitchen table. They nodded to him. The mother was nowhere to be seen but he heard her voice among several shrill female voices in some other room. Gordon brought in the last table things and put them on the drying board of the sink, then stood awkwardly watching the four eaters. They were large men with stolid, clumsily moulded faces. Some lines on the father’s face were deeply cut, otherwise he looked very like his sons. He said to Gordon, “A warm evening.”

“Yes, I prefer it indoors.”

“Would you like a look at the library?”

“Er, yes, thanks, yes I would.”

The father got up and led Gordon across the hall and down a short passage, opened a door and stood by to let Gordon through. The library had old glass-fronted bookcases on each wall. Between the bookcases hung framed autographed photographs of D. Η. Lawrence, Havelock Ellis, Η. G. Wells and Bernard Shaw. There was a leather-covered armchair, and a round tin labelled ‘Edinburgh Rock’ on a low table beside it.

“You’ve a lot of books,” said Gordon.

“The wife’s people were great readers,” said Nan’s father. “Can I leave you now?”

“Oh yes. Oh yes.”

The father left. Gordon took a book at random from a shelf, sat down and turned the pages casually. It was a history of marine engineering. The library was on the opposite side of the hall from the living room, but its window also looked on to the back garden and sometimes Gordon heard an occasional shout or laugh or bark from those on the lawn. He told himself grimly, “I’m giving her a chance. If she wants me she can come to me here. In fact if she has ordinary politeness and decency she’ll be bound to look for me soon.” He imagined the things she might say and the things he would say back. Sometimes he consoled himself with a piece of rock from the tin.

Suddenly the door sprang open with a click and he saw coming through it towards him, not Nan, but the dog. It stopped in front of him and grinned up into his face. “What do you want?” said Gordon irritably. The dog wagged its tail. Gordon threw a bit of rock which it caught neatly in its jaws, then trotted out through the door. Gordon got up, slammed the door and sat down. A little later the door opened and the dog entered again.

“Ye brute!” said Gordon. “Right, here’s your sweet; the last you’ll get from me.”

He escorted the dog to the door, closed it carefully, turned a key in the lock, then went back to the chair and book. After a while it struck him that with the door locked Nan wouldn’t get in if she came to him. He glanced uneasily up. The door was open and the dog stood before him, grinning with what seemed, to his stupified eyes, triumphant amusement. For a moment Gordon was too surprised to move. He noticed that the animal was grinning with its mouth shut , a thing he had never seen a dog do before. He raised the book as if to throw it.

“Grrr, get out!” he yelled. The dog turned jauntily and trotted away. After thinking carefully Gordon decided some joker must have unlocked the door from outside: it was the sort of pointless joke Kenneth liked. He listened carefully and heard from the lawn the voice of Kenneth and the barking of the dog. He decided to leave the door open.

Later he found it too dark to see the page of the book clearly and put it down. The noises from the lawn had subtly altered. The laughter and shouting were now not continuous. There were periods of silence disturbed by the occasional shuffle of running feet and the hard breathing of somebody pursued, then he would hear a half-cry or scream that did not sound altogether in fun. Gordon went to the window. Something strange was happening on the darkened lawn. Nan was nowhere to be seen. Kenneth, Gibson and Clare were huddled together on the bare table-top, Clare kneeling, Kenneth and Gibson crouching half-erect. The white dog danced in a circle round the table among over-turned chairs. Its activity and size seemed to have increased with the darkness. It glimmered like a sheet in the dusk, its white needle-teeth glittered in the silently laughing jaws, it was about the size of a small lion. Gibson was occupied in a strange way, searching his pockets for objects and hurling them at the shrubbery at the far end of the garden. The white dog would run, leap, catch these in its mouth while they were in the air, then return and deposit them under the table. It looked like a game and had possibly begun as one, but obviously Gibson was continuing in an effort to get the dog as far away as possible. Gordon suddenly discovered Nan was beside him, watching, her hands clenched against her mouth.

Gibson seemed to run out of things to throw Gordon saw him expostulate - фото 23

Gibson seemed to run out of things to throw. Gordon saw him expostulate precariously for a moment with Kenneth, demanding (it appeared) his fountain pen. Kenneth kept shaking his head. He was plainly not as frightened as Gibson or Clare, but a faint embarrassed smile on his face suggested that he was abashed by some monstrous possibility. Gibson put a hand to his mouth, withdrew something, then seemed to reason with Kenneth, who at last shrugged and took it with a distaste which suggested it was a plate of false teeth. Kenneth stood upright and, balancing himself with difficulty, hurled the object at the shrubbery. It was a good throw. The white dog catapulted after it and at once the three jumped from the table and ran to the house, Kenneth going to the right, Gibson and Clare to the left. The dog swerved in an abrupt arc and hurled toward the left. He overtook Clare and snapped the hem of her dress. She stumbled and fell. Gibson and Kenneth disappeared from sight and two doors were slammed in different parts of the house. Clare lay on the lawn, her knees drawn up almost to her chin, her clasped hands pressed between her thighs and her eyes shut. The dog stood over her, grinning happily, then gathered some of the clothing round her waist into its mouth and trotted with her into the bushes of the shrubbery.

Gordon looked at Nan. She had bowed her face into her hands. He put an arm round her waist, she laid her face against his chest and said in a muffled voice, “Take me away with you.”

“Are you sure of what you’re saying?”

“Take me away, Gordon.”

“What about Clare?”

Nan laughed vindictively. “Clare isn’t the one to pity.”

“Yes, but that dog!”

Nan cried out, “ Do you want me or not?

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