Craig Davidson - Sarah Court

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Sarah Court: краткое содержание, описание и аннотация

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Sarah Court. Meet the resident.
The haunted father of a washed-up stuntman. A disgraced surgeon and his son, a broken-down boxer. A father set on permanent self-destruct, and his daughter, a reluctant powerlifter. A fireworks-maker and his daughter. A very peculiar boy and his equally peculiar adopted family.
Five houses. Five families. One block.
Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know?
I know, and can show you. Please, let me show you.
Welcome to Sarah Court: make yourself at home.
Davidson (The Fighter) delivers a dark, dense, and often funny collection of intertwined tales that are rewarding enough to overcome their flaws. The five families in the squirrel-infested homes on the titular street are made up of broken and dysfunctional characters. Patience shoplifts for a hobby; daredevil Colin has no sense of fear; hit man Jeffrey was raised in a foster home and might have Asperger's, synesthesia, or some entirely different neurological weirdness; Nick still rankles from the years his father forced him to try his hand at boxing; and Donald is trying to sell a strange box that he says contains a demon. Davidson delivers his story at a leisurely pace with only a hint of gonzo gore, aiming for readers who appreciate nonlinear narrative structure, flawed characters often unsure of their own motivations, and an evocative sense of place.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Lives of the people who live in five houses in one block on Sarah Court, just north of Niagara Falls, intertwine in these five chapters of tightly packed prose. River man Wesley Hill, who picks up the “plungers,” can’t dissuade his daredevil son, Colin, from going over the falls. Patience Nanavatti, whose basement was blown up by Clara Russell’s pyromaniac foster child, finds a preemie in a Walmart toilet. Competitive neighbors Fletcher Burger and Frank Saberhagen pit their children, pending power-lifter Abby Burger and amateur boxer Nick Saberhagen, against each other athletically. And there’s much more, as Davidson loops back and forth, playing with chronology to finish stories. There is a strong emphasis on fatherhood here, with wives and mothers largely absent, and the masculine bent is particularly obvious in a stupid bet — a finger for a Cadillac — over a dog’s trick. Given that a handful of characters suffer significant brain damage, caused as often by intent as by accident, the introduction of a mysterious alien being seems superfluous. In Davidson’s vividly portrayed, testosterone-fueled world, humans cause enough pain all by themselves.
—Michele Leber From Publishers Weekly
From Booklist

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From the amphitheatre arises a yell— “Yeeeeearrrrgh!”—followed by a splash.

I walk down McLeod to Stanley. Mist gathers in funnels of light under the streetlamps. I trot along the breakdown lane. My father would wake me in the witching hours to run the gravel trail skirting Twelve Mile Creek. A gumshield socked in my mouth conditioning me to breathe past the obstruction. Taste of epoxy on my tongue: the same taste that fills your mouth driving past that glue factory in Beamsville. A sensation innately linked to boxing, same as the smell of the adrenaline chloride Dad swabbed in my cuts, through layers of split meat: it had the smell of silver polish.

A pickup blasts down the yellow line. The bed’s full of young guys. Something of their circumstances— so different than my own at that age — washes over me with the diesel exhaust.

My twenty-seventh fight, the one where the wheels began to fall off, was against Clive Suggs. Our weights the same but Suggs was a man.

We fought at the Lake street armory in a ring erected between decommissioned tanks. I knew Suggs was going to cream me. So black that when sunlight struck him there was a soft undertone of heavy blue about his skin. Clavicle bones spread like bat’s wings from his pectorals. His wife had been there. His boy. I’d be fighting a father. I was a sixteen.

We boxers shared one change room. Suggs caught my eye and winked. Not an unfriendly gesture. He had his own problems with a wife giving him hell.

“Boxing at your age,” she said. “You must have a death wish.”

“Me, baby? Naw. I got a life wish.”

My father made a gumshield for me by joining two mouthpieces together. Glued slightly off-kilter so my lower teeth jutted ahead of the uppers. A forced underbite kept my teeth from clicking, which prevented shockwaves coursing down my jawbone into the cerebrospinal fluid occupying the subarachnoid space around my brain, which would have cold-cocked me. He cut holes in the silicon so I could vacate air without opening my mouth. It worked. I took shots that rolled my eyes so far back that the ligatures connecting to my eyeballs stretched to snapping. I was overtaken by this blackness where all I could hear was the scuffling of boots and thack of my heart. All I felt were bands of fire where the ring ropes touched my back. I’d sink back into my skin conscious yet likely concussed. Hoovering air into my nose. Expelling it in a mad hiss through holes in my gumshield. My father strapped oversize surgical Q-Tips to his wrist with a blue elastic band like they use to bind lobster claws. He’d soak them in adrenaline chloride 1/100 and between rounds stuff them so far up my bloody nose the pain of those Q-Tips poking what felt like the low hub of my brain made the nerves at the tips of my fingers spit white fire. And I never gave up. I should have. You can toughen every part of your anatomy save that glob of goo in your skull.

Strangest thing about a savage beating — one of those within-an-inch-of-your-lifers —is how everything’s the best the following day. You wake up, sun streaming into your room: The most beautiful sunlight ever . Eat a bowl of oatmeal: Goddamn if this isn’t the best thing I ever ate . Look out the window see a butterfly: Mr. Butterfly, you’re the prettiest creature . If you’re lucky to have a girlfriend and if she’s kind enough to kiss those spots that hurt—“ Every spot’s hurting, honey”—the feel of her lips will drive you into a whole other dimension of pleasure. That terminal day-after sweetness is so addictive.

Suggs starched me with a honey of a left hook that no mouthpiece or the direct agency of God could have averted. After the ref raised his hand, Suggs reached over the ropes for his son. Perched him on his shoulder. Never had I seen any two people so concurrently, radiantly happy. For the son: the elemental joy of being in that ring, one arm slung round his pop’s neck. For Suggs: that rare opportunity to share a personal triumph. You and me, boy! You and me . I suppose I became part of what may stand as Clive Suggs’s finest hour — sad, considering: he pulped a kid with no future in the sport in a ring erected between WWII tanks at a bout watched by fifty. But his boy didn’t know that. And it may not have mattered. To his son, Clive was mythic in those moments.

Suggs knocked over a Gales Gas and earned a jolt in the Kingston penitentiary. “So he did have a life wish,” my father remarked. “A ten-years-to-life wish.” He works at a retirement home now, I hear. That’s just how the wheels roll in these southern Ontario towns, and I roll on it same as anyone.

But… that look Clive Suggs’s boy gave his Dad. That myth-making look. I’ve never given my father that look. And my son has never given it to me.

The Fallstumble grey to match an overcast sky. A subdued crowd gathers along tarnished railings surveying the basin to watch Colin Hill go over the cataract.

“You’d’ve figured a bigger turnout,” says Abby.

She’s training again following a shoulder injury. She returned from vacation overweight and this, she says, had really set her father off. Dylan holds her hand as we come down Clifton Hill. On the patio of a dismal karaoke bar a rotund shill dressed as Elvis croons “Are You Lonesome Tonight?” His Tonawanda accent makes it sound he’s singing, “Are you loathsome tonight?” We find a spot amongst the railbirds. Down in the basin Wesley Hill stands at the stern of his boat.

“I got to pee.”

“You peed before we left, Dill.”

“That hot chocolate,” he reminds me.

I take Dylan’s hand to lead him across the road. He says he can go himself.

“That arcade across the street should have one. Come right back. I’m watching.”

Abby asks after my father. She knows all about the operation he’d botched some time ago. A wayward incision in somebody’s prefrontal lobe. The patient’s identity was protected by privacy statutes.

“I’m not saying he was drinking beforehand, but when you fall to pieces have the grace to admit it,” I tell her. “Stop dicking around in people’s heads.”

Where’s Dylan? Abby follows me across the road into the arcade. The attendant occupies a Plexiglas bubble with a police-car cherry rotating above it.

“See a kid?” I ask him. “Short, a little chubby.”

“We get a lot of chubby kids in here, dude.”

The arcade’s rear door leads into an alley that empties onto Clifton Hill. Abby and I trudge uphill pressing our noses to the odd window. The air is quite suddenly full of fibreglass insulation; it sweeps down to the Falls in a pink drift. Abby’s face is clung with pink flakes. Fibreglass stuck to windows and the street. Dylan comes down the sidewalk in the company of a man. They’re holding hands. He’s covered in pink. There’s blood under his fingernails where the fibreglass cut in.

“Where the hell did you go?” I say, my seething anger barely contained.

“No place to pee.”

The man points to a construction site. “I found him up there.”

“Jeffrey?” Abby says to him. “Are you Jeffrey, from Sarah Court?”

Older, taller, but unmistakably so. Jeffrey, one of Mama Russell’s special “boys.”

“Abigail. Nicholas. This is your son.” His inflection makes it less question than assertion.

“Only mine,” I say. “We’re here for—”

“Colin Hill.” Jeffrey brushes pink out of his hair. “A block reunion.”

He speaks as if he’s joking but there’s no smile. Jeffrey always was an odd duck. Same as the rest of Mama Russell’s reclamation projects.

By the time we make it down, Colin Hill has already gone over. The crowd is buzzing. In the basin, Wesley Hill’s jonboat has been joined by a tactical ambulance speedboat. Flashing red lights. Flashbulbs pop along the rail.

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