Craig Davidson - Sarah Court

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Sarah Court: краткое содержание, описание и аннотация

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Sarah Court. Meet the resident.
The haunted father of a washed-up stuntman. A disgraced surgeon and his son, a broken-down boxer. A father set on permanent self-destruct, and his daughter, a reluctant powerlifter. A fireworks-maker and his daughter. A very peculiar boy and his equally peculiar adopted family.
Five houses. Five families. One block.
Ask yourself: How well do you know your neighbours? How well do you know your own family? Ultimately, how well do you know yourself? How deeply do the threads of your own life entwine with those around you? Do you ever really know how tightly those threads are knotted? Do you want to know?
I know, and can show you. Please, let me show you.
Welcome to Sarah Court: make yourself at home.
Davidson (The Fighter) delivers a dark, dense, and often funny collection of intertwined tales that are rewarding enough to overcome their flaws. The five families in the squirrel-infested homes on the titular street are made up of broken and dysfunctional characters. Patience shoplifts for a hobby; daredevil Colin has no sense of fear; hit man Jeffrey was raised in a foster home and might have Asperger's, synesthesia, or some entirely different neurological weirdness; Nick still rankles from the years his father forced him to try his hand at boxing; and Donald is trying to sell a strange box that he says contains a demon. Davidson delivers his story at a leisurely pace with only a hint of gonzo gore, aiming for readers who appreciate nonlinear narrative structure, flawed characters often unsure of their own motivations, and an evocative sense of place.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Lives of the people who live in five houses in one block on Sarah Court, just north of Niagara Falls, intertwine in these five chapters of tightly packed prose. River man Wesley Hill, who picks up the “plungers,” can’t dissuade his daredevil son, Colin, from going over the falls. Patience Nanavatti, whose basement was blown up by Clara Russell’s pyromaniac foster child, finds a preemie in a Walmart toilet. Competitive neighbors Fletcher Burger and Frank Saberhagen pit their children, pending power-lifter Abby Burger and amateur boxer Nick Saberhagen, against each other athletically. And there’s much more, as Davidson loops back and forth, playing with chronology to finish stories. There is a strong emphasis on fatherhood here, with wives and mothers largely absent, and the masculine bent is particularly obvious in a stupid bet — a finger for a Cadillac — over a dog’s trick. Given that a handful of characters suffer significant brain damage, caused as often by intent as by accident, the introduction of a mysterious alien being seems superfluous. In Davidson’s vividly portrayed, testosterone-fueled world, humans cause enough pain all by themselves.
—Michele Leber From Publishers Weekly
From Booklist

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Teddy’s carbonized skeleton was later doused by firemen. Hands heat-welded to my father’s steel workbench. Skull pushed back on his spinal column from the force of the blast.

Insurance covered the rebuilding costs but my father assumed the neighbours blamed him. We moved away from Sarah Court, resettling way across town. Not long after the fire, my father told me I was adopted.

“Patience, sit there on the couch. A bit of a bomb I’ll be dropping.”

Less a bomb than a grenade lobbed between us — a grenade he’d feared would shatter my psyche, sense of self, my whatever else. It occasioned in me nothing but curiosity.

Where was I adopted?

“An institution north of here. I wasn’t an ideal candidate but a solid citizen.”

How did I end up there?

“Nobody saw the need to tell me. People do take on burdens that overmaster them.”

Why take me in?

“You needed adopting. I was in a position to do so.”

Did it ever scare you — being a father?

“There should be a training guide for new fathers. Either your head’s screwed on tight and gets unscrewed, or you come into it a wreck and fatherhood is a centralizing circumstance to an even greater crackup. Fatherhood destroys some men.”

He offered to help track my parents down. I’d no urge to find them. My father was Philip Nanavatti: this fact as cleanly connected to me as each finger at the end of each hand. The circle closed upon itself and I was content within its circumference. That I may still have a mother was no different than discovering I had an extra organ. A tiny sac or bladder that contributed nothing to my health nor brought about any sickness. A surgeon could excise it, yes, but since it was benign and I could quite happily exist with it somewhere within me, why bother?

“Your mother was not a bad person, pet.”

I never thought of her as bad. My mother is any one of a billion women in as many conditions. In prison or a boardroom or an oil sheik’s harem. A housewife in Paramus, New Jersey. A roller derby queen going by the name of Cinnamon Kiss in Poughkeepsie. A cipher, as the woman who stuffed baby Jane into a toilet was a cipher.

My mother died birthing me.

The only worrisome quality to not knowing your parents is you don’t truly know yourself. You never know what you are capable of, as you cannot see your roots. The skews of their braiding. What they touch, or fail to.

It’sthat time of evening where the sun rests at that particular point in the sky: hitting your eyes directly, sunlight robs the world of dimension. Buildings become black cut-outs hammered flat by the refraction of the sun. A shape darts onto the road. I swerve, no thump, missing it.

Jane Doe sits in a car seat facing away from the dashboard. Otherwise if I crashed, accidentally or on purpose, the passenger-side airbag would deploy to crush the little-bitty bones of her face. I hit the QEW highway, going east. A squad car rushes past in the opposite lane. The highway wends past Niagara Falls to the Fort Erie border. It suddenly occurs to me that my mental state is not up to explaining Jane to the border guards.

I return to St. Catharines and park at the Big Bee convenience store near the bus depot. I pull in beside a minivan, unbuckle baby Jane, and enter the store. I microwave pablum in one of the baby bottles I’d bought. Another customer scans a low shelf with his back to me. I spy a pack of fireworks next to sacks of expired dog kibble. The microwave dings. I dab pablum on my wrist. Outside a man hops into the minivan and peels off. I angle the bottle so Jane’s lips clasp round the nipple. Press her warm body to my chest.

Tufford Manor is set off Queenston street. With its bevelled wrought iron gates inset with seraphim, its faux-granite facade shielded by second-growth willows, you’d be forgiven for mistaking it for an upscale condo complex. Until you noted the proliferation of walkers and wheelchairs and oxygen canisters. Orderlies with the air of bored cattle wranglers.

The one behind the desk is a large black man. Above the starched white collar of his uniform, his head seems to float disembodied, in the style of a magician’s trick.

“Patience,” he says.

“Nice to see you, Clive.”

A man so ancient it is conceivable he’d seen his

first military engagement during the Boer War staggers into the lobby in his sleeping flannels. His body’s all shrivelled up like a turtle that crawled under a radiator.

“Where’d you sneak off to?” Clive spots the box of wooden matches tucked under the old man’s arm. “Give them here, Mister Lonnigan.”

The old man, Lonnigan, stashes the matches behind his back. They poke past his hipbone.

“Don’t make a nuisance,” Clive says, gently wresting them away.

“You sadistic bull Negro.”

“What have I told you about that trash?”

“Big as a bull, sadistic, and you’re a Negro.” Lonnigan pronounces it Negra . “Where am I lying?”

“You speak to wound. The preferred nomenclature is African Canadian.”

Lonnigan’s jaw juts. “When are you gonna fix my record player?”

“It’s been bust since they rolled you in.”

“You said you’d help.”

“Tomorrow,” says Clive. “Go on, now, give me peace.”

“Visiting hours are over,” Lonnigan says to me.

“Why fret every little thing, Mister L? Lighten up. You’ll live longer,” I say.

“Here’s a nudie club bartender telling me how to live. I lived plenty enough.”

“Nine-tenths of the time he’s demented,” Clive says to me. “But there’s that other tenth.”

Clive folds his arms across his chest. A puzzled but not aggressive gesture.

My father died seven months ago. His body’s interred up the road. His room presently occupied by someone else.

“I saw these fireworks and thought of Dad.”

“Long ways off the First of July, Patience.”

“Bad idea?”

Clive unknits his arms. “Long as we aim them over the golf course I can’t see the harm.”

The courtyard: clean-swept and hemmed on three sides by balconied terraces. Clive wheels Lonnigan out. A patchwork blanket is draped over the old man’s legs.

“Mr. L chummed around with your father,” says Clive.

“Didn’t know you were his relation,” Lonnigan says. “That your baby?”

Lonnigan appears to have forgotten we all start out so small. Jane grasps his index finger in her tiny fist.

“The grip on him. Be a ballplayer.”

“He’s a she.”

“I’ll be damned.”

Clive wrestles a stone flowerpot into the centre of the courtyard. Windows brighten about us. I angle a roman candle east over the golf course.

“We need matches.”

“How about it, Mr. L?” says Clive. “You got some matches for the little lady?”

“Skunk. You rotten skunk.”

“I smoke,” Lonnigan says after Clive’s gone inside for some. He cups his neck while he talks, as if to keep in fingertip contact with his heartbeat. “Cherrywood briar. Got the tobacco but they won’t let me lay my hands on matches. My doc’s a wet-behind-the-ears little sonofabitch shaver. Bastard still wears dental braces. Taking my marching orders from a, a, a — a brace-face. Pipe but no matches. Like to give a man a gun but no bullets. Don’t grow old, is my advice to you.” He gives this same warning to Jane in a high baby voice: “Don’t… grow… old.”

Clive returns with a Zippo. Coloured balls of fire arc over telephone poles at the courtyard’s edge. Lonnigan’s eyes close. Eyelids thin as tissue paper wormed with red capillaries.

“When we were kids,” he says, “we’d find bullets in the fields. Battles had been fought there, you see. We’d take our spades”—he clarifies—“I mean spades as in shovels. Not that we had slaves the colour of Clive here who did our digging.”

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