Mahi Binebine - Horses of God

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Horses of God: краткое содержание, описание и аннотация

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On May 16, 2003, fourteen suicide bombers launched a series of attacks throughout Casablanca. It was the deadliest attack in Morocco’s history. The bombers came from the shantytowns of Sidi Moumen, a poor suburb on the edge of a dump whose impoverished residents rarely if ever set foot in the cosmopolitan city at their doorstep. Mahi Binebine’s novel
follows four childhood friends growing up in Sidi Moumen as they make the life-changing decisions that will lead them to become Islamist martyrs.
The seeds of fundamentalist martyrdom are sown in the dirt-poor lives of Yachine, Nabil, Fuad, and Ali, all raised in Sidi Moumen. The boys’ soccer team, The Stars of Sidi Moumen, is their main escape from the poverty, violence, and absence of hope that pervade their lives. When Yachine’s older brother Hamid falls under the spell of fundamentalist leader Abu Zoubeir, the attraction of a religion that offers discipline, purpose, and guidance to young men who have none of these things becomes too seductive to ignore.
Narrated by Yachine from the afterlife,
portrays the sweet innocence of childhood and friendship as well as the challenges facing those with few opportunities for a better life. Binebine navigates the controversial situation with compassion, creating empathy for the boys, who believe they have no choice but to follow the path offered them.
Winner of the 2010 Prix du Roman Arabe and Prix Littéraire Mamounia
"The novel provides context and perspective to often little-explored issues, offering incredible insight into the complex lives of poor boys who are groomed to kill themselves for a cause and commit violent acts in the name of religion. Binebine portrays these young men as supremely human, victims of powers much larger than themselves, and like any Kafkaesque anti-hero, cogs in an incomprehensible and monstrous machine."
— Starred Publishers Weekly
"Moroccan painter, novelist, and former math teacher Binebine (Welcome to Paradise) writes with humor and pathos amid the novel’s grinding tragedy but never allows the narrative to veer into self-pity or cheap sentimentality. The book is based on the 2004 suicide bombings in Casablanca, and Binebine’s unblinking eye for detail makes this a haunting tale."
— Library Journal

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Yes, we’d succeeded beyond all expectations. Abu Zoubeir, Emir Zaid, and his companions must have been rubbing their hands in front of their television sets. Fuad must have been tearing through the Casablanca streets like a convict, with his bomb pressing on his heart, searching all over for the Oubaida brothers to disconnect it. As for us, we were dead, just dead.

And I’m still waiting for the angels.

18

FROM THE DEPTHS of my solitude, when memories of my ruin assail and torment me, when the weight of my faults becomes too heavy to bear and my mind, already old and tired, begins to spin like an infernal merry-go-round, when Yemma’s tears fall on me like a shower of fire and Ghizlane’s grief injects its deadly poison into my soul, I go off wandering in the sky of my childhood.

I often go there at night to watch the shifting shadows take possession of the place, as the last lights go out. Then I weep, in my own way, waiting for daybreak. The slum hasn’t changed. It’s grown even bigger, and the shacks that were once separate now form a city. A vast city of the living dead. I wait and I cry, watching the wheel that keeps on turning. The dump is there, eternal and infinite. In the writhing turmoil of the garbage trucks, the foragers and the seagulls, the herds of goats munching on plastic bags, the dogs and cats shrouded in gray smoke and dust clouds, I can see some scrawny kids running after a flat ball, without a care in the world: the new Stars of Sidi Moumen.

ACKNOWLEDGEMENTS

The translator wishes to thank Ros Schwartz, Rémi Labrusse, Babajide Oyenigba, and especially Amia and Mahi Binebine for all their help.

ABOUT THE AUTHORS

MAHI BINEBINE was born in Marrakesh in 1959. He studied in Paris and taught mathematics until he became recognized first as a painter, then as a novelist. Binebine lived in New York in the late 1990s, when his paintings began to be acquired by the Guggenheim Museum. His first novel, Welcome to Paradise , was published in France by Librairie Artheme Fayard in 1999, in Great Britain in 2003 by Granta Books, and in the Unites States in 2012 by Tin House Books. He lives in Marrakesh.

LULU NORMAN is a writer, translator, and editor who lives in London. She has translated Albert Cossery, Mahmoud Darwish, Tahar Ben Jelloun, and the songs of Serge Gainsbourg and written for national newspapers, the London Review of Books , and other literary journals. Her translation of Mahi Binebine’s Welcome to Paradise (Granta, 2003; Tin House Books, 2012) was short-listed for the Independent Foreign Fiction Prize. She also works as editorial assistant of Banipal , the magazine of modern Arab literature.

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