Yoram Kaniuk - The Last Jew

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The Last Jew: краткое содержание, описание и аннотация

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Yoram Kaniuk has been hailed as “one of the most innovative, brilliant novelists in the Western World” (
), and
is his exhilarating masterwork. Like Gabriel Garcia Marquez’s
is a sweeping saga that captures the troubled history and culture of an entire people through the prism of one family. From the chilling opening scene of a soldier returning home in a fog of battle trauma, the novel moves backward through time and across continents until Kaniuk has succeeded in bringing to life the twentieth century’s most unsettling legacy: the anxieties of modern Europe, which begat the Holocaust, and in turn the birth of Israel and the swirling cauldron that is the Middle East. With the unforgettable character of Ebenezer Schneerson — the eponymous last Jew — at its center, Kaniuk weaves an ingenious tapestry of Jewish identity that is alternately tragic, absurd, enigmatic, and heartbreaking.

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They visited Friedrich's grave. It was beautiful and delicate and a wind wisped in the treetops. Henkin seemed in tune with the landscape. Leads a group of parents to Nabi Samuel. And Germanwriter, who never broke his own pattern and didn't let himself fall like that, stands for one hour every day and reads his novellas and stories to his dead son, and the beloved Jordana brings people to see the writer who reads his works at the grave of a boy who didn't want to read his father's works, and Renate waits with patience and love, maybe a little contempt, which she inherited from Hasha Masha but she understands, like Hasha Masha she understands their need to love like that after death which they could fix, if they were able to fear life less, and he stands and reads his works and the wind is pleasant in Bab-el-Wad, where they died in the wars and read stories to dead sons who will be brought from far away by the Holocaust Fund of the needleworkers in Cologne to help their bereaved brothers in Israel.

Once in Cologne, Ebenezer said, Germanwriter recalls: If Moses hadn't grown up in an Egyptian house, would he have been able to think of rebellion? A Hebrew would have thought about uprising and not of a rebellion that is a revolution. Only at a river with a king who's a god and whose divinity is geometric, tangential, and congruent with the laws of low tide and high tide, the moon and the sun, only there, in harsh strips of ripples of water, on the edge of the desert, could it have become clear finally that a mighty mechanics of water regulation in an arid desert is a kingdom, is the Lord, is God, the imprisonment of revolts, and from that root of a river came prison and slavery and uprisings and freedom. The river is geometrical freedom as well as eternal slavery. In the desert the Egyptian turned into the Jew. On Mount Sinai, they turn real and necessary tyranny into the anarchy of an arid wasteland that burns in the blood. They needed Moses and he, whose soul was embittered by revolt, of a hard speech and of a hard language, an ancient desert aristocrat, needed the grandsons of Jacob who were crazy for the wilderness, filled with bitterness and depression, the spirit of rocky ground of lost yearnings for a past they almost had.

And then he quoted the passage: Everything is foreseen and permission is given. He said that was the whole Torah in a nutshell. So Samuel boarded the ship Salvation and went to the Land of Israel, and at the same time he met Lionel and went to America. It was some fateful decision before he was born. It was known in circles of heaven that Samuel will die like that and not otherwise, so he had to board the Salvation, fight the British, be sent to Cyprus, ascend to the Land of Israel, be the wolf who learned to play seventeen different instruments. But permission was also given, and Sam is the permission given, so he rebelled against his blood.

Thus pondered Germanwriter in the glow of nightfall. Henkin and Hasha and Ebenezer and Fanya R. also sat in the room. All of them were over seventy except Fanya R., and nobody could know how old she was. There was a sense that everybody lived in that moment when Boaz sits in Samuel Lipker's room and something that can't be known is happening there, something nobody can imagine, although the meeting is more imperative than all the meetings discussed in the hundreds of Ebenezer's tapes, in the letters Henkin wrote to Germanwriter and German writer to Henkin, what could have been more imperative than that meeting, decreed by fate in another thousand years when the last offspring of Boaz and Sam will sit in a spaceship, on the way to the stars of Andromeda, bound to the world along with the last human beings on their way to the cosmic explosion that will come after, or before, and then at that moment that was, and may arrive, it was decided that that meeting will be and everything that happened before, including Renate, "Rhapsody in Blue," the inflation of the 'twenties, the fate of foreign subjects in the Ottoman Empire, all that happened so that Sam and Boaz will be imprisoned together in a room. The moon was full, they sat in Henkin's room, there was a clear feeling that every single one of them destroyed his loved ones and in burying them entered the grave standing up, like Secret Charity, and resided there with the loved ones who died by their hand, or whose fate was decreed by another accidental assignment, who knows, and it was clear that they're united in a dark connection whose thread was in the hands of a Captain, and now it was impossible to ask him anything, that everything is vague and yet there was life and there were nice moments and there were days and there were wonderful nights and nobody succeeds in loving somebody who deserves his love, but in running away to something like love, to be saved from the vengeance of death, that maybe Rebecca was right when she married Nehemiah and not Joseph, for everybody whoever married Joseph Rayna paid a price that is then not forgiven, anybody who married love begat offspring who owed something that couldn't be reformed. And then you find love split on the shore of Jaffa and you pick up Nehemiah and don't restore him to life and abandon Ebenezer and Boaz is born and kills Dana and begets Sam and ends with a son Noga carries inside her and will be the object of the great destruction that people carried from one generation to another to avenge the empty heaven for their love for a peculiar nation that was forgotten in ashes.

And it was that evening, Noga sat pressed to the window, they were gloomy, Rebecca phoned and was worried about Boaz. Henkin pondered and one of them, Sam or Boaz, slapped Licinda's face, and Lily started speaking German, and Lionel thought about a cookbook of medieval pilgrims like Shira Rabat- Batim, and Licinda, angry, hurting from the slap, got up and recited one tape on the moment when Kramer is tied to German soldier in a wheelbarrow, and Ebenezer sees Kramer and doesn't yet understand how a German can be hungry and Kramer refuses to eat or drink and Ebenezer envies him, hates him, is maybe liberated from him, at least he recites something to him, from somebody's mouth, about identities and exchanging identities, and Kramer waits, the hangman's rope will always find him ready to die a patriotic death withheld from many, Boaz will think, when Jordana looks at him with the chill hatred of a woman who once loved, and there is no hatred chillier, quieter, more malicious than the hatred of a betrayed woman, and Licinda, whom everybody lusts for, beautiful, lithe, and out of place, recites what Sam crammed into her and they listen, eager to know what they always knew, in love with her with an impossible love, getting her pregnant artificially like some Joseph impregnating women who was the father of them all, and Henkin says: Enough, enough, and she stops and bursts into tears and then suddenly Jordana smiles.

And up above, in the suite overlooking the sea at whose shore Rebecca Schneerson looked angrily seventy-three years earlier, sit Boaz and his alter ego. After the wrestling, as they later told Germanwriter, they drank vodka, what will they say to each other? If there were an answer there would be no need for all these tapes, but there isn't. Some moment requisitioned from the space of time, from its own history, from the building where the event didn't take place, and in Rebecca's house, with the tape recorder next to her where she once recorded herself facing the rot of the old settlement, and all that's left of her is her fictional past and fictional dreams of a polite Captain and a rabbinical prodigy, who went to a war to the bitter end against frustrated prophets and died on the shore of Jaffa, sits Ebenezer and suddenly says: Marar is now a destroyed village, a sign that I'm again listening to myself, and Fanya R. smiles at him sympa thetically, even though she's filled with envy for memories of Dana on the road between Rebecca's house and Ebenezer's old house, where the Captain lived and that was registered in the name of Boaz Schneerson or in fact, although the old woman didn't know, it was registered in the name of S.L.A. Ltd. because of income tax regulations that weren't intended to tax the dead, or were intended only for that, and Ebenezer says: There was a time, he said, when I forgot Hebrew, Hebrew flew away and wasn't, I spoke in so many voices that I forgot, and I'd recite words in other languages spelled backward. When I had to open a door I closed it. German or Polish I read from right to left, I wanted to open a bottle and I put the cork in instead of taking the cork out, and then Hasha Masha said: A big donation came for the memorial, and Henkin went to the Ministry of Defense and came back with weeping eyes and thought about what happened, or didn't happen, in the hotel on the seventeenth floor. Germanwriter says: Right, it's ridiculous and cunning, but Brooks senior sent a check to the government of Israel, and nobody is willing to turn down money to create the memorial that Boaz scoffs at and says won't be erected, but S.L.A. Ltd. will be the initiator and Boaz will bury his head in his hands and say: Enough, I'm not ready for that, and goes out, and Hasha sneers in a whisper, "Melissa Gifts," "Melissa and All Her Suicides," which was created in the world by the poem of rage, a poem Boaz wrote for my husband so he could love his son who loved the sea.

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