Haruki Murakami - Norwegian Wood

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Norwegian Wood: краткое содержание, описание и аннотация

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This stunning and elegiac novel by the author of the internationally acclaimed
has sold over 4 million copies in Japan and is now available to American audiences for the first time.  It is sure to be a literary event.
Toru, a quiet and preternaturally serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before.  Toru begins to adapt to campus life and the loneliness and isolation he faces there, but Naoko finds the pressures and responsibilities of life unbearable.  As she retreats further into her own world, Toru finds himself reaching out to others and drawn to a fiercely independent and sexually liberated young woman.
A poignant story of one college student's romantic coming-of-age,
takes us to that distant place of a young man's first, hopeless, and heroic love.

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"You just don't understand a man's sexual needs," said Nagasawa to Hatsumi. "Look at me, for example. I've been with you for three years, and I've slept with plenty of women in that time. But I don't remember a thing about them. I don't know their names, I don't remember their faces. I slept with each of them exactly once. Meet 'em, do it, so long.

That's it. What's wrong with that?"

"What I can't stand is that arrogance of yours," said Hatsumi in a soft voice. "Whether you sleep with other women or not is beside the point. I've never really been angry with you for sleeping around, have I?"

"You can't even call what I do sleeping around. It's just a game.

Nobody gets hurt," said Nagasawa.

"I get hurt," said Hatsumi. "Why am I not enough for you?"

Nagasawa kept silent for a moment and swirled the whisky in his glass. "It's not that you're not enough for me. That's another phase, another question. It's just a hunger I have inside me. If I've hurt you, I'm sorry. But it's not a question of whether or not you're enough for me. I can only live with that hunger. That's the kind of man I am.

That's what makes me me. There's nothing I can do about it, don't you see?"

At last Hatsumi picked up her silverware and started eating her fish.

"At least you shouldn't drag Toru into your "games'."

"We're a lot alike, though, Watanabe and me," said Nagasawa.

"Neither of us is interested, essentially, in anything but ourselves. OK, so I'm arrogant and he's not, but neither of us is able to feel any interest in anything other than what we ourselves think or feel or do.

That's why we can think about things in a way that's totally divorced from anybody else. That's what I like about him. The only difference is that he hasn't realized this about himself, and so he hesitates and feels hurt."

"What human being doesn't hesitate and feel hurt?" Hatsumi demanded. "Are you trying to say that you have never felt those things?"

"Of course I have, but I've disciplined myself to where I can minimize them. Even a rat will choose the least painful route if you shock him enough."

"But rats don't fall in love."

"Rats don't fall in love'." Nagasawa looked at me. "That's great. We should have background music for this - a full orchestra with two harps and - "

"Don't make fun of me. I'm serious."

-We're eating, " said Nagasawa. "And Watanabe's here. It, night be more civil for us to confine 'serious' talk to another occasion."

"I can leave," I said.

"No," said Hatsumi. "Please stay. It's better with you here."

"At least have dessert," said Nagasawa.

"I don't mind, really."

The three of us went on eating in silence for a time. I finished my fish.

Hatsumi left half of hers. Nagasawa had polished off his duck long before and was now concentrating on his whisky.

"That was excellent sea bass," I offered, but no one took me up on it. I might as well have thrown a rock down a deep well.

The waiters took away our plates and brought lemon sherbet and espresso. Nagasawa barely touched his dessert and coffee, moving directly to a cigarette. Hatsumi ignored her sherbet. "Oh boy," I thought to myself as I finished my sherbet and coffee. Hatsumi stared at her hands on the table. Like everything she wore, her hands looked chic and elegant and expensive. I thought about Naoko and Reiko.

What would they be doing now? I wondered. Naoko could be lying on the sofa reading a book, and Reiko might be playing "Norwegian Wood" on her guitar. I felt an intense desire to go back to that little room of theirs. What the hell was I doing in this place?

"Where Watanabe and I are alike is, we don't give a shit if nobody understands us," Nagasawa said. "That's what makes us different from everybody else. They're all worried about whether the people around them understand them. But not me, and not Watanabe. We just don't give a shit. Self and others are separate."

"Is this true?" Hatsumi asked me.

"No," I said. "I'm not that strong. I don't feel it's OK if nobody understands me. I've got people I want to understand and be understood by. But aside from those few, well, I feel it's kind of hopeless. I don't agree with Nagasawa. I do care if people understand me."

"That's practically the same thing as what I'm saying," said Nagasawa, picking up his coffee spoon. "It is the same! It's the difference between a late breakfast or an early lunch. Same time, same food, different name."

Now Hatsumi spoke to Nagasawa. "Don't you care whether I understand you or not?"

"You don't get it, do you? Person A understands Person B because the time is right for that to happen, not because Person B wants to be understood by Person A."

"So is it a mistake for me to feel that I want to be understood by someone - by you, for example?"

"No, it's not a mistake," answered Nagasawa. "Most people would call that love, if you think you want to understand me. My system for living is way different from other people's systems for living."

"So what you're saying is you're not in love with me, is that it?"

"Well, my system and your - "

"To hell with your fucking system!" Hatsumi shouted. That was the first and last time I ever heard her shout.

Nagasawa pushed the button by the table, and the waiter came in with the bill. Nagasawa handed him a credit card. "Sorry about this, Watanabe," said Nagasawa. "I'm going to see Hatsumi home. You go back to the dorm alone, OK?"

"You don't have to apologize to me. Great meal," I said, but no one said anything in response.

The waiter brought the card, and Nagasawa signed with a ballpoint pen after checking the amount. Then the three of us stood and went outside. Nagasawa started to step into the street to hail a taxi, but Hatsumi stopped him.

"Thanks, but I don't want to spend any more time with you today. You don't have to see me home. Thank you for dinner."

,, Whatever," said Nagasawa.

"I want Toru to see me home."

"Whatever," said Nagasawa. "But Watanabe's practically the same as me. He may be a nice guy, but deep down in his heart he's incapable of loving anybody. There's always some part of him somewhere that's wide awake and detached. He just has that hunger that won't go away.

Believe me, I know what I'm talking about."

I flagged down a taxi and let Hatsumi in first. "Anyway," I said to Nagasawa, "I'll make sure she gets home."

"Sorry to put you through this," said Nagasawa, but I could see that he was already thinking about something else.

Once inside the cab, I asked Hatsumi, "Where do you want to go?

Back to Ebisu?" Her flat was in Ebisu.

She shook her head.

"OK. How about a drink somewhere?"

"Yes," she said with a nod.

"Shibuya," I told the driver.

Folding her arms and closing her eyes, Hatsumi sank back into the corner of the seat. Her small gold earrings caught the light as the taxi swayed. Her midnight-blue dress seemed to have been made to match the darkness of the interior. Every now and then her lightly made-up, beautifully formed lips would quiver slightly as though she had caught herself on the verge of talking to herself. Watching her, I could see why Nagasawa had chosen her as his special companion. There were any number of women more beautiful than Hatsumi, and Nagasawa could have made any of them his. But Hatsumi had some quality that could send a tremor through your heart. It was nothing forceful. The power she exerted was a subtle thing, but it called forth deep resonances. I watched her all the way to Shibuya, and wondered, without ever finding an answer, what this emotional reverberation could be that I was feeling.

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