Andy Abramowitz - Thank You, Goodnight

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Thank You, Goodnight: краткое содержание, описание и аннотация

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In
, hailed by *
as “*
and
with a dose of
thrown in,” the lead singer of a one-hit wonder 90s band tries for one more swing at the fence.
Teddy Tremble is nearing forty and has settled into a comfortable groove, working at a stuffy law firm and living in a downtown apartment with a woman he thinks he might love. Sure, his days aren’t as exciting as the time he spent as the lead singer of Tremble, the rock band known for its mega-hit “It Feels Like a Lie,” but that life has long since passed its sell-by date.
But when Teddy gets a cryptic call from an old friend, he’s catapulted into contemplating the unthinkable: reuniting Tremble for one last shot at rewriting history. Never mind that the band members haven’t spoken in ten years, that they left the music scene in a blazing cloud of indifference, and that the only fans who seem...

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“I wasn’t talking about then. I was talking about now.” Then he flashed an easy smile. “Evolution, man, evolution.”

Before I could even begin to translate, he draped me in a hug. “I love you, motherfucker.”

Then he smuggled himself back out of the restaurant, taking with him a good chunk of the firm ground I’d traveled so far to stand on.

CHAPTER 24

It was after midnight when I slogged off the musty local and onto the platform at 30th Street Station. My leather jacket felt light against the chill that had settled in for the night, but I was too busy brooding over Sonny’s words.

Sara surprised me, waiting at the top of the escalator as I ascended from the track. She saw me, both of us amid a smattering of late-night passengers, and smiled feebly.

“What are you doing here?” I asked.

One hand clutched a cup of Dunkin’ Donuts coffee while the other bore into the pocket of her stylish navy windbreaker with the slightly off-center zipper. “I wasn’t sleeping and I saw your text about training home. I decided to take a walk.”

“I don’t like you hanging out in an empty train station in the middle of the night.”

She shrugged, as if having survived the adventure mooted my complaint. She hooked our arms together and we began to amble out of the desolate concourse.

Then a voice came from behind. “Teddy? Is that you?”

I turned and found myself looking at Marty Kushman, my former colleague at Morris & Roberts. “Marty.”

“Hey, Teddy,” he said, giving my hand a friendly shake.

Marty was a soft-spoken, perennially sixtyish duck of a man, well liked by peers, clients, and judges. The last conversation I’d had with him was when I gave notice.

“So good to see you, Sara.”

Marty remembered people’s names. He and Sara had crossed paths at maybe a half-dozen firm events over the years.

“What brings you here this time of night?” he asked me.

“Oh, just coming back from New York,” I answered vaguely.

“We must’ve been on the same train.” He held his briefcase down in front of him, gripping the handle with both hands, his pinstripe suit cloaked under a trench coat.

“Late night for you too,” I commented.

“A mediation ran over. Took a long time to get nowhere.”

I grunted in a collegial, knowing sort of way that I knew one day soon would feel phony.

“So, I’ve heard whisperings about a career change for you,” Marty said.

When I quit, I hadn’t supplied a reason, instead offering cloudy mumblings about it being time to move on. I knew nobody would be heartbroken anyway.

“How’d you hear?”

“Oh, I see your old man around town.”

“I’m sure Lou had nothing but nice things to say.”

Marty dipped his head diplomatically. “I think it’s terrific. I wish you all the luck in the world. You think we kept you around because of your legal skills? We were the law firm with a rock star! Just ask my kids.”

Sara and Marty shared a knowing wink.

“How’s everything at the shop?” I asked.

“Same place it’s always been. I imagine you miss it terribly.”

I resisted a sarcastic quip. “I think the firm and I will do just fine without each other.”

“I take it it’s going well then.”

“It is. It’s going well.”

“That’s terrific. I look forward to buying the CD.” CDs. How quaint.

Suddenly, the cavernous hall vibrated with a voice over the PA system announcing the departure of a southbound train.

“It’s late, guys, I’ll let you go,” Marty said. “But it was great to see both of you.” Then he reached out and touched my arm. “And Teddy, good luck with everything, but if you’re ever looking to get back into the law, I hope you’ll call me.” He smiled at Sara and shuffled off toward the taxi line.

I was unexpectedly jarred by the encounter. Coming face-to-face with the firm reminded me of all the people in whose company I’d spent a large, self-contained chunk of my life. For the first time, my separation from that environment felt real. The next time I saw Marty Kushman, we’d probably only wave to each other. Soon, a distant nod of recognition. You can do that. You can walk out of your life and make yourself a stranger to everything you know.

“So is it?” Sara was asking. “Going well?”

“Looks like we’re going to get a deal with MCA.”

“Are you serious?” I knew she’d bet against it privately. “That’s amazing, Teddy. Really.”

“Thanks.” I looked at her. “So, how do you feel? About this, I mean.”

“I’m really happy for you.”

“Yeah, but how do you feel about it . . . for you?”

“I’m really happy for you,” she repeated, tossing her coffee cup into a nearby trash can.

“You know I’m not going anywhere. Right?”

She smiled and gripped the front of my jacket with both hands. “Aren’t you cold?”

I took my hands out of my pockets and rested them on her hips. Her narrow back felt small in my hands. “The last time I did this, I was a lot younger and was married to someone I didn’t love. Basically, I had nothing to lose.”

She planted her cold lips on my cheek, a look of calm settling on her every feature.

“Sometimes I feel like I’m losing you,” I said. It was, of course, an unfair charge, as I was the one upending our lives. “Am I losing you, Sara?”

“You’re panicking, Teddy. Change is scary, even when you’ve been trying to bring it on.”

I stared into her. “Am I losing you?”

She threw her hands onto my shoulders. The concourse could’ve been a high school gym and we a pair of seniors swaying to a Bryan Adams ballad. “Let’s not be afraid of each other,” she said. “Let’s not be afraid of what each of us wants.”

“I don’t know what that means.” This had become the night of evasive responses, of worrisome ambiguities, of nonanswers. Sara, Sonny—everybody was going out of their way to say things that were just shy of what they meant.

But she’d already grabbed my hand and had begun guiding me toward the automatic doors.

Outside the station, the only sound to be heard was the flapping of flags high up on the stately facade. Despite the hour, we decided to walk, and as we made our way down the street, there would be no discussion of the goings-on at the Mirabelle Plum or what scale of havoc the album and a tour would wreak on us. There would be no questions about what Sara was doing awake at this hour, or how it was that she was sufficiently collected to meet me at the train station. Not tonight. Tonight, we would just be two people walking home in the thick, roiling unrest of living our lives.

CHAPTER 25

There was nothing from Sonny in my inbox the next day. Nor did he return the desperation-stenched voice mail I left for him the following afternoon. An e-mail I sent a few days later likewise went unanswered. One would expect more from me. I was on the cusp of accomplishing something unthinkable for someone of my ilk, age, and station in life, and yet Sonny’s parting benediction had reduced me to an insomniac.

All day and for vast stretches of the night I’d catch myself poring over the producer’s cryptic words with all my bleak imaginings. What was it about the record that he needed to share with me on his way out of the restaurant? One could only speculate, and the sleepless nights provided a near endless canvas upon which to cast those speculations. MCA only likes it enough to put it out on cassette, but don’t worry—most people still have tape decks. Or, We’re gonna redo the vocals in German, since your only fans seem to reside in the Swiss Alps. Or, Those demonic voices you hear when you play the last track backward, that’s actually the devil. For real. It’s him.

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