Joshua Mohr - Fight Song

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Fight Song: краткое содержание, описание и аннотация

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When his bicycle is intentionally run off the road by a neighbor's SUV, something snaps in Bob Coffen. Modern suburban life has been getting him down and this is the last straw. To avoid following in his own father’s missteps, Bob is suddenly desperate to reconnect with his wife and his distant, distracted children. And he's looking for any guidance he can get.
Bob Coffen soon learns that the wisest words come from the most unexpected places, from characters that are always more than what they appear to be: a magician/marriage counselor, a fast-food drive-thru attendant/phone-sex operator, and a janitor/guitarist of a French KISS cover band. Can these disparate voices inspire Bob to fight for his family? To fight for his place in the world?
A call-to-arms for those who have ever felt beaten down by life,
is a quest for happiness in a world in which we are increasingly losing control. It is the exciting new novel by one of the most surprising and original writers of his generation.

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“Why?”

“I need my plock.”

“That’s not a word.”

“I need my plock to remind me not to give up another decade.”

“Maybe your tongue is swelling from injury and I can’t decipher your slurred speech.”

“I’ll show you.”

Schumann pulls the SUV into the bike lane and Coffen hops out, retrieves his newly received anniversary present, jumps back in the vehicle.

“Oh, you meant ‘clock,’” Schumann says.

“No, plock.”

“Man, you really hit your head hard.”

“You hit my head hard. You tried to ram me with your car, prick.”

“Look, I shouldn’t have run you toward that oleander.”

“You think?”

“It’s my damn competitive streak. I want to win the whole world.”

“You could have seriously injured me.”

“Coach used to say I take things too far.”

“He’s right.”

“He used to punish me after practice, and you should, too. It’s the only way I learn. Do you want to ram me with my car so we’re even?”

“What?”

“Then we’d be fair and square, except technically I never rammed you with my car. Technically, I only almost rammed you. But I can overlook this inconsistency. I can take one ramming for our team. Don’t go faster than my speed from earlier — seven miles per hour.”

“You’re saying I can hit you with this SUV right now?”

“Only if you want to. There’s no obligation. If you don’t feel up to it, I’m totally fine with that.”

“No,” Bob says. “I’d like very much to hit you with a car.”

“And then we’re even.”

“Why would you do this?”

“Psycho Schumann’s not doing anything. You’re doing something.” Schumann opens his door. He walks in front of the SUV, stops about fifteen feet down the road.

Coffen crawls over the console and into the driver’s seat, plock riding shotgun.

He looks at Schumann standing out there in the headlights.

Looks and thinks about how rare it is when a fantasy comes true: Bob’s secret yearnings to inflict pain on his subdivision foe are about to be realized.

He revs the engine.

“I am not afraid of anything,” Schumann says. “I’d take a grizzly bear’s temperature rectally. I’d tickle Sasquatch’s ass with a feather.”

“You ready?” Bob asks.

“Are you ready?”

“I can’t wait,” says Coffen.

He means it — or really, Bob wants to mean it. A certain part of Coffen is excited by the impending violence, but unfortunately, that faction of his psyche is outweighed by a more empathic caucus, a body of voices all whispering the same thing in his head: You can’t do this. No matter what, this is a road too low for you. Don’t go down to this disgusting level .

“Hut, hut, hike!” Schumann says, eyes closed, arms flexed.

But the SUV doesn’t move, continuing to idle.

“I can’t do it,” Bob says.

“What?” Schumann says, his eyes still closed.

“I can’t ram you, even though I really want to ram you.”

“Why can’t you?”

“I’m not insane.”

Schumann lopes back to the driver’s door; Coffen climbs back over into the passenger seat, holds the plock in his lap. Schumann starts driving and says, “I think I can coach you, Coffen.”

“How’s that?”

“Imagine you’re on a football team and you get a new special teammate. Imagine that every player on the opposing team is not on steroids, and they are sort of weaklings, staggering around and not really doing very good out on the field. And this new special teammate of yours is on steroids and sculpted like a Roman statue and having him on your team is going to guarantee a stampede into the play-offs. Does this sound like the kind of teammate you might want on your side?”

Bob doesn’t respond. He should’ve hit him with the car.

Schumann continues, “What I’m saying is that I’m like your new teammate.”

“What are you getting at?”

“You see this all the time in sports,” Schumann says. “Heated competitors in one season get swapped onto the same team the next, and once teammates, they transcend any grudges of yore.”

“Yore?”

“It means things that happened in the past.”

“I know what it means,” Coffen says.

“So what I’m saying is, I can help you. I know lots of things that maybe might help somebody like you.”

“Like what?”

“I can coach you to always act like the guy who threw that flagpole at my house. Not the pansy you usually are. You’ll always be a fearless warrior.”

Schumann looks at Coffen, awaiting acknowledgment, but Bob doesn’t say shit, the clang in his brain getting worse. Words are far from his lips, locked behind some sort of window painted shut. Coffen will soon find out that a concussion is the culprit, but maybe it’s other things, too: Maybe it’s this new way Schumann speaks to him — with, what, respect? Deference? Equality? Bob’s not quite sure, only knows that he digs it.

“How’s your head?” Schumann asks. “Your eyes aren’t focusing, I don’t think.”

Bob sees the inherent merits in Schumann’s suggestion: Having him as a kind of tough-love life coach will not only take some pressure off, it might also earn a few bonus points at the neighborhood barbecues, jealous fathers wondering when these two kissed and made up, now trotting around like long-lost chums. Plus, Jane has always raved about Bev Schumann, and maybe now the couples can go out for paella.

Bob extends his hand out toward Schumann for a shake and says, “You want to be my life coach?”

“I don’t think that’s exactly what I said.”

“Can you teach me to be manlier? Like Gotthorm?”

“Who’s Gotthorm?”

“Never mind,” says Bob. “I don’t want to talk about him. I don’t want to be pushed around anymore.”

“I can definitely help with that,” Schumann says. “Training starts now. Let’s stop for some pizza on the way home from the ER. Demand that I pay for it.”

“Buy the pizza, please.”

“A kindergartener can be scarier than that.”

Bob pauses for a couple seconds, then screams, “You’re going to buy me a pizza. And there will be several expensive toppings.”

A smiling, hand-shaking Schumann says, “That’s the spirit.”

“And cancel any plans you might have for Friday. You’re chauffeuring Jane and me to a magic show.”

Scroo Dat Pooch

Dumper Games is decorated like a dignified day care. That’s all the rage with greedy corporations these days, disguising themselves as elaborate romper rooms with Ping-Pong, billiard, and foosball tables, entire walls of vintage video games from the 1980s, kegs of microbrewed ale available whenever an employee fancies a pint. None of the young workers wear shoes, all lollygagging around in argyle socks.

Malcolm Dumper, wearing his patented #99 Gretzky uni, invites Bob and his team into the conference room to plop down on one of the beanbags (of course, there’s no conference table or regular chairs in the conference room) and brainstorm. To powwow. To spitball ideas. To come up with a game so good it will boomerang DG back to its glory days. Specifically, Dumper wants this new game to corner the highly desirable and highly stunted eighteen-to-thirty-four-year-old male demographic: a land where scatology is king, a sad, lonely world where a certain segment of guys game and game and game their lives away, only taking breaks to jerk off or eat a Hot Pocket. And then quickly back to gaming. And then maybe another jerk. Another Pocket. Ad infinitum …

Once everybody takes a seat on a beanbag, as is his tradition, Dumper launches these brainstorms with a speech, macerating his metaphors to pulp: “The Dumper family needs to make some immediate changes to our catalog and make them fast. Imagine Dumper as a massive ship. This ship of ours needs to bore full speed ahead to generate revenue, yet it also needs to do a 180-degree about-face to get away from the boring titles we’ve already put out this year. Of course, no sailing vessel can do these two contradictory things at once. But we have to try to accomplish them, or who knows how long our doors will be open. Am I saying there’s imminent door closage? Not exactly. But the Great One is saying that our doors might get antsy to slam if we don’t start raking in some serious bacon.”

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