Tom Robbins - Wild Ducks Flying Backward

At any rate, it’s our first morning in the bush, and a detachment of us hike for three hours from the Stiegler’s Gorge complex, beneath a blue sky that’s already hissing like a blowtorch. Down in Tanzania, it’s July in January, and if the sun has anything to say about it, there’s a fireworks display all day, every day.

The savanna grass is green but dry, and it crunches underfoot. J’nanga, our native game guide, steps noiselessly on the bare patches between clumps of grass, but we cement-footed Americans sound as if we’re breakdancing in a silo of Rice Krispies. Our gauche sneakers scuff at fresh cheetah tracks, at shiny licorice drops of wildebeest dung, at impala skulls as bleached as a surfer’s eyebrows, at midget wildflowers, and a mega-Manhattan of ants.

Scattered about the plain are trees that resemble huge stone jars; trees that resemble dendritic delicatessens festooned with salami and pepperoni; trees that appear to be growing upside down; trees that look like 50’s haircuts, their foliage organically barbered into Sha Na Na flattops; and — outnumbering all the rest — leafless trees bristling with thorns so long and sharp they could pierce the heart of a bureaucrat.

The trees, the flowers, even the piles of gnu poo are attended by butterflies, some as tiny and yellow as buttercup petals, others as big as pie tins and colored like Shanghai silk. There are also a great many bees. They’re not killer bees, but we haven’t learned that yet, and it is while fending off one of these buzzers that Flo falls, cameras and all, into a warthog burrow.

Warthogs aren’t killers, either, except maybe when cornered, but with their curved tusks and flatiron faces, they look like the nightmares of a lapsed Jew who’s just had his first bite of ham. The steel-wool warthog, not pink Porky, is the pig that ought to have the job of announcing “That’s all, folks!” Who’d argue? On another game walk, a week later, seven of these fearsome swine suddenly came barreling, one by one, out of a deep burrow that we were innocently passing, nearly knocking the pins from under a startled Yvonne and planting the fear of the Ultimate Bacon in each of us. On our calendars, that day became known as The Day the Earth Spit Warthogs, and Yvonne, for one, will probably devote January 21 to prayer and fasting for the rest of her life.

On this, our first day in the bush, there are no pigs at home, however, and nothing is bruised except Flo’s dignity. It is while she’s brushing herself off that J’nanga sights a herd of buffalo.

There are about two hundred of them, weighing in at three tons each (and it doesn’t take Ronald McDonald’s calculator to figure that that’s a whole lot of McBuffalo burgers). Fortunately, we’re downwind of the herd, so we’re able to move within forty yards of it before we’re noticed.

There’s a large fallen tree in our vicinity, and J’nanga directs us into its dead branches. We watch the buffalo and they watch us. It’s difficult to tell who’s more nervous. The mature bulls station themselves at the perimeter of the herd, glowering with almost tangible menace. They paw the ground and snort short Hemingway sentences, resonant with ill will.

J’nanga is thinking he might have made a mistake. The Cape buffalo, rotten-tempered, heavy of hoof and horn, is among Africa’s most dangerous animals, and here he’s gone and got a half-dozen honkies treed by a herd that could reduce Grand Central Station to gravel. The buffalo are indisposed to retreat, and we seem to have lost that option.

Jim, an environmentalist cowboy attorney accustomed to stalking Sierra sheep, grinds happily away with his video camera while J’nanga ponders the situation. In Jim’s ear, I whisper, “Hatari!” I suspect Jim has seen more John Wayne movies than I, but if he remembers Wayne’s 1962 film and recognizes the Swahili word for “danger,” he doesn’t let on. “Big hatari !” I whisper. He goes on videoing.

It’s hot enough in our tree to broil escargot, and even our daredevil guides are beginning to see mirages. Over there to the left: is that a grove of thorn trees or a Club Med swimming pool? Perhaps J’nanga is getting light-headed, too. He commences to whistle, shrilly, through his fingers, as if at a babe in a bikini. At the sound, the buffalo stage a semistampede. They thunder to a spot beyond the phantom tanning beds, a good eighty yards away, before stopping to resume their Cold War diplomacy.

Taking immediate advantage of this partial withdrawal, J’nanga hustles us out of the tree and, covering us with his rifle, dispatches us toward a low hill — on the opposite side of which, a few minutes later, we are charged by an adolescent elephant.

Between meals, as well as at table, Africa is, indeed, an adventure in meat.

The next morning, the real fun begins. Bleary-eyed from the insomnolent effects of hyena serenade, we put our rafts in the water and paddle into the Selous. For the next two weeks, we’ll see no other humans, just animals, birds, fang-snapping reptiles — and, of course, the gods of the river.

Sobek employees are quite familiar with river gods. Anybody who does much rafting gets to recognize the invisible deities who rule each particular river, sometimes each particular rapid in a river. The very name “Sobek” is borrowed from the crocodile god of the Nile. It was chosen as both a charm and an homage.

Rivers are the true highways of life. They transport the ancient tears of disappeared races, they propel the foams that will impregnate the millennium. In flood or in sullen repose, the river’s power cannot be overestimated, and only men modernized to the point of moronity will be surprised when rivers eventually take their revenge on those who dam and defile them. River gods, some muddy, others transparent, ride those highways, singing the world’s inexhaustible song.

In terms of white water, the Rufiji, the river that drains the Selous, is a pussycat. Once free of the confines of Stiegler’s Gorge, it hums a barely audible refrain. Ah, but though the gods of the Rufiji are fairly silent gods, we are soon to learn that their mouths are open wide.

Actually, the Rufiji is part of a river system . As it approaches the Indian Ocean it separates into channel after channel, forming a plexus of waterways so confusing no explorer has quite been able to map it. At one point it vanishes into the palm swamps of Lake Tagalala, only to slither out on the eastern side like a many-headed serpent.

Through Stiegler’s Gorge, the Rufiji gives us a fine fast spin, comparable, say, to the waves of the Rogue, if not the Colorado. One rapid, in fact, is so rowdy that our cargo-rigged Avon rafts dare not challenge it; thus, less than an hour after we’ve put in, we’re involved in a laborious portage.

A few miles downstream, the Rufiji takes its foot off the accelerator, never to speed again. It just grows lazier and slower until there’s virtually no current at all. Deprived of the luxury of drift, we’re forced to paddle the entire distance — forty-five steamy miles — to our take-out point. Moreover, the rafts are so heavily loaded with equipment (including Jim’s four video cameras) and supplies (including Chicago Eddie’s starched white tennis outfits and gold chains) that it requires a marathon of muscling to move them along.

None of us passengers is an Olympic paddler, exactly, and the guides might have had to provide more than their share of the locomotion were it not for the impetus of hippopotamus. Every languorous labyrinth of the Rufiji is choked with hippos, and for a full fortnight those lardy torpedoes were to dominate our lives.