Tom Robbins - Wild Ducks Flying Backward

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Known for his meaty seriocomic novels — expansive works that are simultaneously lowbrow and highbrow — Tom Robbins has also published over the years a number of short pieces, predominantly nonfiction. His travel articles, essays, and tributes to actors, musicians, sex kittens, and thinkers have appeared in publications ranging from
to
, from
to the
, and
. A generous sampling, collected here for the first time and including works as diverse as scholarly art criticism and some decidedly untypical country-music lyrics,
offers a rare sweeping overview of the eclectic sensibility of an American original.
Whether he is rocking with the Doors, depoliticizing Picasso’s
, lamenting the angst-ridden state of contemporary literature, or drooling over tomato sandwiches and a species of womanhood he calls “the genius waitress,” Robbins’s briefer writings often exhibit the same five traits that perhaps best characterize his novels: an imaginative wit, a cheerfully brash disregard for convention, a sweetly nasty eroticism, a mystical but keenly observant eye, and an irrepressible love of language.
Embedded in this primarily journalistic compilation are a couple of short stories, a sheaf of largely unpublished poems, and an off-beat assessment of our divided nation. And wherever we open
, we’re apt to encounter examples of the intently serious playfulness that percolates from the mind of a self-described “romantic Zen hedonist” and “stray dog in the banquet halls of culture.”

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It delighted me that the Canyon of the Vaginas was out here smack dab in the middle of the Wild American West. How swell that in the Old West of gunfights and land grabs, massacres and gold rushes, bushwhackings and horsewhippings, missions, saloons, boot hills, and forts, there existed a culture that celebrated with artistic eloquence and spiritual fervor the most intimate feature of the feminine anatomy.

Imagine Custer’s cavalry troop thundering innocently over a ridge, only to come face-to-face with (gasp!) the pink, the moist, the yielding, the delicately curly. Imagine a Saturday matinee: Roy Rogers at the Canyon of the Vaginas.

Mentally, emotionally, my pilgrimage began back in my late twenties or early thirties, whenever it was that it first occurred to me that the female genitals were literally divine. In the Orient, especially in the religious systems of Tibet and India, that notion has prevailed since dimmest antiquity, and as a matter of fact, there are yonic symbols in the caves of Paleolithic Europe (dating back twenty thousand years) that are indistinguishable from those venerated today by the tantric cults of the Himalayas.

When I read how, among the practitioners of tantra, the vulva is adored as the organ for the generation of world and time, it struck a resonant chord. From that day on, I have been seeking the American tantra, which is to say, I’ve been seeking American images that promote that inner intensity of feminine sexuality, whose source is the Goddess of Creation.

Among the examples that have caught my attention are the bubblegum-colored underpants that Bonnie Parker left behind to taunt the cops when she and Clyde Barrow flew the coop. I was convinced, you see, that the American tantra must be as different from the Asian tantra as we Americans — sweet gangsters at heart — are different from pious Asians. In the modern sense, I still think that’s true, but until I learned of the Canyon of the Vaginas, I’d neglected to consider the tantric contribution of American Indians.

Having meditated on and received inspiration from such ostensibly profane icons as Bonnie’s panties (she purchased them, by the way, at a small-town Kansas dime store in 1934), it fazed me only a smidgen to discover that what may be the ultimate tantric tribute on our continent is located in west-central Nevada. Even that trace of skepticism vanished when I remembered that the Goddess of Creation also serves as the Goddess of Destruction.

Wild Ducks Flying Backward - изображение 3

If something is so hazardous and destructive and ugly and spooky that we don’t know what to do with it, we stick it in Nevada. The state is blotched with “Danger Areas,” immense, guarded, off limits, concealing every imaginable kind of high-tech poison, as well as the various weapons systems that sup on or excrete those poisons. In Nevada, a fluffy little cloud can suddenly exterminate a whole flock of sheep. And Nevada is the place the Bomb calls home.

Even the brothels, sanctioned by the state because it’s believed that military men, cowboys, and miners can’t function efficiently without the help of whores, even the brothels are a sort of dumping ground. As for casinos, they could be viewed as dumping grounds for money; at least, that’s been your pilgrim’s experience.

We dump on Nevada because Nevada seems so useless and empty, because it seems that there is less there there than the there that Gertrude Stein couldn’t find in Oakland. That, of course, is an illusion. Any couch turnip who’s caught The Wonderful World of Disney knows that the desert is teeming.

There aren’t a lot of humans in Nevada, relatively speaking, but considering the lifestyles of those who are there, considering that the thickest crowds are in the barrooms and that the barrooms are open around the clock (prevailing custom among the rough ol’ dudes is that if you strike it rich, you get drunk to celebrate, and if you don’t, you get drunk to forget), considering that the chief complaint in those barrooms is, “They didn’t let us win in Vietnam,” considering that the average Nevadan resides in a mobile double-wide with nothing in its grassless yard except a satellite dish as big as a moon, considering that the majority is poised to get the hell out the instant it strikes it rich, and, finally, considering that the rock group Men Without Hats is permanently barred from the Nevada Top Forty, it’s doubtlessly a blessing that there aren’t more citizens around to further mug the countryside and zap its small creatures.

The trouble with Nevada is that it thinks it’s Alaska. It thinks it’s the last frontier, at a time when the last frontier has moved beyond Anchorage to the other side of Jupiter. Regardless, Nevada is permeated by the frontier mentality, with its love of guns and booze and its hankering for bonanza. Much of it is nutty and most of it is crude (the Nevada state song is the exaggerated belch), yet Alexa, Jon, and I were quick to agree that even these ersatz Kit Carsonisms radiated authenticity when compared to the gentrification that is sugaring the bowels of urban America.

For example, it was strangely refreshing to read in the Tonopah Times-Bonanza and Goldfield News of not one but two recent ax murders. In our more chic towns and cities, killers no longer address victims with axes. They use sushi knives on them. Or shove baby bok choy up their noses.

Actually, before my pilgrimage was over, I wouldn’t have minded a leaf or two of bok choy. Aside from the iceberg lettuce mailed in from California, there’s not a fresh vegetable in all of west-central Nevada. The state bird of Nevada is the chicken-fried steak — and the labored flapping of its gravy-slathered wings (admittedly delicious) only fans the flames of frontierism. An organism running on brussels sprouts probably isn’t as inclined to shoot up road signs or to share its habitat with bombing ranges and plutonium dumps as one that’s running on hammered beef.

At any rate, the Goddess of Destruction dances on in Nevada, fangs dribbling steak juice, the desert sun aglint on her necklace of skulls. In tantra, she is loved not one smooch less than her benevolent twin. Your pilgrim is slowly learning to love the Dark Dancer as well. Yes, but it was her flip side, the Good Witch, that enticed him to Nevada, where natural beauty struggles to hold its own against the treacherous ticky-tack spawned by the greed and fear of men. Surely, at the Canyon of the Vaginas, the Mother of Creation would prevail.

Alas, on that May afternoon when finally we neared the canyon, Ms. Destruction appeared to be directing the show. The wind was gusting at 70 miles an hour, and with every windshieldful of sand and snow, the chiropractic Mercedes whined as if its back hurt. Visibility was so poor that we asked Alexa to drive. At twenty-five, she was far less experienced behind the wheel than Jon or I, but she happens to be, first, female, and second, a gifted psychic. We reasoned that it would take more than a spring storm to prevent those sacred yonis from showing up on her radar.

She rewarded our trust by turning off the main highway and onto an even more lonesome road, a one-lane, unpaved car path that stretched across the sagebrush flats like a chalk line on the tennis court of the buffalo. For nineteen miles we followed this lane, seemingly into the Void. As pebbles pinged against its underbelly and juniper twigs clawed at its precious Prussian paint, the Mercedes sobbed for autobahns, crying out, “Die Stadt! Wo ist die Stadt?” One might say that we were in the middle of nowhere, especially if one were the type who believes midtown Manhattan to be the center of everywhere.

Through rents in the curtain of snowy dust, we could see that we were entering the foothills of a low mountain range. “According to the map, we’re only a pubic hair away,” said I, and moments later, Alexa stopped the car. Well, if there was holy real estate in the vicinity, it wasn’t exactly advertised. Nothing caught our vision beyond the boundlessness of space. The silence was so deep that even the gale seemed to be wearing moccasins. And when we opened the doors, a great essence of sage rushed in. It smelled as if every grandmother in the U.S.A. was simultaneously stuffing a turkey.

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