Renata Adler - Speedboat

The conversation of The Magic Mountain and the unrequited love of six-year-olds occurred on Saturday, at brunch. “Bring someone new,” Inez had said. “Not queer. Not married, maybe separated. John and I are breaking up.” The invitation was not of a kind that I had heard before. Aldo, who lives with me between the times when he prefers to be alone, refused to come. He despises brunch. He detests Inez. I went, instead, with an editor who has been a distant, steady friend but who, ten years ago, when we first came to New York, had once put three condoms on the night table beside the phone. We both had strange ideas then about New York. Aldo is a gentle, orderly, soft-spoken man, slow to conclude. I try to be tidy when he is here, but I have often made his cigarettes, and once his manuscript, into the bed. Our paper’s publisher is an intellectual from Baltimore. He has read Wittgenstein; he’s always making unimpeachable remarks. Our music critic throws a tantrum every day, in print. Our book reviewer is looking for another job. He found that the packages in which all books are mailed could not, simply could not, be opened without doing considerable damage — through staples, tape, wire, fluttering gray stuff, recalcitrance — to the reviewer’s hands. He felt it was a symptom of some kind — one of those cases where incompetence at every stage, across the board, acquired a certain independent force. Nothing to do with books, he thought, worked out at all. We also do the news. For horoscopes, there are the ladies’ magazines, which tell you — earnestly — auspicious times to shave your legs. We just cannot compete.

“All babies are natural swimmers,” John said, lowering his two-year-old son gently over the side of the rowboat, and smiling. The child thrashed and sank. Aldo dived in and grabbed him. The baby came up coughing, not crying, and looked with pure fear at his father. John looked with dismay at his son. “He would have come up in a minute,” John said to Aldo, who was dripping and rowing. “You have to give nature a chance.”

My late landlord was from Scarsdale. The Maid of Constant Sorrow is from Texas. Aldo is from St. Louis. Inez’s versions vary about where she’s from. I grew up in a New England mill town, where, in the early thirties, all the insured factories burned down. It has been difficult to get fire insurance in that region ever since. The owner of a hardware store, whose property adjoined an insured factory at the time, lost everything. Afterward, he walked all day along the railroad track, waiting for a train to run him down. Railroad service has never been very good up there. No trains came. His children own the town these days, for what it’s worth. The two cobbled streets where black people always lived have been torn up and turned into a public park since a flood that occurred some years ago. Unprecedented rains came. Retailers had to destroy their sodden products, for fear of contamination. The black section was torn up and seeded over in the town’s rezoning project. No one knows where the blacks live now. But there are Negroes in the stores and schools, and on the football team. It is assumed that the park integrated the town. Those black families must be living somewhere. It is a mystery.

At the women’s college where I went, we had distinguished faculty in everything, digs at Nuoro and Mycenae. We had a quality of obsession in our studies. For professors who had quarreled with their wives at breakfast, those years of bright-eyed young women, never getting any older, must have been a trial. The head of the history department once sneezed into his best student’s honors thesis. He slammed it shut. It was ultimately published. When I was there, a girl called Cindy Melchior was immensely fat. She wore silk trousers and gilt mules. One day, in the overheated classroom, she laid aside her knitting and lumbered to the window, which she opened. Then she lumbered back. “Do you think,” the professor asked, “you are so graceful?” He somehow meant it kindly. Cindy wept. That year, Cindy’s brother Melvin phoned me. “I would have called you sooner,” he said, “but I had the most terrible eczema.” All the service staff on campus in those days were black. Many of them were followers of Father Divine. They took new names in the church. I remember the year when a maid called Serious Heartbreak married a janitor called Universal Dictionary. At a meeting of the faculty last fall, the college president, who is new and male, spoke of raising money. A female professor of Greek was knitting — and working on Linear B, with an abacus before her. In our time, there was a vogue for madrigals. Some of us listened, constantly, to a single record. There was a phrase we could not decipher. A professor of symbolic logic, a French Canadian, had sounds that matched but a meaning that seemed unlikely: Sheep are no angels; come upstairs. A countertenor explained it, after a local concert: She’d for no angel’s comfort stay. Correct, but not so likely either.

Paul: “Two diamonds.”

Inez: “Two hearts.”

Mary: “Three clubs.”

John: “Four kings.”

Inez: “Darling, you know you can’t just bid four kings.”

John: “I don’t see why. I might have been bluffing.”

Inez: “No, darling. That’s poker. This is bridge. And even in poker you can’t just bid four kings.”

John: “No. Well, I guess we’d better deal another hand.”

The host, for some reason, was taking Instamatic pictures of his guests. It was not clear whether he was doing this in order to be able to show, at some future time, that there had been this gathering in his house. Or whether he thought of pictures in some voodoo sense. Or whether he found it difficult to talk. Or whether he was bored. Two underground celebrities — one of whom had become a sensation by never generating or exhibiting a flicker of interest in anything, the other of whom was known mainly for hanging around the first — were taking pictures too. I was there with an actor I’ve known for years. He had already been received in an enormous embrace by an Eastern European poet, whose hair was cut too short but who was neither as awkwardly spontaneous nor as drunk as he cared to seem. The party was in honor of the poet, who celebrated the occasion by insulting everyone and being fawned upon, by distinguished and undistinguished writers alike. “This group looks as though someone had torn up a few guest lists and floated the pieces on the air,” the actor said. The friend of the underground sensation walked up to us and said hello. Then, in a verbal seizure of some sort, he began muttering obscenities. The actor said a few calming things that didn’t work. He finally put his finger on the mutterer’s lips. The mutterer bit that finger extremely hard, and walked away. The actor wrapped his finger in a paper napkin, and got himself another drink. We stayed till twelve.

When I worked, for a time, in the infirmary of a branch of an upstate university, it was becoming more difficult with each passing semester, except in the most severe cases, to determine which students had mental or medical problems. At the clinic, young men with straggly beards and stained blue jeans wept alongside girls in jeans and frayed sweaters — all being fitted with contact lenses, over which they then wore granny glasses. There was no demand for prescription granny glasses at all. For the severely depressed, the paranoids, and the hallucinators, our young psychiatrists prescribed “mood elevators,” pills that were neither uppers nor downers but which affected the bloodstream in such a way that within three to five weeks many sad outpatients became very cheerful, and several saints and historical figures became again Midwestern graduate students under tolerable stress. On one, not unusual, morning, the clinic had a call from an instructor in political science. “I am in the dean’s office,” he said. “My health is quite perfect. They want me to have a checkup.”