Salman Rushdie - Two Years Eight Months and Twenty-Eight Nights

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In the near future, after a storm strikes New York City, the strangenesses begin. A down-to-earth gardener finds that his feet no longer touch the ground. A graphic novelist awakens in his bedroom to a mysterious entity that resembles his own sub — Stan Lee creation. Abandoned at the mayor’s office, a baby identifies corruption with her mere presence, marking the guilty with blemishes and boils. A seductive gold digger is soon tapped to combat forces beyond imagining.
Unbeknownst to them, they are all descended from the whimsical, capricious, wanton creatures known as the jinn, who live in a world separated from ours by a veil. Centuries ago, Dunia, a princess of the jinn, fell in love with a mortal man of reason. Together they produced an astonishing number of children, unaware of their fantastical powers, who spread across generations in the human world.
Once the line between worlds is breached on a grand scale, Dunia’s children and others will play a role in an epic war between light and dark spanning a thousand and one nights — or two years, eight months, and twenty-eight nights. It is a time of enormous upheaval, where beliefs are challenged, words act like poison, silence is a disease, and a noise may contain a hidden curse.

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“Instill fear,” Ghazali told him. “Only fear will move sinful Man towards God. Fear is a part of God, in the sense that it is that feeble creature Man’s appropriate response to the infinite power and punitive nature of the Almighty. One may say that fear is the echo of God, and wherever that echo is heard men fall to their knees and cry mercy. In some parts of the earth, God is already feared. Don’t bother about those regions. Go where Man’s pride is swollen, where Man believes himself to be godlike, lay waste his arsenals and fleshpots, his temples of technology, knowledge and wealth. Go also to those sentimental locations where it is said that God is love. Go and show them the truth.”

“I don’t have to agree with you about God,” replied Zumurrud Shah, “about his nature or even his existence. That is not and never will be my business. In Fairyland we do not speak of religion, and our daily life there is utterly alien to life on earth, and, if I may say so, far superior. I can tell that even in death you are a censorious prude, so I will not go into details, though they are juicy. At any rate, philosophy is a subject of no interest except to bores, and theology is philosophy’s more tedious cousin. I’ll leave such soporific matters to you in your dusty grave. But as to your wish, I not only accept it as my command. It will be my pleasure to comply. With the proviso that, as you are in fact asking for a series of acts, this will redeem the entirety of my three-wishes pledge.”

“Agreed,” the void that was Ghazali replied. If the dead could giggle with delight then the dead philosopher would have chortled with glee. The jinni perceived this. (Jinn can be perceptive at times.) “Why so mirthful?” he inquired. “Unleashing chaos upon the unsuspecting world is not, or is it, a joke.”

Ghazali was thinking of Ibn Rushd. “My adversary in thought,” he told Zumurrud Shah, “is a poor fool who is convinced that with the passage of time human beings will turn from faith to reason, in spite of all the inadequacies of the rational mind. I, obviously, am of a different mind. I have triumphed over him many times, yet our argument continues. And it is a fine thing in a battle of wits to be in possession of a secret weapon to fire, an ace in the hole to play, a trump card to use at an opportune time. In this particular case, mighty Zumurrud, you are that trump. I relish the fool’s imminent discomfiture and his further, inevitable defeat.”

“Philosophers are children,” the jinni said. “And I’ve never liked children myself.”

He departed in scorn. But the time would come when he returned to Ghazali, to listen to what the dead man’s dust had to say. The time would come when he was less contemptuous of religion, and of God.

A note regarding Zabardast. He too had once been captured by a mortal sorceress, which was even more humiliating to him than imprisonment by a male wizard would have been. It is said by those who study such matters that this may have been the same witch spoken of in the Matter of Britain, the vile Morgana le Fay, who lay with her brother between incestuous sheets and seized, also, the wizard Merlin, sealing him in a crystal cave. It’s a story we have heard from certain storytellers. We cannot say if it’s true. Nor is it recorded how he escaped. However, what is known is that Zabardast carried in his heart a fury towards the human race at least the equal of Zumurrud’s. But Zumurrud’s was a hot anger. Zabardast’s ire was cold as polar ice.

In those days, the days of the strangenesses and the War of the Worlds that followed them, the president of the United States was an unusually intelligent man, eloquent, thoughtful, subtle, measured in word and deed, a good dancer (though not as good as his wife), slow to anger, quick to smile, a religious man who also thought of himself as a man of reasoned action, handsome (if a little jug-eared), at ease in his own body like a reborn Sinatra (though reluctant to croon), and color-blind. He was practical, pragmatic, and had his feet firmly planted on the ground. Consequently he was utterly incapable of responding appropriately to the challenge flung down by Zumurrud the Great, which was surreal, whimsical and monstrous. As has already been mentioned, Zumurrud did not attack alone, but came in force, accompanied by Zabardast the Sorcerer, Shining Ruby the Possessor of Souls, and Ra’im the Blood-Drinker, he of the sharply serrated tongue.

Ra’im was prominently involved in the first assaults. He was a nocturnal metamorph, in his normal daytime state a small, nondescript, dark-complexioned, fat-assed jinni, but able, when he could be persuaded to rouse himself from his habitual arrack-induced torpor, to mutate under cover of darkness into enormous, long-fanged beasts of land, sea and air, female as well as male, all thirsting for human or animal blood. It is probable that this Jekyll-and-Hyde jinni, one of the first of such spirits to show up in the historical record, and the cause of much terror wherever he appeared, was the single entity responsible for all the vampire stories in the world, the legend of the Gaki of Japan, a blood-drinking corpse that could take the shape of living men and women, and animals too, the Aswang of the Philippines with its long tubular tongue, who often took female form and preferred to suck the blood of children, the Irish Dearg-Due, the German Alp, the Polish Upier with its tongue of barbs, a vile creature who sleeps in a blood-bath, and, of course, the Transylvanian vampire Vlad Dracul, which is to say “dragon,” about whom most readers and filmgoers are already somewhat (albeit mostly inaccurately) informed. At the beginning of the War of the Worlds, Ra’im took to the water, and one lightless afternoon he arose as a giant sea-monster from the winter harbor and swallowed the Staten Island Ferry. A tide of horror spread across the city and beyond and the president went on TV to calm the nation’s fears. That night even this most articulate of chief executives looked ashen and at a loss; his familiar nostrums, we will not sleep until, those responsible will be, you harm the United States of America at your peril, make no mistake, my fellow Americans, this crime will be avenged, sounded hollow and impotent. The president had no weapons that could deal with this attacker. He had become a president of empty words. As many of them are, as they all have been, for so very, very long. But we had expected better of him.

As for Shining Ruby, the second of Zumurrud’s three mighty cohorts, he was, in his own opinion, the greatest of the whispering jinn (although it must be said that the sorcerer Zabardast considered himself to be far superior; the egotism and competitiveness of the great jinn cannot be overemphasized). Shining Ruby’s forte was to make trouble by first whispering against a man’s heart and then entering his body, subduing his will, and forcing him into acts either dreadful or humiliating or revelatory or all of those at once. At first, when Daniel Aroni, the über-boss of the world’s most powerful nongovernmental financial institution, began to talk like a crazy man, we did not guess at the presence of Shining Ruby inside him, did not grasp that he was quite literally behaving like a man possessed. It was only when Ruby released “Mac” Aroni’s body after four days of possession, leaving him a poor husk of a man sprawled like a broken puppet on the finely carpeted floor of the great lobby in the sky of his corporate headquarters, that we understood. The jinni, a long skinny fellow so slender that he disappeared when he turned sideways, pranced and capered around the fallen financial titan. “All the money in the world,” cried the jinni, “will not be too much. All the gold, men, in your sacks will not save you from my clutch.” Traders on the six immense trading floors of the world’s most powerful nongovernmental financial organization wept copiously and shivered with fear as the image of their unconscious leader shimmered like an intimation of doom on hundreds of giant high-definition flat-screen monitors. Tasked with helping Zumurrud Shah to grant the wishes of the dead philosopher, Shining Ruby had done an excellent job.

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