Elena Ferrante - The Story of a New Name

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The second book, following 2012’s acclaimed
, featuring the two friends Lila and Elena. The two protagonists are now in their twenties. Marriage appears to have imprisoned Lila. Meanwhile, Elena continues her journey of self-discovery. The two young women share a complex and evolving bond that brings them close at times, and drives them apart at others. Each vacillates between hurtful disregard and profound love for the other. With this complicated and meticulously portrayed friendship at the center of their emotional lives, the two girls mature into women, paying the sometimes cruel price that this passage exacts.

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Then came the trouble from Rino. He couldn’t bear the fact that his sister had stopped trying to make Dino a very intelligent child. He couldn’t bear the fact that his brother-in-law not only wouldn’t give him a cent but had even laid hands on him. He couldn’t bear the fact that the relation between Stefano and Ada had become public knowledge, with all the humiliating consequences for Lila. And he reacted in an unexpected way. Since Stefano beat Lila, he began to beat Pinuccia. Since Stefano had a lover, he found a lover. He started, that is, on a persecution of Stefano’s sister that mirrored what his sister was subjected to by Stefano.

This threw Pinuccia into despair: with tears, with entreaties, she begged him to end it. But no. If she merely opened her mouth Rino, blinded by rage, and frightening even Nunzia, shouted at her: “I should end it? I should calm down? Then go to your brother and tell him that he should leave Ada, that he should respect Lina, that we have to be a united family and that he should give me the money that he and the Solaras have cheated me of and are cheating me of.” The result was that Pinuccia very often ran out of the house, looking battered, and went to the grocery, to her brother, and sobbed in front of Ada and the customers. Stefano dragged her into the rear of the shop and she listed all her husband’s demands, but concluded, “Don’t give that bastard anything, come home now and kill him.”

103

This was more or less the situation when I returned to the neighborhood for the Easter vacation. I had been living in Pisa for two and a half years, I was a very brilliant student, and returning to Naples for the holidays had become an ordeal that I submitted to in order to avoid arguments with my parents, especially with my mother. As soon as the train entered the station I became nervous. I feared that some accident would prevent me from returning to the Normale at the end of the vacation: a serious illness that obliged me to enter the chaos of a hospital, some dreadful event that forced me to stop studying because the family needed me.

I had been home for a few hours. My mother had just given me a malicious report on the ugly affairs of Lila, Stefano, Ada, Pasquale, Rino, on the shoe factory that was about to close, on how these were times when one year you had money, you thought you were somebody, you bought a sports car, and the next year you had to sell everything, you ended up in Signora Solara’s red book and stopped acting like a big shot. And here she cut off her litany and said to me, “Your friend thought she really had arrived, the wedding of a princess, the big car, the new house, and yet today you are much smarter and much prettier than she is.” Then she frowned, to repress her satisfaction, and handed me a note that, naturally, she had read, even though it was for me. Lila wanted to see me, she invited me to lunch the next day, Holy Friday.

That was not the only invitation I had, the days were full. Soon afterward Pasquale called me from the courtyard and, as if I were descending from an Olympus instead of from my parents’ dark house, wanted to expound to me his ideas about women, to tell me how much he was suffering, find out what I thought of his behavior. Pinuccia did the same in the evening, furious with both Rino and Lila. Ada, unexpectedly, did the same the next morning, burning with hatred and a sense of injury.

With all three I assumed a distant tone. I urged Pasquale to be calm, Pinuccia to concern herself with her son, and Ada to try to understand if it was true love. In spite of the superficiality of the words, I have to say that she interested me most. While she spoke, I stared at her as if she were a book. She was the daughter of Melina the madwoman, the sister of Antonio. In her face I recognized her mother, and many features of her brother. She had grown up without a father, exposed to every danger, used to working. She had washed the stairs of our buildings for years, with Melina, whose brain had suddenly stopped functioning. The Solaras had picked her up in their car when she was a girl and I could imagine what they had done to her. It seemed therefore normal that she should fall in love with Stefano, the courteous boss. She loved him, she told me, they loved each other. “Tell Lina,” she said, her eyes shining with passion, “that one cannot command one’s heart, and that if she is the wife I am the one who has given and gives Stefano everything, every attention and feeling that a man could want, and soon children, too, and so he is mine, he no longer belongs to her.”

I understood that she wanted to get everything possible for herself, Stefano, the grocery stores, the money, the house, the cars. And I thought it was her right to fight that battle, which we were all fighting, one way or another. I tried to make her calm down, because she was very pale, her eyes were inflamed. And I was happy to hear how grateful she was to me, I was pleased to be consulted like a seer, handing out advice in a good Italian that confused her, as it did Pasquale and Pinuccia. Here, I thought sarcastically, is the use of history exams, classical philology, linguistics, and the thousands of file cards with which I drill myself rigorously: to soothe them for a few hours. They considered me impartial, without malicious feelings or passions, sterilized by study. And I accepted the role that they assigned me without mentioning my own suffering, my audaciousness, the times I had risked everything by letting Franco come to my room or sneaking into his, the vacation we had taken by ourselves in Versilia, living together as if we were married. I felt pleased with myself.

But as the time for lunch approached, the pleasure gave way to uneasiness, I went to Lila’s unwillingly. I was afraid that she would find a way to restore in a flash the old hierarchy, causing me to lose faith in my choices. I feared that she would point out Nino’s features in little Gennaro to remind me that the toy that was supposed to be mine had fallen to her. But it wasn’t like that. Rinuccio — so she called him more and more frequently — touched me immediately: he was a handsome dark boy, and Nino hadn’t yet emerged in his face and body, his features recalled Lila and even Stefano, as if all three had produced him. As for her, I felt that she had rarely been more fragile than she was then. At the mere sight of me her eyes shone with tears and her whole body trembled, I had to hold her tight to quiet her.

I noticed that in order not to make a bad impression she had combed her hair in a hurry, in a hurry had put on a little lipstick and a dress of pearl-gray rayon from the time of her engagement, that she wore shoes with a heel. She was still beautiful, but it was as if the bones of her face had become larger, her eyes smaller, and under the skin blood no longer circulated but an opaque liquid. She was very thin, embracing her I felt her bones, the clinging dress showed her swollen stomach.

At first she pretended that everything was fine. She was happy that I was enthusiastic about the baby, she liked the way I played with him, she wanted to show me all the things that Rinuccio could say and do. She began, in an anxious way that was unfamiliar, to pour out the terminology she had picked up from the chaotic reading she had done. She cited authors I had never heard of, made her son show off in exercises that she had invented for him. I noticed that she had developed a sort of tic, an expression of her mouth: she opened it suddenly and then pressed her lips together as if to contain the emotion produced by the things she was saying. Usually the expression was accompanied by a reddening of her eyes, a rosy light that the contraction of her lips, like a spring mechanism, promptly helped to reabsorb. She kept repeating that if she had dedicated herself assiduously to every child in the neighborhood, in a generation everything would change, there would no longer be the smart and the incompetent, the good and the bad. Then she looked at her son and again burst out crying. “He’s ruined the books,” she said between her tears, as if it were Rinuccio who had done it, and she showed them to me, torn, ripped in half. I had trouble understanding that the guilty person was not the little boy but her husband. “He’s got in the habit of rummaging among my things,” she murmured, “he doesn’t want me to have even a thought of my own and if he discovers that I’ve hidden even some insignificant thing he beats me.” She climbed up on a chair and took from on top of the wardrobe in the bedroom a metal box, and handed it to me. “Here’s everything that happened with Nino,” she said, “and so many thoughts that have gone through my head in these years, and also things of mine and yours that we haven’t said. Take it away, I’m afraid that he’ll find it and start reading. But I don’t want him to, they aren’t things for him, they aren’t for anyone, not even for you.”

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