Elena Ferrante - The Story of a New Name

At that last question she roused herself and burst out laughing, but somewhat artificially. She sounded amused, but who knows. She said I ought to be proud of her, she had made me look good. Why? Because she had been considered in every way finer than the very fine daughter of my professor. Because the smartest boy in my school and maybe in Naples and maybe in Italy and maybe in the world — according to what I said, naturally — had just left that very respectable young lady, no less, to please her, the daughter of a shoemaker, elementary-school diploma, wife of Carracci. She spoke with increasing sarcasm and as if she were finally revealing a cruel plan of revenge. I must have looked angry, she realized it, but for several minutes she continued in that tone, as if she couldn’t stop herself. Was she serious? Was that her true state of mind at that moment? I exclaimed:

“Who are you putting on this show for? For me? Do you want to make me believe that Nino is ready to do anything, however crazy, to please you?”

The laughter disappeared from her eyes, she darkened, abruptly changed her tone.

“No, I’m lying, it’s completely the opposite. I’m the one who’s prepared to do anything, and it’s never happened to me with anyone, and I’m glad that it’s happening now.”

Then, overcome by embarrassment, she went to bed without even saying goodnight.

I fell into a nervous half sleep, during which I convinced myself that the last little trickle of words was truer than the torrent that had preceded it.

During the week that followed I had the proof. First of all, as early as Monday I realized that Bruno, after Pinuccia’s departure, really had begun to focus on me, and he now considered that the moment had arrived to behave toward me as Nino behaved with Lila. While we were swimming he clumsily pulled me toward him to kiss me, so that I swallowed a mouthful of water and had to return to the shore coughing. I was annoyed, he saw it. When he came to lie down in the sun next to me, with the air of a beaten dog, I made a kind but firm little speech, whose sense was: Bruno, you’re very nice, but between you and me there can’t be anything but a fraternal feeling. He was sad but he didn’t give up. The same night, after the phone call to Stefano, we all went to walk on the beach and then we sat on the cold sand and stretched out to look at the stars, Lila resting on her elbows, Nino with his head on her stomach, I with my head on Nino’s stomach, Bruno with his head on my stomach. We gazed at the constellations, praising the portentous architecture of the sky with trite formulas. Not all of us, Lila didn’t. She was silent, but when we had exhausted the catalogue of worshipful wonder, she said that the spectacle of night frightened her, she saw no structure but only random shards of glass in a blue pitch. This silenced us all, and I was vexed: she had that habit of speaking last, which gave her time to reflect and allowed her to disrupt with a single remark everything that we had more or less thoughtlessly said.

“How can you be afraid,” I exclaimed. “It’s beautiful.”

Bruno immediately agreed. Nino instead encouraged her: with a slight movement he signaled me to free his stomach, he sat up and began to talk to her as if they were alone. The sky, the temple, order, disorder. Finally they got up and, still talking, disappeared into the darkness.

I was lying down but leaning on my elbows. I no longer had Nino’s warm body as a pillow, and the weight of Bruno’s head on my stomach was irritating. I said excuse me, touching his hair. He sat up, grabbed me by the waist, pressed his face against my chest. I muttered no, but he pushed me down on the sand and searched for my mouth, pressing one hand hard against my breast. Then I shoved him away, forcefully, crying, Stop it, and this time I was unpleasant, I hissed, “I don’t like you, how do I have to tell you?” He stopped, embarrassed, sat up. He said in a low voice: “Is it possible that you don’t like me even a little?” I tried to explain that it wasn’t a thing that could be measured, saying, “It’s not a matter of more beauty or less, more liking or less; it’s that some people attract me and others don’t, it’s nothing to do with how they are really.”

“You don’t like me?”

I said impatiently, “No.”

But as soon as I uttered that monosyllable I burst into tears, while stammering things like “See, I’m crying for no reason, I’m an idiot, I’m not worth wasting time on.”

He touched my cheek with his fingers and tried again to embrace me, murmuring: I want to give you so many presents, you deserve them, you’re so pretty. I pulled away angrily, and shouted into the darkness, my voice cracking, “Lila, come back right now, I want to go home.”

The two friends went with us to the foot of the stairs, then they left. As Lila and I went up I said in exasperation, “Go where you like, do what you like, I’m not going with you anymore. It’s the second time Bruno has put his hands on me: I don’t want to be alone with him anymore, is that clear?”

There are moments when we resort to senseless formulations and advance absurd claims to hide straightforward feelings. Today I know that in other circumstances, after some resistance, I would have given in to Bruno’s advances. I wasn’t attracted to him, certainly, but I hadn’t been especially attracted to Antonio, either. One becomes affectionate toward men slowly, whether they coincide or not with whomever in the various phases of life we have taken as the model of a man. And Bruno Soccavo, in that phase of his life, was courteous and generous; it would have been easy to harbor some affection for him. But the reasons for rejecting him had nothing to do with anything really disagreeable about him. The truth was that I wanted to restrain Lila. I wanted to be a hindrance to her. I wanted her to be aware of the situation she was getting into and getting me into. I wanted her to say to me: Yes, you’re right, I’m making a mistake, I won’t go off in the dark with Nino anymore, I won’t leave you alone with Bruno; starting now I will behave as befits a married woman.

Naturally it didn’t happen. She confined herself to saying, “I’ll talk to Nino about it and you’ll see, Bruno won’t bother you anymore.” So day after day we continued to meet the boys at nine in the morning and separated at midnight. But on Tuesday night after the call to Stefano, Nino said, “You’ve never been to see Bruno’s house. You want to come over?”

I immediately said no, I pretended I had a stomachache and wanted to go home. Nino and Lila looked uncertainly at each other, Bruno said nothing. I felt the weight of their discontent and added, embarrassed, “Maybe another night.”

Lila said nothing but when we were alone she exclaimed, “You can’t make my life unhappy, Lenù.” I answered, “If Stefano finds out that we went alone to their house, he’ll be angry not just at you but also at me.” And I didn’t stop there. At home I stirred up Nunzia’s displeasure and used it to urge her to reproach her daughter for too much sun, too much sea, staying out till midnight. I even went so far as to say, as if I wished to make peace between mother and daughter, “Signora Nunzia, tomorrow night come and have ice cream with us, you’ll see we’re not doing anything wrong.” Lila became furious, she said that she had had a miserable life all year, always shut up in the grocery, and now she had the right to a little freedom. Nunzia also lost her temper: “Lina, what are you saying? Freedom? What freedom? You are married, you must be accountable to your husband. Lenuccia can want a little freedom, you can’t.” Her daughter went to her room and slammed the door.