Esi Edugyan - The Second Life of Samuel Tyne

Здесь есть возможность читать онлайн «Esi Edugyan - The Second Life of Samuel Tyne» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2005, Издательство: Vintage Canada, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Second Life of Samuel Tyne: краткое содержание, описание и аннотация

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Suspenseful and atmospheric, this extraordinary novel portrays both the hardship and grace in the life of a man struggling to realize his destiny. When Samuel Tyne emigrated from the Gold Coast (now Ghana) in 1955, he was determined to accomplish great things. He excelled at Oxford and then came to Canada with the uncle who raised him, leaving the traditions and hard life of his homeland behind. Here, in this nation of immigrants, Samuel would surely be free to follow his destined path to success.
That new beginning didn’t live up to Samuel’s expectations. As the novel opens fifteen years later, he is working as an economic forecaster for the government in Calgary. It’s a stiflingly bureaucratic, dead-end job, where petty managerial types and lifeless co-workers make Samuel’s days almost unbearable.
Everything changes for Samuel when he finds out that his Uncle Jacob has died. Samuel and his uncle had grown apart. They had not spoken for a number of years, though Jacob had raised Samuel and, in a way, sacrificed himself for Samuel’s future. Jacob’s death weighs heavily on Samuel, yet his reaction seems more about having “a singular chance to get all his sadness out” than about familial love. Samuel is jolted out of his sadness and his workaday world when he receives a call telling him he has inherited Jacob’s old mansion in the small town of Aster, Alberta. The town, originally settled by freed slaves from Oklahoma, sounds to Samuel like the perfect place to start a new life, one that would allow him to live up to his potential, and he decides to exchange the drudgery of the city for the simplicity of small-town existence. When Samuel leaves his office for good after yet another minor humiliation, we cheer his resolve and look forward to what the coming days will bring.
Samuel believes that he is setting on a path to fulfill his personal expectations, but we begin to see the signs of what one reviewer has called Samuel’s “pathological temerity.” He doesn’t tell his family what has happened: not that he’s inherited the house, or that he plans to move there or even that he’s quit his job. Instead, he spends his days tinkering in the shed, emerging at just the right time to make it seem like he’s coming home from work. The truth comes out only when one of his daughters discovers his secret. His deception points to a paralyzing inability to communicate with others and suggests that this new beginning may be as fruitless as the last.
Maud and the twins, Chloe and Yvette, resist the move to Aster, but are helpless in the face of Samuel’s conviction that this is the right thing to do. And when they arrive, their new home — a gloomy, worn-down remnant of days long past — doesn’t exactly fill them with hope. But the seeds of renewal have been sown, the move has been made and they hesitantly take up their new lives. At first, the Tynes seem to be settling in — they meet some of their neighbours, Samuel sets up his own electronics shop, Maud begins to fix up the house and the twins are curious enough to at least begin exploring their new home. However, the idealized Aster of Samuel’s imagination proves to be as false as his family’s veneer of acceptance, and a dark undercurrent of small-mindedness, racism and violence soon turns on the town’s newest residents. When mysterious fires begin to destroy local buildings, and the bizarre yet brilliant twins retreat into their own dark world, Samuel’s fabled second chance slips slowly out of his grasp.
The Second Life of Samuel Tyne

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Yvette rose and began to march behind her sister, snapping her legs up into an elastic step that seemed even more unnatural because she obviously did not want to do it. In a shrill voice that expressed precisely the opposite of the emotion on her face, she chanted, “D.H. Lawrence.”

“Lawrence Durrell,” yelled Chloe, taking another turn of the room.

“Gerald Durrell,”

“Fitzgerald, Scott.”

“Zelda.”

“Picasso.”

“Getrude Stein.”

“Hemingway.”

“Shotgun.”

“Pills.”

“Oven.”

“Someone,” Chloe finished, raising a brisk finger into the air, “will pay for these crimes.” She lowered her voice to a hiss. “A crime has been committed in this house.” And with that, she began to kick at the middle of the filthy bag, so that it not only spat objects from its opening, but broke apart at the centre.

Frightened, Ama looked to Yvette. Yvette’s face had completely transformed, her eyes dark and withdrawn, her chin rigid.

“Ladies and gentlemen,” she bellowed, “the relics of the ranching age.” Kicking the bag so hard it split entirely, she and Chloe fell to their knees and began to root through the junk.

These were no so-called relics of the ranching age. Wheezing, Ama watched from bed as they lined everything up. The objects were of foreign origin, with the occasional garish trinket that showed Jacob had had a sense of humour. There were cork sandals adorned with plastic rainbow beads; a torn dashiki; a figurine of Rex Anderson, M.D.; wooden ladles with animals carved in the handles; reams of bright, hand-sewn cloth dyed orange, green and puce; a mink stole filled with mealworms; a single baby’s sandal; a heavy wooden bowl and its hourglass-shaped masher; a crude pipe with a marble trapped inside; and finally, a slender wooden game board whose deep pits had been carved by hand.

They heard Mrs. Tyne’s tired voice in the stairwell. “Breakfast,” she called.

The twins became silent again. Ama tried to quiet her asthma, knowing Mrs. Tyne was so hot-tempered that she might get in trouble for it. All three were terrified at what the pile of junk would convict them of.

And certainly, Mrs. Tyne seemed to be in a mood, looking exhausted and a little short-fused. Upon seeing the mess, she set her mouth, and her shrewd, narrowed eyes made Ama anxious. But something defused her anger. She came forward to run a thoughtful finger across the board game.

“It’s Oware,” she said. “We used to play it as children.” She ran her sleeve against it, fingering the notches as if checking the craftsmanship. Ama noticed a stripe of butter on her cheek, so negligent, so out of character for Mrs. Tyne, that its presence made her seem more vulnerable. Finally noticing their stares, she looked grimly at the children, and her voice tightened. “Well, no harm in you learning something today. Bring it down and I’ll show you how to play.”

In the centre of the kitchen table sat a platter of toast in the shape of starfish. The sudden playfulness of this alarmed Ama, until Mrs. Tyne explained she’d only meant to test an old cookie cutter. Mrs. Tyne put the game on the wooden table with the delicacy of one laying glass. Lacking sea-beads, she dragged a crate of cherries from the fridge and placed it beside the board.

With a mischievous smile, she said, “Eat these cherries and spit the pits into this towel.”

The girls looked at each other.

Mrs. Tyne laughed, and an elusive, old-fashioned beauty Ama had never seen before rose to her features. “It’s all right,” she said. “Go ahead.”

Ama chose a dark cherry and, chewing it with a kind of dread, spat the pit onto the towel, awaiting reprimand. The twins watched, looking from Ama to their mother. Seeing no repercussions, they, too, began to eat, and before long all three girls brought forth dozens of tiny pits still red with pith.

Mrs. Tyne thumbed them clean under water, then returned them to the table in her knotted apron, where they’d dried. Gingerly, she dropped some into each notch. She laughed while explaining the rules, and her rare happiness made them playful and happy themselves.

Barely an hour had passed when they heard someone tapping at the door. Maud nudged Chloe to answer it, and in a second the sullen girl returned, followed by an exquisitely dressed Eudora Frank, who surveyed their game with annoyed surprise.

Maud put a hand to her mouth. “Church!”

With her raised brow and pursed lips, Eudora looked the very measure of condescension. Shaking the rain from her broad, magisterial shoulders, she glanced dismissively at the cherry pits, as if to say they were behaving like heathens when their minds should be on God.

Maud felt the blood rush to her face. “I don’t know where my mind’s at. First there was last night — I couldn’t sleep with all that racket from the weathervane — and then when I saw this game, I—” She laughed and, gripping her daughters’ shoulders, said, “Ten minutes! Give us ten minutes!”

“Oh, Maud, take your time. You know I’m no bully. We can as easily catch the eleven o’clock service.” Her tone, and the rigid way she set her grey cloche on the table and remained standing, as if determined to wait in discomfort, were an obvious rebuke.

Mounting the stairs, they heard Eudora call: “Well, this is too gorgeous. Sam! Sammy! Please come here, let’s talk about this weathervane.”

Before they even reached the top, Samuel stood on the landing, the creases from his pillow etched into his cheek. “Did you call me, Maud?”

“Eudora did. She’s in the kitchen.” Maud bustled past, annoyed, and Samuel watched her merge into the shadows, taking the children with her.

He paused at the kitchen doorway, observing the forbidding figure of Eudora Frank as she fanned out her skirt and sat on a rickety chair with all the pomp of a queen. He watched her play with the feathers on her grey hat, mortified by his realization that he feared her. It was the fear he had of all forward women, a quality the young Maud had lacked, and half of why he’d come to love her. Laughing at himself, he entered the room just as Eudora screamed his name again.

“Oh, you’re right there,” she said, embarrassed. “We need you to take down this weathervane.”

Her matter-of-factness seemed perverse to him. Who was she, after all, to come into a stranger’s house and start dictating what needed to be done? He gave her a look of annoyance. She continued to stare at him, raising an imperious eyebrow and surveying his body as if to assess his worth.

He wanted to kick her out of his house, and yet he knew he wouldn’t do it. The worst thing about her request was that, after his restless night, he’d been thinking of taking the weathervane down anyway. Frowning to show his displeasure, he said, “All right,” and went out.

After berating himself in the shower, Samuel descended the stairs to an empty house. Only after calling for his family did he find the note on the fridge. Gone to church? It suddenly hit him that it would have been absurd for Eudora to get all dressed up just to boss him around, and yet at the time the thought had seemed natural. He stood with the paper in his fist, thinking. Was Maud seeking this woman’s friendship to spite him? Samuel checked himself, feeling guilty at how these days he’d come to expect the worst in his wife. He drank a glass of tap water and, after sitting for a minute, went to search for a ladder.

Empty, the house echoed his every step. It was the first time he’d been alone in it. He walked through the rooms, searching the crawlspaces and closets, thinking more and more of Jacob. In the room of prayer mats, Samuel imagined Jacob kneeling, slow with age, and wondered if he’d been the subject of any of those prayers. In the ancient study, where Samuel had taken to storing old wires in the drawers of the oak desk, he pictured the old man sitting down to write him a letter and being so respectful of Samuel’s peace that he set the task aside with great moral resolve. In the root cellar, with its moist shadows broken up by light coming through the cracks, Samuel tried to fathom what his uncle had used this space for. Jacob hadn’t left his imprint on this house. Even the furniture seemed impersonal, like a hotel’s. Samuel didn’t find a single ladder, and the only tools he managed to find were a blunt machete and two flat-head screwdrivers.

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