Esi Edugyan - The Second Life of Samuel Tyne

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Suspenseful and atmospheric, this extraordinary novel portrays both the hardship and grace in the life of a man struggling to realize his destiny. When Samuel Tyne emigrated from the Gold Coast (now Ghana) in 1955, he was determined to accomplish great things. He excelled at Oxford and then came to Canada with the uncle who raised him, leaving the traditions and hard life of his homeland behind. Here, in this nation of immigrants, Samuel would surely be free to follow his destined path to success.
That new beginning didn’t live up to Samuel’s expectations. As the novel opens fifteen years later, he is working as an economic forecaster for the government in Calgary. It’s a stiflingly bureaucratic, dead-end job, where petty managerial types and lifeless co-workers make Samuel’s days almost unbearable.
Everything changes for Samuel when he finds out that his Uncle Jacob has died. Samuel and his uncle had grown apart. They had not spoken for a number of years, though Jacob had raised Samuel and, in a way, sacrificed himself for Samuel’s future. Jacob’s death weighs heavily on Samuel, yet his reaction seems more about having “a singular chance to get all his sadness out” than about familial love. Samuel is jolted out of his sadness and his workaday world when he receives a call telling him he has inherited Jacob’s old mansion in the small town of Aster, Alberta. The town, originally settled by freed slaves from Oklahoma, sounds to Samuel like the perfect place to start a new life, one that would allow him to live up to his potential, and he decides to exchange the drudgery of the city for the simplicity of small-town existence. When Samuel leaves his office for good after yet another minor humiliation, we cheer his resolve and look forward to what the coming days will bring.
Samuel believes that he is setting on a path to fulfill his personal expectations, but we begin to see the signs of what one reviewer has called Samuel’s “pathological temerity.” He doesn’t tell his family what has happened: not that he’s inherited the house, or that he plans to move there or even that he’s quit his job. Instead, he spends his days tinkering in the shed, emerging at just the right time to make it seem like he’s coming home from work. The truth comes out only when one of his daughters discovers his secret. His deception points to a paralyzing inability to communicate with others and suggests that this new beginning may be as fruitless as the last.
Maud and the twins, Chloe and Yvette, resist the move to Aster, but are helpless in the face of Samuel’s conviction that this is the right thing to do. And when they arrive, their new home — a gloomy, worn-down remnant of days long past — doesn’t exactly fill them with hope. But the seeds of renewal have been sown, the move has been made and they hesitantly take up their new lives. At first, the Tynes seem to be settling in — they meet some of their neighbours, Samuel sets up his own electronics shop, Maud begins to fix up the house and the twins are curious enough to at least begin exploring their new home. However, the idealized Aster of Samuel’s imagination proves to be as false as his family’s veneer of acceptance, and a dark undercurrent of small-mindedness, racism and violence soon turns on the town’s newest residents. When mysterious fires begin to destroy local buildings, and the bizarre yet brilliant twins retreat into their own dark world, Samuel’s fabled second chance slips slowly out of his grasp.
The Second Life of Samuel Tyne

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Esi Edugyan

The Second Life of Samuel Tyne

For my mother

1942–1997

chapter ONE

The house had always had a famished look to it. Even now when Samuel closed his eyes he could see it leaning, rickety and rain-worn, groaning in the wind. For though he’d never once visited it, he believed that strange old mansion must somehow resemble his uncle in its thinness, its severity, its cheerless decay. The house sat on the outskirts of Aster, a town noted for the old-fashioned fellowship between its men. Driving through, one might see a solemn group, patient and thoughtful, sharing a complicit cigarette as the sun set behind the houses. And for a man like Samuel, whose life lacked intimacy, the town seemed the return to the honest era he longed for. But he knew Maud would never move there, and the twins, for the sake of siding with her, would object in their quiet way.

News of the house had arrived in that spring of 1968, an age characterized by its atrocities: the surge of anti-Semitism throughout Poland; the black students killed in South Carolina at a still-segregated bowling alley; the slaughter of Vietnam. It was also an age of assassinations: that year witnessed the deaths of Martin Luther King and Robert Kennedy, and those of less public men who gave their lives for ideas, or for causes, or for no good reason at all. But in Calgary, Alberta, in the far remove of the civil service, Samuel Tyne, a naturally apolitical man, worried only over his private crises. For his world held no future but quiet workdays, no past beyond youth and family life.

Sitting in the darkened shed in his backyard, Samuel examined the broken objects around him. Smoke from the solder filled his nose, his mouth tasting uncomfortably of blood. Snuffing the rod on a scorched pink sponge, he abandoned the antique clock and stood at the dusty window. He dreaded telling Maud about inheriting his uncle’s house. She was prone to overreacting. Their marriage, plagued by the usual upsets of all conjugal life, had added tensions, for across the sea, their tribes had been deeply scornful of each other for centuries.

Jacob’s death had been the first shock, but Samuel deliberated longer over the second: his unexpected inheritance. The first call had come days ago, after dinner, during Samuel and Maud’s only shared hour of the day. Already weary of each other’s company, they settled down on the living room couch with the resignation of people fated to die together. Samuel took up his favourite oak rocker, Maud the beige shag chair, and the clicking of her knitting needles filled the room.

“They’ve always been withdrawn,” she complained. “But this is madness. They won’t even talk to me. Their world begins and ends with each other, without a care for anyone else.”

Samuel sighed, scrutinizing his wife. She was thin as an iron filing, with a face straight out of a daguerreotype, an antiquated beauty inherited from her father. Her church friends so indulged her worries that Samuel, too, found he had to stomach her complaints good-naturedly. She took everything personally.

“Perhaps they did not hear you,” he said.

Maud continued to knit in silence, thinking, One does not ask a fool the way to Accra when one has a map in her pocket. The twins really had changed. Only Yvette spoke, and she wasted few words. Maud couldn’t understand it. As babies they’d been so different she’d corrected the doctor’s proclamation that they were identical. Now they’d grown so similar she couldn’t always say with great authority who was who. But she suspected it was her own fault. The thought of being responsible unsteadied her hands, and the sound of her nervously working needles began to irritate Samuel.

He’d been lost in his own meditations, contemplating what to fix next so that he would not have to think of his stifling job. Officially, Samuel was a government-employed economic forecaster, but when asked lately how he made his living, he lacked the passion to explain. The civil service now seemed an arena for men who woke to find their hopes burnt out. Every day, he too grew disillusioned. Even his children had become a distant noise. Samuel was the oldest forty in the world.

Yet fear of quitting his job did not unnerve him — it seemed only practical that he should fear it. What humiliated him was that he failed to quit because he dreaded his wife’s wrath.

Agitated, he’d begun to run through ways of asking Maud to stop knitting so loudly when the phone rang. People rarely called the house, so Samuel and Maud paused for a moment in their chairs. Finally, Maud dropped her lapful of yarn to the carpet, saying, “I’ll get it, just like everything else in this house.”

Samuel stared at the empty armchair. From the kitchen her voice droned on; he could pick out only the higher words. But they were enough. His chair began to rock, unsummoned, in what seemed like a human, futile move to pacify him. His childhood came back to him, a bitter string of incidents more felt than remembered. And the memories seemed full of such delicate meaning that he might have been experiencing his own death. When he opened his eyes, his wife stood before him, uncomfortable.

“You’ve heard then,” she said in a soft voice.

“Uncle Jacob,” he said. He stilled his chair.

“It took this long for them to find our number. I guess he didn’t mention he had family.” The spite in her comment sounded crass even to Maud. She went quietly back to her chair. “I’m sorry,” she said.

“When did he die?”

“Night before last. That’s what they think, anyway. He was very stubborn about being left alone in that old house. A neighbour he’d been friendly with went to call on him for something, and the front door was open. Just like that. They found him collapsed in a chair. Said he couldn’t have been gone more than an hour before they found him. It was God’s grace, too, because the neighbour had only gone to say goodbye before leaving town for a week, and no one else called on Jacob much.”

Samuel nodded. Jacob had been a private man. So private that he’d cut from his life the man he’d raised as his own son. Samuel looked at Maud’s hands, a dark knot on her lap.

“Good night,” he said.

Maud rose with deliberate slowness, giving him time to change his mind, to reach out to her. She stood quite uselessly in the doorway; then after a moment the hall lights went out and he heard her ascend the stairs.

At the brief funeral held in Calgary — a mock ceremony, for the body wasn’t present — Samuel wore the only gift his uncle had ever sent him: an elephantine suit that sulked off his joints and seemed to be doing the grieving for him. Samuel had eschewed a church ceremony, opting instead for a secular gathering in which his friend Halldór Bjornson, a retired speech-writer, mumbled a few lofty clichés over the already-covered grave. Samuel had put his full faith in Jacob’s neighbour’s judgment, choosing not to identify the body, and now he wondered if he’d done the wise thing. Maud saw his decision as an attempt to shield off more grief, but Samuel himself was less sure.

In truth, he was a man incapable of coping with sadness. Since the day Jacob had abandoned him for Aster, Samuel had unconsciously struggled to become more like his uncle. He thought often of Jacob’s face, which despite a life of labour, or perhaps because of it, had the craggy, aristocratic look of a philosopher’s. Jacob’s speech had even sounded philosophical; praised for his practical wisdom, he’d had a hard time believing he wasn’t always right. But Samuel only succeeded in imitating Jacob Tyne’s stubbornness, which went no deeper than Samuel’s face: he wore a look of dog’s mourning with the graveness of a sage, without irony, like an amateur stage actor.

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