Ottessa Moshfegh - Eileen

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Eileen: краткое содержание, описание и аннотация

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A lonely young woman working in a boys’ prison outside Boston in the early 60s is pulled into a very strange crime, in a mordant, harrowing story of obsession and suspense, by one of the brightest new voices in fiction.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes — a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.
Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature.

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The boys at Moorehead actually seemed like nice people to me, considering their circumstances. Any of us would be ornery and disgruntled in their place. They were forbidden to do most things children ought to do — dance, sing, gesture, talk loud, listen to music, lie down unless they were given permission to. I never talked to any of them at all, but I knew all about them. I liked to read their files and the descriptions of their crimes, the police reports, their confessions. One had stabbed a taxi driver in the ear with a pen, I remember. Very few of them were from X-ville itself. They came to Moorehead from across our region, Massachusetts’ finest young thieves and vandals and rapists and kidnappers and arsonists and murderers. Many of them were orphans and runaways and were rough and tough and walked with swagger and aplomb. Others were from regular families and their demeanor was more domestic, more sensitive, and they walked like cowards. I liked the rough ones better. They were more attractive to me. And their crimes seemed far more normal. It was those privileged boys who committed the perverse, really twisted crimes — strangling their baby sisters or lighting a neighbor’s dog on fire, poisoning a priest. It was fascinating. After several years, however, it had all become old hat.

I remember this particular Friday afternoon because a young woman came to visit her perpetrator — her rapist, I assumed. She was a pretty girl who had a tortured flamboyance, and at the time I thought all attractive women were loose, sex kittens, tramps, floozies. Such a visit was strictly forbidden, of course. Only close relatives were allowed visits with inmates. Kin was the word we used. I told the girl as much, but she demanded to see the boy. She was very calm at first, as though she’d been practicing what to say. I can’t believe my audacity when I asked, death mask on, whether she was demanding to become the boy’s kin. I said, “Do you mean to say you’re engaged to be married?” was my question. She seemed to lose her mind when I asked that, and turned to the weepy mothers with their clipboards and questionnaires and cursed them and threw the ledger to the floor. I don’t know why I was so cold to her. I suppose I may have been envious. No one had ever tried to rape me, after all. I’d always believed that my first time would be by force. Of course I hoped to be raped by only the most soulful, gentle, handsome of men, somebody who was secretly in love with me — Randy, ideally. Once the girl had left and I had a free moment, I pulled her rapist’s file. The photograph showed a pimpled, sleepy black boy. His rap sheet included stealing laundry off a neighbor’s line, smoking marijuana cigarettes, vandalizing a car. He didn’t seem so bad.

Another part of my job during visiting hours was to tell the guards which boys were being summoned for visits, one by one. The two guards I remember most clearly were Randy, of course, and James. I think James must have had brain damage or some sort of nervous condition. He was always agitated, sweated constantly, and seemed utterly uncomfortable in anyone’s company. The job became very difficult for him when he had to interact with the boys or appear in front of the weeping mothers. When he was alone he had an ominous kind of stillness, like a slingshot being pulled back too hard. He seemed to sit like that, rigid, about to explode, for hours at a time when it was his turn to guard the hallway. This was a ridiculous waste of man-hours in retrospect, since there was another guard farther down the hall who sat by the door to the residential facility, or whatever we called the place where the boys lived and slept and paced around and read the Bible, or whatever they were supposed to do.

What was also ridiculous — I’m just remembering this now — was how I was put in charge of administering the security test for the women visitors. Since there were no female guards or officers, I suppose, it was my duty to pat the mothers down, lazily tapping around their shoulders and hips, a small pat on the back. It was the most intimate moment of my day, tapping these sad women. Randy would be there, too, usually standing guard at the door of the visitation room, and sometimes as I touched those women I imagined it was Randy I was touching, Randy, who like those women, seemed to barely even notice me. I was just a pair of hands flashing nervously through the air. These were all very sad women, passive and remorseful, and never violent. Of course in all my pathetic pat-downs, I never once came across a concealed knife or gun or vial of poison in a skirt pocket of any of those sad mothers. The guards hardly seemed concerned either. Men rarely visited. Most likely that had to do with work schedules, but I think many of the boys in the prison lacked fathers, which was part of the problem, I suppose. It was all pretty grim.

The bright spot in the misery of visitation hours was the chance to be close to Randy. I remember the peculiar scent of his sweat. It was strong, but not offensive. A good-natured smell. People smelled better back then. I am certain this is true. My eyesight has deteriorated over the years, but my sense of smell is still quite keen. Nowadays I often have to leave a room or walk away when a person near to me smells bad. I don’t mean the smell of sweat and dirt, but a kind of artificial, caustic smell, usually from people who disguise themselves in creams and perfumes. These highly scented people are not to be trusted. They are predators. They are like the dogs who roll around in one another’s feces. It’s very disturbing. Although I was generally paranoid about how I smelled — if my sweat stank, if my breath was as bad as my mouth tasted — I never wore perfume, and I always preferred the scentless soaps and lotions. Nothing calls more attention to one’s odor than a fragrance meant to mask it. At home alone with my father, I was in charge of the laundry, a duty I inherited by default and which I rarely honored. But when I did, the aroma of his soiled garments was so distressing, I often gagged and coughed and dry-heaved when I sniffed them. It was the smell of something like soured milk, sweet and laced so strongly with the perfume of gin, it turns my stomach just to think of it now.

Randy smelled completely different — tart like the ocean, brawny, warm. He was very attractive. He smelled like an honest man. Mrs. Stephens had told me that the guards were all hired through the employment office of the county correctional facility. So they were all ex-convicts, I suppose. They all had tattoos. Even James had one. A swastika, I believe. Randy’s tattoo was a fuzzy portrait of a girl — his mother, I hoped. One early morning during my first months at Moorehead, when the office ladies were setting up the Easter crèche, I read Randy’s employee file, which included a list of his adolescent offenses — sexual misconduct, breaking and entering. He had been an inmate at Moorehead as a teenager, a fact which only endeared him to me more.

You know me. I spent many hours wondering who might have been the recipient of Randy’s sexual misconduct. I guessed some young teenage girl who got in trouble with her parents for breaking curfew or getting pregnant. Randy didn’t seem like the violent type to me, but I’d seen him use force in restraining the boys from time to time. He’d have been great in a fistfight, I imagined. One of my favorite daydreams went like this: Randy would wait for my shift to end and ask to escort me to my car. He would offer his arm as I stepped across the black slate of ice in the parking lot, but I would refuse it, and he would feel jilted and abashed. But then I would slip on the ice and be forced, despite my prudence, to take his thick arm in my gloved hands, and he would look deeply into my eyes, and maybe we would kiss. Or instead, he’d take hold of me by the shoulders and steer me up against the Dodge, press my face into the frosted window, reach up my skirt to rip my stockings, my underpants, then around my leg to feel my caverns and folds with his fingers as he pushed into me, his breath hot at my ear, saying nothing. In that fantasy, I wore no girdle.

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