Ottessa Moshfegh - Eileen

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Eileen: краткое содержание, описание и аннотация

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A lonely young woman working in a boys’ prison outside Boston in the early 60s is pulled into a very strange crime, in a mordant, harrowing story of obsession and suspense, by one of the brightest new voices in fiction.
So here we are. My name was Eileen Dunlop. Now you know me. I was twenty-four years old then, and had a job that paid fifty-seven dollars a week as a kind of secretary at a private juvenile correctional facility for teenage boys. I think of it now as what it really was for all intents and purposes — a prison for boys. I will call it Moorehead. Delvin Moorehead was a terrible landlord I had years later, and so to use his name for such a place feels appropriate. In a week, I would run away from home and never go back. This is the story of how I disappeared. The Christmas season offers little cheer for Eileen Dunlop, an unassuming yet disturbed young woman trapped between her role as her alcoholic father’s caretaker in a home whose squalor is the talk of the neighborhood and a day job as a secretary at the boys’ prison, filled with its own quotidian horrors. Consumed by resentment and self-loathing, Eileen tempers her dreary days with perverse fantasies and dreams of escaping to the big city. In the meantime, she fills her nights and weekends with shoplifting, stalking a buff prison guard named Randy, and cleaning up her increasingly deranged father’s messes. When the bright, beautiful, and cheery Rebecca Saint John arrives on the scene as the new counselor at Moorehead, Eileen is enchanted and proves unable to resist what appears at first to be a miraculously budding friendship. In a Hitchcockian twist, her affection for Rebecca ultimately pulls her into complicity in a crime that surpasses her wildest imaginings.
Played out against the snowy landscape of coastal New England in the days leading up to Christmas, young Eileen’s story is told from the gimlet-eyed perspective of the now much older narrator. Creepy, mesmerizing, and sublimely funny, in the tradition of Shirley Jackson and early Vladimir Nabokov, this powerful debut novel enthralls and shocks, and introduces one of the most original new voices in contemporary literature.

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At home I gulped water from the tap and swallowed a handful of laxatives which I kept below the kitchen sink. Then I sat down and drank a beer. My father raised his hand, saluting me gravely, mocking my mood.

“Cops brought whiskey,” he said, pointing to a bottle of Glenfiddich with a bow tied around its neck. It sat by the door to the cellar stairs. “How was the movie?”

He seemed calm, in a better mood. Gone was the cutting fury of earlier. He seemed to want to talk.

“It was dumb,” I answered honestly. “Should I open it?” I went and picked up the whiskey.

“By any means necessary,” my father said. I didn’t always hate him. Like all villains, he had his good side, too. Most days he didn’t mind that the house was a mess. He hated the neighbors, as I did, and he would rather have been shot in the head than admit defeat. He made me laugh now and then, like when he’d attempt to read the papers, bristling with contempt at any headline he managed to decipher, one eye shut tight, finger shaking at the words, drunk as he was. He still ranted about the Reds. He loved Goldwater and despised the Kennedys, though he made me swear I’d keep that a secret. He was a hard-liner about certain duties. He had a stern attachment to things like paying the bills on time, for example. He’d sober up once a month for that task and I’d sit next to him, opening the envelopes, licking the stamps, making out the checks for him to sign. “That’s terrible, Eileen,” he’d say. “Start again. No bank would accept a check written like that, like a little girl made it out.” Even on his dry days he could barely hold a pen.

That night I poured us each a few fingers of whiskey and pulled my chair up next to his, stuck my frozen hands toward the burning oven.

“Doris Day’s a fat hack,” I said.

“Waste of time going to the movies if you ask me,” he mumbled. “Anything good on the tube?”

“Some nice static, if you’re in the mood,” I said. The television had been broken a long time.

“Ought to have someone come take a look at it. Bulb’s broken. Must be the bulb.” We’d had the same exchange once a week for years.

“Everything’s a waste of time,” I said, collapsing a bit in my chair.

“Have a drink,” my father grumbled, sipping his. “Cops brought me good whiskey,” he said again. “That Dalton boy looks like some kind of weasel.” The Daltons lived across the street. He stopped, paused. “You hear that?” He put his hand out, perked his ears. “Hoodlums are rowdy tonight. What day is it?”

“Saturday,” I said.

“That’s why. Hungry as rats.” He finished his whiskey, absentmindedly fumbled through the folds of the blanket spread across his lap, pulled up a half-empty bottle of gin. “How was the movie? How’s my Joanie?” He was like that. His mind was not quite right.

“She’s fine, Dad.”

“Little Joanie,” he said wistfully, somberly. He rubbed his chin, raised his eyebrows. “The kids grow up,” he said. We stared into the hot oven like it was a crackling fireplace. I warmed my thawing fingers, poured myself more whiskey, pictured the moon and stars swirling as they would through the windshield if I’d sped off the side of that cliff and down onto the rocks earlier that evening, the glittering of broken glass over the frozen snow, the black ocean.

“Joanie,” my father repeated, reverently. Despite her whorish ways, my father adored my sister, pined for her, it seemed—“my dear, sweet Joanie”—spoke of her with such admiration and decency. “My good little girl.” Those last years in X-ville, I’d stay up in the attic most times she came to visit. I couldn’t stand to watch how he’d give her money, eyes filling with tears of pride and honor, and how they loved each other — if love was what that was — in a way I could never understand. She could do no wrong. Although she was older than me, Joanie was his baby, his angel, his heart.

As for me, no matter what I did, he was certain it was the wrong thing to do, and told me so. If I came down the stairs holding a book or a magazine, he said, “Why do you waste your time reading? Go for a walk outside. You’re pale as my ass.” And if I bought a stick of butter, he would hold it between his fingers and say, “I can’t eat a stick of butter for dinner, Eileen. Be reasonable. Be smart for once.” When I walked through the front door, his response was always, “You’re late,” or “You’re home early,” or “You’ve got to go out again, we’re in short supply.” Although I wished him dead, I did not want him to die. I wanted him to change, be good to me, apologize for the half decade of grief he’d given me. And also, it pained me to imagine the inevitable pomp and sentimentality of his funeral. The trembling chins and folded flag, all that nonsense.

Joanie and I were never really close growing up. She was always much more personable and happier than I was, and being around her made me feel stiff and awkward and ugly. At her birthday party one year, she teased me for being too shy to dance, forced me to stand and grabbed my hips in her hands, then squatted down by my nether regions and rotated my body side to side as though I were a puppet, a rag doll. Her friends laughed and danced and I sat back down. “You’re ugly when you pout, Eileen,” my dad had said, snapping a picture. Things like that happened all the time. She left home at seventeen and abandoned me for a better life with that boyfriend of hers.

I’m reminded of one Fourth of July when I must have been twelve, since Joanie is four years older and she’d just gotten her license to drive. We’d come home from an afternoon at the beach to find our parents hosting a barbecue in our backyard for the entire X-ville police department, a rare social event for the Dunlops. A rookie, whom I recognized from around town — his little sister had some sort of disability, I recall — was made to sit next to me at the picnic table, a situation that afforded my father a chance to joke to the boy that Joanie and I were “jailbait.” The meaning of this term eluded me until years later, but I never forgot him saying it, and I’m still resentful. I remember it irritated my thighs to sit on the raw pine board set up on two pails filled with rocks that served as a bench at this barbecue, and when I went inside to change out of my swimsuit, the boy followed me into the kitchen and tried to kiss me. I refused his advance by steering my head back and away from his, but he took me by the shoulders and spun me around, gripping my wrists behind my back. “You’re under arrest,” he joked, and reached his hand up my shorts and pinched me. I ran to the attic, where I stayed for the rest of the night. Nobody missed me. I know other young women have suffered far worse than this, and I myself went on to suffer plenty, but this experience in particular was utterly humiliating. A psychoanalyst may term it something like a formative trauma, but I know little about psychology and reject the science entirely. People in that profession, I’d say, should be watched very closely. If we were living several hundred years ago, my guess is they’d all be burned as witches.

Back then, on that Saturday night in X-ville, the whiskey dwindled fast. My father was asleep and I was on my way down to the basement toilet, burping up the liquor churning in my stomach and about to explode out the other end from the laxatives. I was drunk, tripped and would have killed myself on the steps had I not been gripping the splintery banister like it was the handrail of a sinking ship. I’d tripped and fallen down those stairs once before, when I was a child running from my mother who was chasing me with a wooden spoon and screaming, “Clean your room!” or something like that. I split my lip and bumped my head on the way down, scraped my hands and knees when I hit the hard dirt floor. I recall looking up at the yellow rectangle of light in the kitchen from the foot of the stairs, my mother’s silhouette appearing like a paper cutout. She said nothing to me. She simply shut the door. How many hours did I spend down there, hurt and terrified? It was dark and full of dust and cobwebs and a dank, moist smell, gray steel tools, the boiler, an old-fashioned toilet with a yank hanging from the ceiling that smelled of old urine. Mice. I got over my childhood fear of the dark that day, I suppose. Nothing came at me — no angry spirits attacked me, no restless ghosts tried to suck out my soul. They left me alone down there, which was just as painful.

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