David Gates - Preston Falls

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Preston Falls: краткое содержание, описание и аннотация

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A finalist for the Pulitzer Prize, Jernigan introduced David Gates as a novelist of the highest order. "Full of dark truths and biting humor," wrote Frederick Exley, "a brilliant novel [that] will be read for a long time."
After that blackly comic handbook of self-destruction-whose antihero shoulders up to such crucial American figures as Bellow's Herzog, Updike's Harry Angstrom, Heller's Bob Slocum, Percy's Binx Bolling and Irving's Garp-Gates's new novel investigates the essential truths of a marriage à la mode. Doug and Jean Willis fit the newly classic, recognizable and seemingly normal variety: struggling against a riptide of the daily commute, the mortgages, the latchkey child-rearing and the country house, as well as the hopes and desires from which all of this grew.
In accordance with their long-standing agreement, Doug embarks from their Westchester home on a leave of absence from the PR job that had ineluctably become his life, while Jean contends with both her own job and their two children. Over a two-month period he'll spruce up the family's alternative universe up north in rural Preston Falls; she'll deal with her end of the bargain, and her worries about the survival of the family. But then domesticity hits the brick wall of private longings and nightmarish twists of fate.
A surprising, comic, horrifying and always engrossing novel, charged with the responsibilities of middle age and with the abiding power of love, however disappointed-told with great artistry, pitch-perfect understanding and fierce compassion.
"A novel that's the funniest, sharpest, most strangely exciting book about men and women in a long time."
— Tom Prince, Maxim

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"Time Further Out," says Willis.

"Right, and we were supposed to count the number of measures in a beat or some shit? Which was this secret code that hooked up with people's Social Security numbers?"

PRESTON FALLS

"Something like that."

"You know, thinking back," Champ says, "it's bizarre that the mom let you take me."

"Yeah, well, it was all bizarre."

"Ah, but look at us now. Okay, listen, I'll be right back down." Willis hears him go clomping up the stairs. He doesn't return.

When Jean comes downstairs, Willis is lying on the sofa drinking coffee and looking through Dombey and Son for more Joe Bagstock shit.

"Morning," he says.

"Good morning."

"Coffee's all ready," he says, swinging his feet off the sofa and getting up. Makes his head throb, but he deliberately keeps his eyes open to make the wince less obvious. "I get you some?"

"No, thank you." She goes into the kitchen.

He salutes her backside and sits down again. Then lies down. He hears her go into the bathroom. Sometime later the toilet flushes. Then drawers opening and shutting in the kitchen, utensils chinging. He closes his eyes.

The next thing he's aware of is Champ saying "Hey, bro," and the smell of bacon. "You missed a happening breakfast, man. Jean said let you sleep."

Willis sits up. Classical music coming from the kitchen, Mozart-sounding shit that might even be Mozart. So some kind soul brought the boombox inside, and the rain didn't fuck it up — at least not the radio part. "Time is it?" he says.

"I don't know, ten-thirty?" says Champ. "Listen, man, we're going to head out."

"Wait. What? This is Sunday, right? I thought you were going back tomorrow." Willis sees Tina, sleepy-eyed, fucked-looking, sitting in the armchair, one leg draped over the arm. Back in her same biker shorts.

"Well, see, we were sort of talking it over upstairs," Champ says, "and we were feeling like — I don't know if I told you, but we've been doing this thing Sunday nights where we watch Tina's sister's kid? You know, so she can go to her meeting."

"She's been doing really really well," says Tina.

"She's a puker," Champ says. "It's like AA, what she goes to, except it's all pukers and fatties."

"Sweetie pie."

"Yes, dear."

"It's really helped her incredibly," says Tina.

"Hell, I'd be a puker too if I had that little shit to deal with."

"Father material." Tina flips a thumb at Champ.

"Anyhow, we were thinking maybe we better get down there. Like what if the Higher Power blew off the weekend? She's sitting there stuffing down chocolate cream doughnuts and the finger's getting closer! Closer!" He moves a trembling index finger toward his mouth.

"Stop," says Tina."That is really cruel.''

"The other thing, I got to get the mighty turnpike cruiser in to like Rayco or someplace, see what the fuck's the matter with that top."

"On Labor Day weekend?" Willis says.

"Well, you know, plus Tina has shit she's got to do. And we just thought, you know, with the top and everything, better get in before it starts to cool off, 'cause we didn't bring any jackets or shit."

"We've got jackets," says Willis.

"Plus if we wait till tomorrow we're not going to find a place to park. Shit, we been thinking of moving out to New Jersey just to have a fuckin' driveway."

"We have not,'' Tina says.

"She doesn't want to."

"I'm too young to die," Tina says.

"Hey, Jersey is happening," says Champ. "They got towns with all these big-ass houses, the white people are moving out, and stuff's going for nothing. What the fuck, so you get a gun and a fuckin' security system. We got shit at the store — you know, put fuckin' razor wire. I want to have a big fuckin' sleaze palace, about ten bedrooms, you know? Mattresses on the floor? Great big speakers?"

"What Champ wants in his heart of hearts," says Tina, "is a free-sex commune."

"Yeah, well? That can still work too. You know, you test everybody once a week."

"He is so dear," says Tina.

"Tina has no ideals. So listen, bro, we better do it. Now where'd Jean get to?"

They find her out behind the house where the stream cuts through in springtime. Rathbone's strutting back and forth with a stick in his mouth. She gets up, knees of her jeans muddy, and brings Tina a plastic bag with green stuff in it.

PRESTON FALLS

"This is that mint," she says. Champ claps his hands and Rathbone trots over with the stick.

"Oh. Thank you." Tina clearly has forgotten whatever conversation they apparently had about mint.

Champ grabs for the stick and Rathbone dodges away.

"Hey, bro?" says Willis. "Show you something for a second?" He leads Champ over toward the woodshed. That God damn gutter's just hanging off the eaves; everywhere on this whole fucking place something needs to be done, urgently. "Listen, Fm sorry about how tense things are here."

"Ah, this shit happens. I just thought it might be easier with us out from underfoot."

"Well," says Willis, "easier on you, for sure."

"Doesn't bother me. I think Tina's sort of bummed that you guys— but shit, she's young, you know? Hasn't quite achieved that Zen-like detachment. She likes you."

"Well, I like her" Willis says. "I think you really scored."

"Of course I scored. Nurk nurk nurk."

"You dick. Listen, we'll be okay."

"Right, I know that," says Champ. "And you know you can call me anytime."

"Now there's a vote of confidence."

"So," Champ says. "I guess we better do it."

Willis puts Rathbone in the house — the boombox is still playing the same diddle diddle, or similar diddle diddle — and he and Jean walk out to the road to watch them off. When the convertible disappears around the corner, Jean says, "I think I'm going to go too."

"Say again?"

"If you'd like to have a little time with Mel and Roger," she says, "you could go pick them up while I get their stuff together."

"What do you mean — you're leaving todays Willis tries to put the right English on this to make it sound like disappointment.

"I just don't see what's in this for either of us. You might as well have the place to yourself, which is obviously what you want."

"But this is your time off too."

"That's right. And I've worked really hard for it, and I really need for it to be restful. Or dare I say fun? If that's even a possibility anymore?"

"But what about the kids and their weekend?" Willis says. Telling himself Shut up shut up shut up.

"Oh, well I'm glad you're so concerned^' she says. "I think I'm going to take them camping overnight. To the place we went that time. That you hated. The state park? And I would really appreciate it if you could be too busy to come along."

"Camping for one day? Haifa day?"

"That's the time we have."

"What do you plan to do with them once you get them there?"

"Swim," she says. "Throw a ball. Cook hot dogs. You know, normal things. I know you have nothing but contempt for all that, so you can do what you want for a change and not be bothered with us. I'm hoping it'll cool me out enough to m^aybe be able to deal with the trip back. And getting them ready for school on Tuesday. And — you know."

"Sleeping in a fucking tent with two kids is going to cool you out?"

"Right. But see," she says, "I like being with them."

While Willis is picking up the kids, Jean searches the bedroom closet for the down-filled sleeping bags Carol gave them when they got married. Now they seem like a bad fairy's wedding curse: May you always sleep apart. The kids' sleeping bags are in Chesterton; she'll let them have these and make do herself with a couple of blankets.

She stows bags, blankets and three pillows in the back of the Cherokee, then goes into the woodshed for the tent — just in case all the lean-tos are taken — and the cooler, a red-and-white Igloo, which smells like something died. Or so she'd say if she were telling somebody; all it really smells like is a cooler that hasn't been used all summer. She brings it into the kitchen and cleans it out with Pine Sol. She wishes she could stop saying things she doesn't absolutely mean.

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