David Gates - Preston Falls

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Preston Falls: краткое содержание, описание и аннотация

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A finalist for the Pulitzer Prize, Jernigan introduced David Gates as a novelist of the highest order. "Full of dark truths and biting humor," wrote Frederick Exley, "a brilliant novel [that] will be read for a long time."
After that blackly comic handbook of self-destruction-whose antihero shoulders up to such crucial American figures as Bellow's Herzog, Updike's Harry Angstrom, Heller's Bob Slocum, Percy's Binx Bolling and Irving's Garp-Gates's new novel investigates the essential truths of a marriage à la mode. Doug and Jean Willis fit the newly classic, recognizable and seemingly normal variety: struggling against a riptide of the daily commute, the mortgages, the latchkey child-rearing and the country house, as well as the hopes and desires from which all of this grew.
In accordance with their long-standing agreement, Doug embarks from their Westchester home on a leave of absence from the PR job that had ineluctably become his life, while Jean contends with both her own job and their two children. Over a two-month period he'll spruce up the family's alternative universe up north in rural Preston Falls; she'll deal with her end of the bargain, and her worries about the survival of the family. But then domesticity hits the brick wall of private longings and nightmarish twists of fate.
A surprising, comic, horrifying and always engrossing novel, charged with the responsibilities of middle age and with the abiding power of love, however disappointed-told with great artistry, pitch-perfect understanding and fierce compassion.
"A novel that's the funniest, sharpest, most strangely exciting book about men and women in a long time."
— Tom Prince, Maxim

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Looking at Willis, Champ passes the printout to Tina. "Are you shitting me?"

''Oh my God," says Tina. "We loved this place — it is the most fabulous. Champ actually relaxed"

"Me? Bull^^z/." The chatter and the silverware noises around them suddenly hush. "Oopsy," Champ says.

"Besides, they make you dress for dinner?" says Tina. "That's like a thing there? And he looked so cute in his jacket and tie."

"I looked like a fucking anchorman," says Champ.

"I'm going to go in and just make sure Jean's all right." Tina gets up, comes around and kisses Willis on the cheekbone. "You are so sweet," she says. "I can't believe you."

"Hold that thought," Willis says, and commands himself not to watch her ass as she walks away.

"Listen, bro," says Champ. "Can you really swing this?"

"Hey," says Willis. "If MasterCard says I can, who am I to argue?"

''There you go," says Champ. "So Jean doesn't like it when the jizzbags arrive before the soup?"

Willis shrugs. "Fuck 'em if they can't take a joke, right?"

PRESTON FALLS

"What I always say."

"Dames. Can't live wiih 'em, dot dot dot."

"I hear you," says Champ. "So listen, this might be the moment for us boys to powder our noses." He pats his shirt pocket. "Little cut in your strut? Glide in your stride?"

"What is this, the eighties?" says Willis. "I'm just about keeping it together as it is."

"That's why you need to lively up," says Champ. "Lively up yourself," he sings, "don't be no dra-hag."

Willis shakes his head. "Bad idea."

"Well, shit iil'm not going to go get festive."

"God help us." Willis picks up his martini. "Listen, be discreet, will you?"

"Yeah, right. I'm going to stand at the fucking urinal wagging my wang with one hand and—"

"You're being very loud," Willis says.

"Oopsy." Champ raises his hand and whispers, "May I be excused?"

Willis sits there alone at the table. So now what the fuck. He takes a sip of martini. Fair. Except too much of whatever shit vermouth they pour here. He should've gone in with Champ; Jean never saw him in his druggy days and wouldn't have a clue. Hell, he could go in now. But. He takes two more gulps and beckons the waiter while emptying the glass. And bingo: when Jean comes back to the table he's got another, drier one in front of him that anybody would think was still the first.

"Mel and Roger are fine," she says, sitting down. "If you're interested."

Already he's mellow enough to let that one roll. "Oh, you called up?" he says, a blithe and blase martini-drinker like Mr. Postmodern Collage Man on the Tanqueray posters. Mr. Something.

"Yes. I called up."

He'll ignore her tone too. Superciliously, he sips again.

"They want to stay overnight."

"And you told them?" he says.

"I told them fine. I thought under the circumstances it was just as well."

"The circumstances?" Dear me, whatever can the woman mean?

"Oh, stop," she says. "Just stop. Tell me something, have you lost your mind? It was just so loutish. A box of rubbers, for God's sake."

"Hey, I am a lout. That's my big aspiration anymore. To be a fucking lout."

"Well, you're succeeding," she says.

"Well, good, great," he says. "You know who I want to be? Fucking John Madden." It's the example that leaps to mind.

"I'm sorry, this is all too deep for me," she says. "I'd appreciate it if after we get our food we could get out of here as quickly as possible."

"We haven't even ordered, for Christ's sake."

"Yes, I know that, thank you." Then she looks up and says, without moving her lips, "Oh, great."

Tina sits down. "Oh, I feel so much better. What happened to my one and only?"

"Went to the men's," Willis says.

"This place is so happening." Tina's looking at another suit of armor, in a wall niche. "Do you think these are actually real?"

"Not unless they were for midgets," says Willis.

Jean has gone behind her menu.

"But weren't people smaller in the old days?" Tina says.

"/was," says Willis. "You should've seen me in 1954."

Tina does a batting-at-him gesture. "No, I mean — like wasn't Napoleon five two or something?"

"Hey," says Champ, sitting down and rubbing his nose. ''Heya heya heya heya."

"Champ?" says Tina. "Wasn't Napoleon like five two?"

"Could be," says Champ. "Napoleon? Could very very well be. I do know they pickled his dick and put it in the Smithsonian."

"Oh-oh," says Tina. "What's this vibe I'm getting? You weren't being a bad boy in there?"

"Unbelievable," says Champ. "Guy takes an innocent whiz. You want to pat me down?"

"Could be hot." Tina narrows her eyes. "Hmm. I don't know about you."

"I think we should order," Jean says.

"Ah yes, I'll have the, ah, pickled dick}'' says Champ. "Served with a light cream sauce?"

"Sweetheart," says Tina.

"Oopsy."

"Honey lamb," says Tina.

PRESTON FALLS

"Ah yes, I'll have the, ah, honey lamby

As the rest of them eat. Champ combs his pasta into patterns with his fork and explains that "Maurice Bishop" had been seen with Oswald before the assassination, and that if you looked at the sketch of "Maurice Bishop" and then at the photograph of David Attlee Phillips, it's just unmistakable, even though the guy who saw them together backed off from explicitly making the identification because he was scared shitless of the CIA.

"So the whole thing came out of Langley," says Willis. "What else is new."

"Langley?" says Champ. "You don't seriously believe headquarters is at fucking Langley, do you? Langley is the fucking cover.''

"Okay, so where's the real place?"

"Orlando. They got this whole like underground city underneath Disney World, right? Fifty thousand million people with their kids and shit walking around overhead, fat, dumb and happy," He teases out a strand of pasta, regards it, then drapes it over a piece of broccoli. "Nah, shit, how would / know? I don't want to fucking know. That kind of information could be very very dangerous to have." He whistles the little four-note Twilight Zone thing.

"You live with him," Willis says to Tina. "Does he really believe this stuff?"

"Hey, talk about me like I'm not here," says Champ.

"He gets off on it, I know that" she says.

Willis is pretty well hammered after his three martinis (officially two) plus wine with dinner, so he lets Jean drive them back to Preston Falls while he rides shotgun and plays deejay. Hot Country really is unlistenable, so he settles on a classical station — it's that Hovhaness piece of garbage that everybody likes because they're getting old and right wing. The Magic Mountain or whatever. Willis is smashed enough to where he finds himself enjoying the heU out of it. As they pull into the dooryard, he sees stars in the black sky above his own hilltop, and that is just about fucking perfect. He gets out of the Cherokee and stands there staring in shit-faced reverence.

Champ and Tina call good night. Yeah, yeah, good night.

Jean touches his arm. She came right out of nowhere. "I'm going up to bed."

"Good," he says. "That's good." And now Rathbone is here too, tail

wagging, Rathbone! Forgot he even existed! Rathbone races off and lifts his leg against the spooky white birch tree.

"This probably isn't the best time," Jean says. "But do you think you could give me a clue as to what's going on?"

"In what sense?" he says.

She goes Oh as if somebody knocked the wind out of her.

This tells Willis he'd better try and be lucid for a second.

"Look," he says. "We've been over this. It's like I've been in the wrong life."

"Well, do you have any conception of what your life properly is? I mean, is it really up here, driving a truck?''

"That's what I hope to figure out," he says. "In my big two months." But hey, Rathbone's back! Willis gets to his knees, roughs up Rathbone's neck and teUs him That's my boy.

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