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David Gates: Preston Falls

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David Gates Preston Falls

Preston Falls: краткое содержание, описание и аннотация

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A finalist for the Pulitzer Prize, Jernigan introduced David Gates as a novelist of the highest order. "Full of dark truths and biting humor," wrote Frederick Exley, "a brilliant novel [that] will be read for a long time." After that blackly comic handbook of self-destruction-whose antihero shoulders up to such crucial American figures as Bellow's Herzog, Updike's Harry Angstrom, Heller's Bob Slocum, Percy's Binx Bolling and Irving's Garp-Gates's new novel investigates the essential truths of a marriage à la mode. Doug and Jean Willis fit the newly classic, recognizable and seemingly normal variety: struggling against a riptide of the daily commute, the mortgages, the latchkey child-rearing and the country house, as well as the hopes and desires from which all of this grew. In accordance with their long-standing agreement, Doug embarks from their Westchester home on a leave of absence from the PR job that had ineluctably become his life, while Jean contends with both her own job and their two children. Over a two-month period he'll spruce up the family's alternative universe up north in rural Preston Falls; she'll deal with her end of the bargain, and her worries about the survival of the family. But then domesticity hits the brick wall of private longings and nightmarish twists of fate. A surprising, comic, horrifying and always engrossing novel, charged with the responsibilities of middle age and with the abiding power of love, however disappointed-told with great artistry, pitch-perfect understanding and fierce compassion. "A novel that's the funniest, sharpest, most strangely exciting book about men and women in a long time." — Tom Prince, Maxim

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David Gates

Preston Falls

~ ~ ~

Thanks to Jeff Giles, who read it first, for his advice and encouragement, for ridiculing several bum titles, and for not campaigning longer than six months for his bum title.

To Susan Szeliga, for letting loose with telepathi-cally apt suggestions.

To David Spry, for reassurance early on.

To Marjorie Horvitz, for vigilant copyediting and embarrassingly good catches.

To Gary Fisketjon, for the kind of editing that supposedly doesn't get done anymore, for a green-penciled duh where duh was the mot juste, and for taking this on in the first place.

To Amanda Urban, for state-of-the-art advocacy and cut-to-the-chase commentary.

To Cathleen McGuigan and my other editors at Newsweek, for the leaves of absence that helped me get this done.

And to Susan and Kate, for just about everything.

This book is for my father, Gene Gates.

So I saw in my dream that the man began to run. Now, he had not run far from his own door, but his wife and children perceiving it, began to cry after him to return; but the man put his fingers in his ears, and ran on, crying, "Life! life! eternal life!"

John Bunyan, The Pilgrim's Progress

Late Friday afternoon they start for Preston Falls: Jean and the kids in the Cherokee, Willis in his truck with Rathbone the dog riding shotgun. When Willis proposed that Roger ride with them and make it an all-male expedition, Roger said, "I don't want to." The one boy in America ashamed to be seen in a pickup truck. Or was that not the problem?

Among his colleagues (a word he precedes with a half-beat's hesitation, to suggest quotation marks) Willis keeps dropping the odd allusion to his truck, lest they forget he's a badass outlaw. And five mornings a week it's his fuck-you to the Volvos in the commuter lot at the Chesterton station. A '77 Dodge V-8, with mustard-yellow paint flaking off to show the original dark green, patches of gray Bondo on fenders and rocker panels, and — this is the best thing — a black driver's-side door that must've come off a whole different model, because the chrome doesn't line up. He spotted it one weekend in Want Ad Digest: "4WD, some rust, runs good." Guy wanted eight, Willis beat him down to seven, then put another seven fifty into it, not counting five for a pullout tape deck and decent speakers; so for fifteen hundred smackers he's got himself the hillbilly shitheap par excellence, complete with old-truck smell, but actually semireliable. Willis is Director of Public Affairs for Dandineau Beverages, bottlers of Sportif: the original caffeine-laced Gatorade knockoff, plus the line of flavored iced teas without all the minerals and shit.

Jean backs the Cherokee out of the driveway, then sets the hand brake and walks back to the truck. "You want to lead the way?" she says. Otherwise she's going to have his headlights in her mirror the whole trip.

"Ah," he says. "The alpha dog and his dog." One of his jokes or whatever they are. He salutes, touching the visor of his Raiders cap; she looks up at the embroidered pirate, complete with cutlasses and eye patch. This is going to be a long weekend. In both senses. Tomorrow

PRESTON FALLS

Willis's brother is coming up, probably bringing the girlfriend, and the Champ-and-Willis show can be wearing.

Waiting behind him for the light at the corner of Route 9, she sees him reach across and stroke Rathbone's head and say something. Probably That's my boy. Melanie, who won the coin toss for front seat, complains that taking two vehicles is wasteful. Jean walks her through it: Daddy's staying in Preston Falls and they have to come back to Chesterton Monday night, because Tuesday's the first day of school and a workday, and because Aunt Carol's coming Tuesday night. Mel says, "Right, I know all that. I'm not stupid, Mother." Roger's by himself in the back, going Poom, poom. He's found his old Shredder action figure in the little storage thing, and he's working its bendable arms to make it punch itself in the face.

She follows Willis's truck to the McDonald's just before the Tappan Zee, their traditional Friday night stop back when they first bought the place in Preston Falls. When he pulls up to the squawk box, Jean watches him talk down from his window, then ceremoniously touch his cap again; the truck lurches forward to the pickup window. She can hear that he's got music going, but she can't make out what. She orders a chicken fajita, the only thing even vaguely healthy Roger orders all the stuff in a Happy Meal but won't call it a Happy Meal, and she thinks, Well, good for you, you're not buying into that at least. (Putting the most hopeful interpretation.) Melanie won't eat anything from McDonald's. She's brought along rice cakes in a plastic bag and insists on eating them dry.

Willis has finished his Big Mac and fries before they even get onto the Tappan Zee, and Rathbone guzzled down his plain burger in three jerks of his head. The Friday of Labor Day weekend at six o'clock: could they possibly have timed it any worse? Traffic on the bridge creeping and stopping, creeping and stopping, Willis sweating like a bastard in the heat and golden glare, trying not to look at his temperature gauge too often, worrying about his clutch. He snaps the tape deck off; at zero miles an hour, Steve Earle is just another fucking irritant. Poor Rathbone has his head out the window, panting, sides heaving, tongue dripping drool. Willis unsnaps his seat belt and takes his eyes off the road long enough to lean down and swish a finger around in the weighted dog dish on the floor, hoping the sound will remind Rathbone. Rathbone looks over, and Willis says, "Yes, water. You know, water} Lap lap lap?" He turns back to the traffic just in time to see a Lexus cut in front of him.

He yells that the Lexus is a cocksucking son of a bitch, but its tinted windows are up.

Back in the Cherokee, Jean's running the air conditioner, but if this traffic doesn't start moving, she's going to have to turn it off and open the windows, because the needle's creeping up toward the red. There's probably some music all three of them could agree on, but she doesn't have the energy for negotiations. Maybe Mel and Roger will be on better behavior when her sister gets here. Carol said she'll stay in Chesterton for September, and perhaps into October. Because she misses fall in the Northeast. Jean supposes anything's possible.

"How come Daddy gets so much vacation and you don't?" says Mel.

"It's not actually vacation," Jean says. "It's a leave of absence."

"Oh. Well, excuse me.'' Mel opens the glove compartment, takes out a tape — Jean can't see what — then tosses it back in, making the plastic clatter.

"In answer to your question," Jean says, "I haven't been at my job as long as Daddy's been at his. And anyway I can't afford to just take two months off." Jean is the in-house design person for The Paley Group, a firm of investment consultants. After she took the job, Willis started doing a little faux man-of-the-people riff, where he'd go on about how the whole stock market was a conspiracy to bleed the working stiff.

"Can Daddy afford it?" says Mel.

"So he says. He worked the numbers on the computer, and he thinks we might actually make out a little better because of taxes."

Willis is far up ahead; she's let three cars bully their way in front of her. She sees his palm banging on the roof of the truck.

"I don't get it," says Mel.

"I'm still hungry," Roger says.

"You just ate," says Jean. Then, to Mel: "If you make less money, your taxes are lower."

"I know," Roger says, "but I still am''

"You'll just have to hang on," says Jean. "There should be food up at the house."

"But I might be asleep then."

"Why don't you just go to sleep now, Roger?" says Mel. "So Mom? He's just going to stay up there and work on the house the whole time?"

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