Russell Banks - Trailerpark

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Get to know the colorful cast of characters at the Granite State Trailerpark, where Flora in number 11 keeps more than a hundred guinea pigs andscreams at people to stay away from her babies, Claudel in number 5 thinks he is lucky until his wife burns down their trailer and runs off with Howie Leeke, and Noni in number 7 has telephone conversations with Jesus and tells the police about them. In this series of related short stories, Russell Banks offers gripping, realistic portrayals of individual Americans and paints a portrait of New England life that is at once dark, witty, and revealing.

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DOREEN TIEDE:Evict Flora (she could always rent a room at the Hawthorne House, Claudel Bing had and, God knows, he was barely able to tie his own shoes for a while, he was so drunk, though of course he’s much better now and may actually move out of the Hawthorne House one of these days, and in fact the man was starting to look like his old self again, which was not half-bad), and then call in the S.P.C.A. to find homes for the animals (the ones that couldn’t be placed in foster homes would have to be destroyed — but really, all they are is animals, rodents, rats, almost).

TERRY CONSTANT:Sneak into her trailer one day when she’s in town buying grain, and one by one, set the animals free. Maybe you ought to wait till spring and then just set them free to live in the swamp and the piney woods and fields between Old Road and the trailerpark. By the time winter came rolling around again, they’d have figured out how to tunnel into the ground and hibernate like the rest of the warm-blooded animals. The ones that didn’t learn how to survive, well, too bad for them. Survival of the fittest.

BRUCE SEVERANCE:The profit motive. That’s what needs to be invoked here. Explain to Flora that laboratories pay well for clean, well-fed guinea pigs, especially those bred and housed under such controlled conditions as Flora has established. Explain this, pointing out that this will enable her to continue to breed guinea pigs for both fun and profit for an indefinite period of time, for as long as she wants, when you get right down to it. Show her that this is not only socially useful but it will provide her as well with enough money for her to take even better care of her animals than she does now.

NONI HUBNER:Bruce’s idea is a good one, and so is Leon LaRoche’s, and Captain Knox has a good idea too. Maybe we ought to try one first, Captain Knox’s, say, since he’s the oldest and has the most experience of the world, and if that doesn’t work we could try Leon LaRoche’s, and then if that fails, we can try Bruce’s. That would be the democratic way.

LEON LAROCHE:Captain Knox’s idea, of course, is the logical one, but it runs certain risks and depends on his being able to keep Flora, by the sheer force of his will, from reacting hysterically or somehow “causing a scene” that would embarrass the trailerpark and we who live in it. If the Suncook Valley Sun learned that we had this kind of thing going on here, that we had this type of village eccentric living here among us at the trailerpark, we would all suffer deep embarrassment. I agree, therefore, with Doreen Tiede’s plan. But my admiration, of course, is for Captain Knox’s plan.

CAROL CONSTANT:I don’t care what you do with the damned things, just do something. The world’s got enough problems, real problems, without people going out and inventing new ones. The main thing is to keep the woman happy, and if having a lot of little rodents around is what makes her happy and they aren’t bothering anyone else yet, then for God’s sake, leave her alone. She’ll end up taking care of them herself, getting rid of them or whatever, if and when they start to bother her — and they’ll bother her a lot sooner than they bother us, once we stop thinking about them all the time. Her ideas will change as soon as the guinea pigs get to the point where they’re causing more trouble than they’re giving pleasure. Everybody’s that way, and Flora Pease is no different. You have to trust the fact that we’re all human beings.

NANCY HUBNER:Obviously, the guinea pigs are Flora’s substitutes for a family and friends. She’s trying to tell us something, and we’re not listening. If we, and I mean all of us, associated more with Flora on a social level, if we befriended her, in other words, then her need for these filthy animals would diminish and probably disappear. It would be something that in the future we could all laugh about, Flora laughing right along with us. We should drop by for coffee, invite her over for drinks, offer to help redecorate her trailer, and so on. We should be more charitable. It’s as simple as that. Christian charity. I know it won’t be easy — Flora’s not exactly socially “flexible,” if you know what I mean, but we are, at least most of us are, and therefore it’s our responsibility to initiate contact, not hers, poor thing.

CAPTAIN DEWEY KNOX:It’s her choice, no one else’s. Either she goes, or the animals go. She decides which it’s to be, not us. If she decides to go, fine, she can take the animals with her or leave them behind, in which case I’m sure some more or less humane way can be found to dispose of them. If she stays, also fine, but she stays without the animals. Those are the rules — no pets. They’re the same rules for all of us, no exceptions. All one has to do is apply the rules, and that forces onto the woman a decision that, however painful it may be for her, she must make. No one can make that decision for her.

MARCELLE CHAGNON:If she’d stop the damned things from breeding, the whole problem would be solved. At least it would not bother me anymore, which is important. The only way to get her to stop breeding them, without bringing the Corporation or the health board or the S.P.C.A. or any other outsiders into it, is to go in there and separate the males from the females ourselves, and when she comes back from town, say to her, okay, Flora, this is a compromise. Sometimes people don’t understand what a compromise is until you force it on them. It’s either that or we sit around waiting for this thing to explode, and then it’ll be too late to compromise, because the outsiders will be in charge.

MERLE RING:Let Flora continue to keep the animals warm, well-fed, clean and breeding. Naturally, as their numbers increase, their universe will expand. And as a result, all the people in the trailerpark, insofar as they observe this phenomenon, will find their universe expanding also. (It’s understood that Merle did not express himself this way, for he would have been expressing himself to people who would have been offended by language like that. Here’s how he put it: “It should be interesting to see what the woman does with her problem — if it ever actually becomes a problem. And if it never becomes a problem, that should be interesting too.”)

Flora’s life up to now ought to have prepared her for what eventually happened with the guinea pigs. It had been a hard life, beginning when Flora was barely a year old with the death of her mother. Her father was what often in these parts is called a rough carpenter, meaning that he could use a hammer and saw well enough to work as a helper for a bona fide carpenter during the summer months. Usually he was the one who nailed together the plywood forms for making cellar walls and then, when the cement had set, tore the forms apart again. During the fall and winter months, when it was too cold for cement to pour, the bona fide carpenters moved to interior work, which required a certain skill and a basic fluency with numbers, and Flora’s father was always among the first to be laid off, so that he would have to collect unemployment until spring.

There were three older children, older by one, two and three years, and after the mother died, the children more or less took care of themselves. They lived out beyond Shack-ford Corners in a dilapidated house that appeared to be falling into its own cellar hole, an unpainted, leaky, abandoned house heated in winter by a kerosene stove, with no running water and only rudimentary wiring. The father’s way of raising his children was to stay drunk when he was not working, to beat them if they cried or intruded on his particular misery, and when he was working, to leave them to their own devices, which were not especially healthful devices. When Flora’s older brother was six and she was three, while playing with blasting caps he had found near the lumber camp a half-mile behind the house in the woods, he blew one of his arms off and almost died. When Flora’s only sister was eleven, she was raped by an uncle visiting from Saskatchewan and after that could only gaze blankly around you when you tried to talk to her or get her to talk to you. Flora’s other brother, when he was fourteen and she thirteen, sickened and died of what was determined by the local health authorities to have been malnutrition, at which point the remaining three children were taken away from the father and placed into the care of the state, which meant, at that time, the New Hampshire State Hospital over in Concord, where they had a wing for juveniles who could not be placed in foster homes or who were drug addicts or had committed crimes of violence but were too young to be tried as adults. Four years later, Flora was allowed to leave the mental hospital (for that is what it was) on the condition that she join the United States Air Force, where she spent the next twenty years working in the main as a maid, or steward, in officers’ clubs and quarters at various bases around the country. She was not badly treated by the Air Force itself, but numerous individual servicemen, enlisted men as well as officers, treated her unspeakably.

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