David Wallace - Infinite jest

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Infinite Jest
Infinite Jest
On this outrageous frame hangs an exploration of essential questions about what entertainment is, and why it has come to so dominate our lives; about how our desire for entertainment interacts with our need to connect with other humans; and about what the pleasures we choose say about who we are. Equal parts philosophical quest and screwball comedy, Infinite Jest bends every rule of fiction without sacrificing for a moment its own entertainment value. The huge cast and multilevel narrative serve a story that accelerates to a breathtaking, heartbreaking, unfogettable conclusion. It is an exuberant, uniquely American exploration of the passions that make us human and one of those rare books that renew the very idea of what a novel can do.

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The back of Kevin Bain’s head doesn’t move. Hal’s whole digestive tract spasms at the prospect of watching two bearded adult males in sweaters and socks engage in surrogate Infant-hugging. He begins asking himself why he doesn’t just fake a hideous coughing fit and flee Q.R.S.-32A with his fist over his face.

Harv’s now waggling the bear’s arms back and forth and making his voice high and cartoon-characterish and pretending to have his bear ask Kevin Bain’s bear if it would maybe point to the man in the group Kevin Bain would most like to have hold and nurture and love him in loco parentis. Hal’s spitting quietly down the side of his glass and brooding wretchedly at the fact that he’s driven fifty supperless clicks to listen to a globular man in plaid socks pretend his teddy bear’s speaking Latin when he looks up from the glass and is chilled to see that Kevin Bain has wiggled his Indian-style way around in his chair and is holding his bear way up by its underarms, just the way a father holds a toddler up for a public spect-op or parade, turning the throttled-looking bear this way and that, scanning the room — as Hal covers part of his face with a hand, pretending to scratch an eyebrow, praying not to be recognized — and finally manipulating the bear’s arm so the plump brown fuzzy fingerless hand of the bear’s pointing right in Hal’s direction. Hal doubles over in a coughing spasm only half-faked, running decision-trees on various ruses for flight.

Just like his younger brother Marlon Bain, Kevin Bain is a short thick person with a dark swart face. He looks sort of like an overdeveloped troll. And he has the same capacity for constant incredible sweating that always made Marlon Bain look to Hal, both on-court and off-, like a toad hunched moist and unblinking in humid shade. Except Kevin Bain’s little glittery Bain eyes are also red and swollen with public weeping, and he’s balding back from the temples in a way that gives him a widow’s peak like nobody’s business, and doesn’t seem to recognize a post-pubescent Hal, and is pointing his bear’s blunt hand Hal realizes finally after almost swallowing his plug of Kodiak not at Hal but at the mild-faced square-bearded older guy behind him, who’s holding a spoon of vividly pink yogurt in front of his bear’s open mouth, just touching its protruding tongue’s red corduroy, pretending to be feeding the bear. Hal very casually puts the NASA glass between his legs and gets both hands under his chair-seat and hops the chair bit by bit over and out of the lines of sight and transit between Kevin Bain and the yogurt man. Harv, up front, is making a complex hand-signal to the yogurt man not to speak or move from his back-row orange chair no matter what; and then, as Kevin Bain wriggles cross-legged back around to face front again, Harv smoothly turns the hand-signal into a motion like he’s smoothing his hair. The motion then becomes sincere and ruminative as the leader breathes deeply a couple of times. The music’s settled back into its original nodding narcosis.

‘Kevin,’ Harv says, ‘since this is a group exercise in passivity and Inner-Infant needs, and since you’ve selected Jim as the member of the group you need something from, we need you to ask Jim out loud to meet your needs. Ask him to come up and hold you and love you, since your parents aren’t ever coming. Not ever, Kevin.’

Kevin Bain makes a mortified sound and reclamps a hand over his big swart face.

‘Go for it, Kev,’ somebody over near the Bly poster calls out.

‘We affirm and support you,’ says the guy by the filing cabinet.

Hal now starts scrolling through an alphabetical list of the faraway places he’d rather be right now. He’s not even up to Addis Ababa when Kevin Bain acquiesces and begins very softly and hesitantly asking the mild-faced Jim, who’s put aside his yogurt but not the bear, to please come up and love him and hold him. By the time Hal’s envisioned himself tumbling over American Falls at the Concavity’s southwest rim in a rusty old noxious-waste-displacement drum, Kevin Bain has asked Jim eleven progressively louder times to come nurture and hold him, to no avail. The older guy just sits there, clutching his yogurt-tongued bear, his expression somewhere between mild and blank.

Hal has never actually seen projectile-weeping before. Bain’s tears are actually exiting his eyes and projecting outward several cm. before starting to fall. His facial expression is the scrunched spread one of a small child’s total woe, his neck-cords standing out and face darkening so that it looks like some sort of huge catcher’s mitt. A bright cape of mucus hangs from his upper lip, and his lower lip seems to be having some kind of epileptic fit. Hal finds the tantrum’s expression on an adult face sort of compelling. At a certain point hysterical grief becomes facially indistinguishable from hysterical mirth, it appears. Hal imagines watching Bain weep on a white beach through binoculars from the balcony of a cool dim Aruban hotel room.

‘He’s not coming!’ Kevin Bain finally keens to the leader.

Harv the leader nods, scratching an eyebrow, and confirms that that seems to be the case. He pretends to stroke his imperial in puzzlement and asks rhetorically what might be the problem, why mild-faced Jim isn’t automatically coming when called.

Kevin Bain’s just about vivisecting his poor bear out of mortified frustration. He seems deeply into his Infant persona now, and Hal rather hopes these guys have procedures for getting Bain at least back to sixteen before he has to try to drive home. At some point a timpani has gotten involved in the CD’s music, and a rather saucy cornet, and the music’s finally started moving a little, toward what’s either a climax or the end of the disk.

By now various men in the group have started crying out to Kevin Bain that his Inner Infant wasn’t getting its needs met, that sitting there passively asking for nurture to get up and come to him wasn’t getting the needs met, that Kevin owed it to his Inner Infant to come up with some sort of active way to meet the Infant’s needs. Somebody shouted out ‘Honor that Infant!’ Somebody else called ‘Meet those needs!’ Hal is mentally strolling down the Appian Way in bright Eurosunlight, eating a cannoli, twirling his Dunlop racquets by the throats like six-shooters, enjoying the sunshine and cranial silence and a normal salivary flow.

Pretty soon the men’s supportive exhortations have distilled into everybody in the room except Harv, Jim and Hal chanting ‘Meet Those Needs! Meet Those Needs!’ in the same male-crowd-exhortative meter as ‘Hold That Line!’ or ‘Block That Kick!’

Kevin Bain wipes his nose on his sleeve and asks humongous Harv the leader what he’s supposed to do to get his Infant’s needs met if the person he’s chosen to meet those needs won’t come.

The leader has folded his hands over his belly and sat back, by this time, smiling, cross-legged, holding his tongue. His bear sits atop the protrusion of belly with its little blunt legs straight out, the way you’ll see a bear sitting on a shelf. It seems to Hal that the O 2in 32A is now getting used up at a ferocious clip. Not at all like the cool, sheep-scented breezes of Ascension Island in the South Atlantic. The men in the room are still chanting ‘Meet Those Needs!’

‘What you’re saying is I need to actively go over to Jim myself and ask him to hold me,’ Kevin Bain says, grinding at his eyes with his knuckles.

The leader smiles blandly.

‘Instead of you’re saying passively trying to get Jim to come to me,’ says Kevin Bain, whose tears have largely stopped, and whose sweat has taken on the clammy shine of true fear-sweat.

Harv emerges as one of these people who can heft one eyebrow and not the other. ‘It would take real courage and love and commitment to your Inner Infant to take the risk and go actively over to somebody that might give you what your Infant needs,’ he says quietly. The CD player has at some point shifted into an all-cello instrumental of ‘I Don’t Know (How to Love Him)’ from an old opera Lyle sometimes borrowed people’s players and listened to at night in the weight room. Lyle and Marlon Bain had been particularly tight, Hal recalls.

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