David Wallace - Infinite jest

The rock faces on either side of the truck when 27 goes through blasted hills of rock, the very fringes of the Berkshires’ penumbra, are either granite or gneiss.

Hal for a while also practices saying ‘My name’s Mike.’ ‘Mike. Hi.’ ‘Hey there, name’s Mike,’ etc., into the truck’s rearview.

By 15 minutes east of Natick it becomes obvious that the little booklet’s terse Q.R.S. designates a facility called Quabbin Recovery Systems, which is easy to find, roadside ad-signs starting to announce the place several clicks away, each sign a little different and designed to form a little like narrative of which actual arrival at Q.R.S. would be the climax. Even Hal’s late father was too young really to remember Burma-Shave signs.

Quabbin Recovery Systems is set far back from Rte. 27 on a winding groomed-gravel road flanked all the way up by classy old-time standing lanterns whose glass shades are pebbled and faceted like candy dishes and seem more for mood than illumination. Then the actual building’s driveway’s an even more winding little road that’s barely more than a tunnel through meditative pines and poor-postured Lombardy poplars. Once off the highway the whole nighttime scene out here in exurbia — Boston’s true boonies — seems ghostly and circumspect. Hal’s tires crunch cones in the road. Some sort of bird shits on his windshield. The driveway broadens gradually into a like delta and then a parking lot of mint-white gravel, and the physical Q.R.S. is right there, cubular and brooding. The building’s one of these late-model undeformed cubes of rough panel-brick and granite quoins. Illuminated moodily from below by more classy lanterns, it looks like a building-block from some child-titan’s toy-chest. Its windows are the smoky brown kind that in daylight become dark mirrors. Hal’s late father had publicly repudiated this kind of window-glass in an interview in Lens & Pane when the stuff first came out. Right now, lit from inside, the windows have a sort of bloody, polluted aspect.

A good two-thirds of the lot’s parking places say RESERVED FOR STAFF, which strikes Hal as odd. The tow truck tends to diesel and chuff after deignition, finally subsiding with a shuddering fart. It’s dead quiet except for the hiss of light traffic down on 27 past all the trees. Only TP-link workers and marathon-type commuters live in exurban Natick. It’s either way colder out here or else a front’s been coming in while Hal drove. The lot’s piney air has the ethyl sting of winter.

Q.R.S.’s big doors and lintel are more of that reflector-shade glass. There’s no obvious bell, but the doors are unlocked. They open in that sort of pressurized way of institutional doors. The savanna-colored lobby is broad and still and has a vague medical/dental smell. Its carpet’s a dense low tan Dacronyl weave that evacuates sound. There’s a circular high-countered nurse’s station or reception desk, but nobody’s there.

The whole place is so quiet Hal can hear the squeak of blood in his head.

The 32A that follows Q.R.S. in the girl’s little white booklet is presumably a room number. Hal has on a non-E.T.A. jacket and carries the NASA glass he spits in. He’d have to spit even if he didn’t have chew in; the Ko-diak’s almost like a cover or excuse.

There is no map or You-Are-Here-type directory on view in the lobby. The lobby’s heat is intense and close but kind of porous; it’s in a sort of uneasy struggle with the radiant chill of all the smoked glass of the entrance. The lamps out in the lot and off along the driveway are blobs of sepia light through the glass. Inside, cove-lighting at the seams of walls and ceiling produce an indirect light that’s shadowless and seems to rise from the room’s objects themselves. It’s the same lighting and lion-colored carpeting in the first long hall Hal tries. The room numbers go up to 17 and then after Hal turns a sharp corner start at 34A. The room doors are false blond wood but look thick and private, flush in their frames. There’s also the smell of stale coffee. The walls’ color scheme is somewhere between puce and mature eggplant-skin, kind of nauseous against the sandy tan of the carpet. All buildings with any kind of health-theme to them have this thin sick sweet dental sub-odor to them. Q.R.S. also seems to have some sort of balsamy air-freshener going in the ventilation system, too, but it doesn’t quite cover the sweet medical stink or the bland sour smell of institutional food.

Hal hasn’t heard one human sound since he came in. The place’s silence has that glittery sound of total silence. His footfalls make no sound on the Dacronyl. He feels furtive and burglarish and holds the NASA glass down at his side and the NA booklet higher up and cover-out as a sort of explanatory I.D. There are computer-enhanced landscapes on the walls, little low tables with glossy pamphlets, a framed print of Picasso’s ‘Seated Harlequin,’ and nothing else that wasn’t just institutional bullshit, visual Muzak. Without any sound to his footfalls it’s like the gauntlets of doors just glide by. The quiet has a kind of menace. The whole cubular building seems to Hal to hold the tensed menace of a living thing that’s chosen to hold itself still. If you asked Hal to describe his feelings as he looked for room 32A the best he could do would be to say he wished he were somewhere else and feeling some way besides how he felt. His mouth pours spit. The glass’s one-third full and heavy in his hand and not much fun to look at. He’s missed the glass a couple of times and marred the tan carpet with dark spit. After two 90° turns it’s clear the hallway’s run is a perfect square around the cube’s ground level. He’s seen no stairs or entrances to stairways. He empties the NASA glass rather gooily into a potted rubber tree’s dirt. Q.R.S.’s building may be one of those infamous Rubikular cubes that looks topologically undeformed but is actually impossible to negotiate on the inside. But the numbers after the third corner start at 18, and now Hal can hear either very distant or very muffled voices. He carries the NA booklet in front of him like a crucifix. He has about $50 U.S. and another $100 in eagle-, leaf-, and broom-emblemized O.N.A.N. scrip, having had no idea what sort of introductory costs might be involved. Q.R.S. didn’t purchase prime Natick acreage and the cutting-edge services of a São-Paulo-School Geometric-Minimalist architect with just altruistic goodwill, that was for sure.

Room 32A’s wood-grain door was just as emphatically shut as all the others, but the muffled voices were behind this one. The Meeting was listed in the book as starting at 1730, and it was only around 1720, and Hal thought the voices might signify some sort of pre-Meeting orientation for people who’ve come for the first time, sort of tentatively, just to scout the whole enterprise out, so he doesn’t knock.

He still has this intractable habit of making a move like he’s straightening a bow tie before he enters a strange room.

And except for the thin rubber sheaths, the doorknobs on the Quabbin Recovery Systems doors are the same as at E.T.A. — flat bars of brass toggle-bolted to the latch mechanism, so you have to push the bar down instead of turning anything to open the door.

But the Meeting is under way, apparently. It isn’t near big enough to create a mood of anonymity or casual spectation. Nine or ten adult middle-class males are in the warm room on orange plastic chairs with legs of molded steel tubing. Every one of the men has a beard, and each wears chinos and a sweater, and they all sit the same way, that Indian cross-legged style with their hands on their knees and their feet under their knees, and they all wear socks, with no footwear or winter jackets anywhere in sight. Hal eases the door shut and sort of slinks along the wall to an empty chair, all the time conspicuously brandishing the Meeting booklet. The chairs are placed in no discernible order, and their orange clashes nastily with the room’s own colors, walls and ceiling the color of Thousand Island dressing — a color-scheme with unplaceable but uneasy associations for Hal — and more of the lionskin Dacronyl carpet. And the warm air in 32A is stuffy with CO 2and unpleasantly scented with the aroma of soft male middle-aged bodies not wearing footwear, a stale meaty cheesy smell, more nauseous even than the E.T.A. locker room after a Mrs. Clarke Tex-Mex fiesta.