David Wallace - Infinite jest

Marathe rolled up to the person in authority as slowly as possible, hunched deep into the sportcoat and pathetically tacking. With significance, the large and clipboarded woman seemed without faze at the veil of U.H.I.D. Marathe extended a large hand in greeting which he made tremble. ‘Good night.’

The insane-smelling man on the carpet called out after: ‘Make sure and pet the dogs!’

Joelle used to like to get really high and then clean. Now she was finding she just liked to clean. She dusted the top of the fiberboard dresser she and Nell Gunther shared. She dusted the oval top of the dresser’s mirror’s frame and cleaned off the mirror as best she could. She was using Kleenex and stale water from a glass by Kate Gompert’s bed. She felt oddly averse to putting on socks and clogs and going down to the kitchen for real cleaning supplies. She could hear the noise of all the post-meeting nighttime residents and visitors and applicants down there. She could feel their voices in the floor. When the dental nightmare tore her upright awake her mouth was open to scream out, but the scream was Nell G. down in the living room, whose laugh always sounds like she’s being eviscerated. Nell preempted Joelle’s own scream. Then Joelle cleaned. Cleaning is maybe a form of meditation for addicts too new in recovery to sit still. The 5-Woman’s scarred wood floor had so much grit all over she could sweep a pile of grit together with just an unappliquéd bumper sticker she’d won at B.Y.P. Then she could use damp Kleenex to get up most of the pile. She had only Kate G.’s little bedside lamp on, and she wasn’t listening to any YYY tapes, out of consideration for Charlotte Treat, who was unwell and missed her Saturday Night Lively Mtng. on Pat’s OK and was now asleep, wearing a sleep mask but not her foam earplugs. Expandable foam earplugs were issued to every new Ennet resident, for reasons the Staff said would clarify for them real quick, but Joelle hated to wear them — they shut out exterior noise, but they made your head’s pulse audible, and your breath sounded like someone in a space suit — and Charlotte Treat, Kate Gompert, April Cortelyu, and the former Amy Johnson had all felt the same way. April said the foam plugs made her brain itch.

It had started with Orin Incandenza, the cleaning. When relations were strained, or she was seized with anxiety at the seriousness and possible im-permanence of the thing in the Back Bay’s co-op, the getting high and cleaning became an important exercise, like creative visualization, a preview of the discipline and order with which she could survive alone if it came to that. She would get high and visualize herself solo in a dazzlingly clean space, every surface twinkling, every possession in place. She saw herself being able to pick, say, dropped popcorn up off the rug and ingest it with total confidence. An aura of steely independence surrounded her when she cleaned the co-op, even with the little whimpers and anxious moans that exited her writhing mouth when she cleaned high. The place had been provided nearly gratis by Jim, who said so little to Joelle on their first several meetings that Orin kept having to reassure her that it wasn’t disapproval — Himself was missing the part of the human brain that allowed for being aware enough of other people to disapprove of them, Orin had said — or dislike. It was just how The Mad Stork was. Orin had referred to Jim as ‘Himself or ‘The Mad Stork’ — family nicknames, both of which gave Joelle the creeps even then.

It’d been Orin who introduced her to his father’s films. The Work was then so obscure not even local students of serious film knew the name. The reason Jim kept forming his own distribution companies was to ensure distribution. He didn’t become notorious until after Joelle’d met him. By then she was closer to Jim than Orin had ever been, part of which caused part of the strains that kept the brownstone co-op so terribly clean.

She’d barely thought consciously of any Incandenzas for four years before Don Gately, who for some reason kept bringing them bubbling up to mind. They were the second-saddest family Joelle’d ever seen. Orin felt Jim disliked him to the precise extent that Jim was even aware of him. Orin had spoken about his family at length, usually at night. On how no amount of punting success could erase the psychic stain of basic fatherly dislike, failure to be seen or acknowledged. Orin’d had no idea how banal and average his same-sex-parent-issues were; he’d felt they were some hideous exceptional thing. Joelle’d known her mother didn’t much like her from the first time her own personal Daddy’d told her he’d rather take Pokie to the pictures alone. Much of the stuff Orin said about his family was dull, gone stale from years of never daring to say it. He credited Joelle with some strange generosity for not screaming and fleeing the room when he revealed the banal stuff. Pokie had been Joelle’s family nickname, though her mother’d never called her anything but Joelle. The Orin she knew first felt his mother was the family’s pulse and center, a ray of light incarnate, with enough depth of love and open maternal concern to almost make up for a father who barely existed, parentally. Jim’s internal life was to Orin a black hole, Orin said, his father’s face any room’s fifth wall. Joelle had struggled to stay awake and attentive, listening, letting Orin get the stale stuff out. Orin had no idea what his father thought or felt about anything. He thought Jim wore the opaque blank facial expression his mother in French sometimes jokingly called Le Masque. The man was so blankly and irretrievably hidden that Orin said he’d come to see him as like autistic, almost catatonic. Jim opened himself only to the mother. They all did, he said. She was there for them all, psychically. She was the family’s light and pulse and the center that held tight. Joelle could yawn in bed without looking like she was yawning. The children’s name for their mother was ‘the Moms.’ As if there were more than one of her. His younger brother was a hopeless retard, Orin had said. Orin recalled the Moms used to tell him she loved him about a hundred times a day. It nearly made up for Himself’s blank stare. Orin’s basic childhood memory of Jim had been of an expressionless stare from a great height. His mother had been really tall, too, for a girl. He’d said he’d found it secretly odd that none of the brothers were taller. His retarded brother was stunted to about the size of a fire hydrant, Orin reported. Joelle cleaned behind the filthy room’s radiator as far as she could reach, being careful not to touch the radiator. Orin described his childhood’s mother as his emotional sun. Joelle remembered her own personal Daddy’s Uncle T.S. talking about how her own personal Daddy’d thought his own Momma ‘Hung the God Damn Moon,’ he’d said. The radiators on Ennet House’s female side stayed on at all times, 24/7/365. At first Joelle had thought Mrs. Avril Incandenza’s high-watt maternal love had maybe damaged Orin by bringing into sharper relief Jim’s remote self-absorption, which would have looked, by comparison, like neglect or dislike. That it had maybe made Orin too emotionally dependent on his mother — why else would he have been so traumatized when a younger brother had suddenly appeared, specially challenged from birth and in need of even more maternal attention than Orin? Orin, late one night on the co-op’s futon, recalled to Joelle his skulking in and dragging a wastebasket over and inverting it next to his infant brother’s special crib, holding a heavy box of Quaker Oats high above his head, preparing to brain the needy infant. Joelle had gotten an A- in Developmental Psych, the semester before. And also dependent psychologically, Orin, it seemed, or even metaphysically — Orin said he’d grown up, first in a regular house in Weston and then at the Academy in Enfield, grown up dividing the human world into those who were open, readable, trustworthy, v. those so closed and hidden that you had no clue what they thought of you but could pretty damn well imagine it couldn’t be anything all that marvelous or else why hide it? Orin had recounted that he’d started to see himself getting closed and blank and hidden like that, as a tennis player, toward the end of his junior career, despite all the Moms’s frantic attempts to keep him from hiddenness. Joelle had thought of B.U.’s Nickerson Field’s 30,000 voices’ openly roared endorsement, the sound rising with the punt to a kind of amniotic pulse of pure positive noise. Versus tennis’s staid and reserved applause. It had all been so easy to figure and see, then, listening, loving Orin and feeling for him, poor little rich and prodigious boy — all this was before she came to know Jim and the Work.