Marisha Pessl - Night Film

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Night Film: краткое содержание, описание и аннотация

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A page-turning thriller for readers of Stephen King, Gillian Flynn, and Stieg Larsson,
tells the haunting story of a journalist who becomes obsessed with the mysterious death of a troubled prodigy — the daughter of an iconic, reclusive filmmaker. On a damp October night, beautiful young Ashley Cordova is found dead in an abandoned warehouse in lower Manhattan. Though her death is ruled a suicide, veteran investigative journalist Scott McGrath suspects otherwise. As he probes the strange circumstances surrounding Ashley’s life and death, McGrath comes face-to-face with the legacy of her father: the legendary, reclusive cult-horror-film director Stanislas Cordova — a man who hasn’t been seen in public for more than thirty years.
For McGrath, another death connected to this seemingly cursed family dynasty seems more than just a coincidence. Though much has been written about Cordova’s dark and unsettling films, very little is known about the man himself.
Driven by revenge, curiosity, and a need for the truth, McGrath, with the aid of two strangers, is drawn deeper and deeper into Cordova’s eerie, hypnotic world.
The last time he got close to exposing the director, McGrath lost his marriage and his career. This time he might lose even more.
Night Film

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The Spider had obviously come back, packed a suitcase, and vanished into the night — perhaps forever. It wasn’t hard to imagine; his past had caught up to him, after all, first with Ashley, then the three of us. Yet The Broken Door’s red crumbling façade, the mystery of his absence, and even more chilling, what exactly had happened to Sam in his shop — all left questions that ate away at me, exhausting me, like a fever that wouldn’t break.

I wasn’t even confident I was thinking lucidly. Sam was a line that had been crossed. Staying so nimbly out of sight, letting us view only the twisted shadows he made on the wall, Cordova still existed primarily in my mind — the most powerful place for any enemy to hide. His very films told you that. The suspected but unseen threat, fueled by the imagination, was punishing and all-powerful. It’d devastate before you even left your room, your bed, before you even opened your eyes and took a breath.

That leviathan figurine with its quivering shadow, sliding along the table with a mind of its own — it was proof of a hidden world beyond the one I’d taken for granted all my life, the reality that science and logic assured me was ever constant and changing only within a fixed set of laws. That misbehaving shadow was the edge of the unknown. The world’s certainty and truth had revealed a fault line. It was a minute tear in the wallpaper, which could be ignored, chalked up to my mind playing tricks on me. Or it could be torn back, farther and farther, into an ever larger and grotesque piece, eventually tearing off completely — exposing what type of wall? And if that wall were knocked down, what lay beyond it?

The only way to handle these uncertainties was to shove them aside and concentrate on a concrete plan.

Hopper had finished lacing up his boots. He stood up, zipping his jacket. Nora was in front of the mirror, applying, for mysterious reasons, red lipstick fit for a Parisian jazz club. Smacking her lips, she crouched down, pulling up her army fatigues and thermo-underwear to rearrange the hunting knife strapped to her ankle, which I’d bought her yesterday at a Walmart in Saratoga Springs.

The least I could do was make sure she could defend herself.

“Okay, troops. Let’s go over this one last time.”

I unzipped the backpack, removed the map.

Our carefully hatched plan —it was the rope for us to hold on to.

And yet I couldn’t help but wonder if, fumbling along that cord into the dark, we’d find out that the end was tied to nothing.

картинка 102

We drove to Lows Lake the long way, keeping away from the center of Crowthorpe Falls.

It was a tangle of meandering side roads, every one deserted.

We were in a rental — a black Jeep — but there was no way of knowing who in Crowthorpe was involved in what took place on The Peak property, and I didn’t want to risk drawing any attention. We’d monitored Perry Street, not to mention every car behind us during the drive upstate, and we didn’t appear to be followed.

I’d forgotten in the five years since I’d been here how impenetrable the wilderness was, how suffocating. Evergreens, maples, and beech trees swarmed the hills, massive branches reaching out over the road as if to smother us, soaking up what little daylight there was. Log cabins, groceries, out-of-business video stores stood forlornly in one crumbling lot after the next.

“It’s the next left,” said Nora.

Within a few yards I saw the sign: WELLER’S LANDING.

I slowed, made the left into the parking lot. There were two other cars, a blue pickup and a station wagon — probably other paddlers already out on the lake. I inched into a distant spot in the farthest corner, half hidden by a large hemlock, and cut the engine.

“We’re clear,” said Hopper, looking out the back windshield.

“Any last-minute concerns?” I asked. I looked at Hopper in the rearview mirror. His pointed stare back at me told me everything. Nothing would stop him now.

“Bernstein?” I asked.

Nora was yanking a black knit cap onto her head, tucking in the loose strands of hair.

“Oh, shoot. Can’t believe I almost forgot.” She reached into her vest pocket, pulling out two small plastic packets. She opened one, removing a thin gold necklace. Beckoning me to lean forward, she unclasped the chain and fastened it around my neck.

“This is Saint Benedict.”

It was a crude piece of jewelry, the pendant emblazoned with a gaunt, robed Jesus type.

“He’s the napalm of Catholic saints,” Nora said, reaching back to put Hopper’s around his neck. “You drop Benedict into a situation, you don’t need anything else. He’ll protect us from what’s up there.”

“Thanks,” said Hopper.

“You have one, too?” I asked her.

“Of course.

“Then let’s move.”

We unloaded the car rapidly — to minimize risk of a witness noticing us. But also I knew that to hesitate now in any way would only let serious doubt flood in, like water in a rowboat full of holes.

Hopper carried the paddles to the load-in area. I unhitched the Souris River canoe from the roof. Nora grabbed the lifejackets, the backpacks. I hid the car key under a rock by the hemlock, in case we became separated and one of us made it back before the others. Hopper and I picked up the canoe, and with a final look back at the Jeep, we took off across the parking lot.

We lowered the canoe into the water, and Hopper stepped in, heading to the bow, shoving his backpack behind his seat. Nora clambered in after him, binoculars swinging from her neck. I grabbed my paddle, threw in my backpack, was just about to climb in, when I noticed my cellphone vibrating in my jacket.

I thought of ignoring it, but then realized it could be Cynthia. I pulled off my glove, unzipped the pocket. It was a blocked number.

“Hello?”

“McGrath.”

I recognized the voice. It was Sharon Falcone.

“Shit, this connection’s crap. Sounds like you’re halfway around the world. Let me call you back—”

“No, no, ” I blurted, flooded with an ominous feeling that something was wrong. “What’s the matter?”

“Nothing. Just wanted to get back to you on that tip you gave us.”

“Tip?”

“For child services.”

The landlord and her deaf nephew back at 83 Henry Street.

I’d forgotten that I’d called Sharon about them.

“Sure you gave me the right address? Eighty-three Henry?”

“That’s right.”

“They checked it out. There’s no certificate of occupancy for the building.”

“What?”

“There was no one living there. No tenants in—”

Abruptly, her voice cut out. Loud metallic echoing filled the line.

“Hello?”

“… illegal … a couple times last week …”

“Sharon.”

“… knee-deep in major …”

Her voice cut out into wild static.

“Hello?”

“… thing was okay. McGrath, you still there ?”

Yes. Hello?”

A clanging screeched across the line and it went dead.

I tried calling her back, but it wouldn’t connect. I waited another minute, in the off chance she’d manage to get through again, but the phone had no service. I zipped it back into my jacket pocket, explaining to Hopper and Nora what she’d just told me.

“What do you mean empty?” asked Nora.

“There were no tenants.”

“But that’s impossible.”

“Is it?”

“No,” said Hopper. “Maybe they were illegal aliens. When we showed up, it was too much attention.”

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