John Banville - The Blue Guitar

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From the Man Booker Prize-winning author of
and 
a new novel-at once trenchant, witty, and shattering-about the intricacies of artistic creation and theft, and about the ways in which we learn to possess one another, and to hold on to ourselves. Equally self-aggrandizing and self-deprecating, our narrator, Oliver Otway Orme, is a painter of some renown, and a petty thief who does not steal for profit and has never before been caught. But he's pushing fifty, feels like a hundred, and things have not been going so well lately. Having recognized the "man-killing crevasse" that exists between what he sees and any representation he might make of it-any attempt to make what he sees his own-he's stopped painting. And his last purloined possession-aquired the last time he felt the "secret shiver of bliss" in thievery-has been discovered. The fact that it was the wife of the man who was, perhaps, his best friend, has compelled him to run away: from his mistress, his home, his wife, from whatever remains of his impulse to paint and from the tragedy that haunts him, and to sequester himself in the house where he was born, trying to uncover in himself the answer to how and why things have turned out as they did. Excavating memories of family, of places he's called home, and of the way he has apprehended the world around him ("no matter what else is going on, one of my eyes is always swivelling towards the world beyond"), Ollie reveals the very essence of a man who, in some way, has always been waiting to be rescued from himself.

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“Of course he doesn’t know it’s you!” Polly said. “Do you think I’d tell him?” She gave me an aggrieved sniffle, seeming to expect thanks. I said nothing, only got the key out of my pocket and reached around her and opened the door and stumped ahead of her into the room. I was like a man made of stone, or no, of chalk, stolid and stiff yet quick to crumble.

After the dimness of the stairs the studio blazed with a white, almost phosphorescent, radiance, and the window was so bright I could hardly look at it. There was still a faint whiff of brandy in the air, mingled with the ever-present soggy aroma of soap suds from downstairs. It was cold in the room — I had never figured out how to heat the place properly — and Polly stood with her shoulders indrawn and her arms tightly folded across her chest, hugging herself. She had no make-up on, not even lipstick, and her features seemed smeared, and almost anonymous. She was wearing a bran-coloured duffel-coat and those flat shoes, like dancing pumps, that I suspect she wears, or used to wear, in deference to my short stature — I say again, if I haven’t said it already, she really is unfailingly considerate and kind, and certainly didn’t deserve the grief and heartache that I caused her, that I’m causing her yet. I remarked on the shoes, saying she shouldn’t have come out so lightly shod on such a day. She gave me a blackly reproving frown, as if to ask how I could talk about such things as weather and footwear at a time like this. Quite right, of course: I’m never any good in moments of high drama, and become either tongue-tied or uncontrollably garrulous. It’s always difficult when a person one has known intimately takes a sudden step, up or down, on to a new and altogether different level. I hardly recognised my cherished and ever-lovable Polly in this whey-faced, distressed and anxious creature in her shapeless coat and pitiable shoes. Particularly unsettling was the look in her eyes, a mixture of fear and doubt and defiance, and utter, utter helplessness. Whyever did she let me wheedle my way into her heart? What opportunity for escape and fulfilment had seemed to open before her when I started verbally pawing her that long-ago night at the Clockers, the night that had led with oiled inevitability to this moment, with the two of us standing there in the chilly light of day, not knowing what to do, with ourselves or with each other?

It hadn’t been more than a couple of hours since I had been there with Marcus, my heart equally filled with foreboding, my mind equally at a loss. Next thing Gloria would come storming in and the grotesque bedroom farce would be complete.

All at once, for no reason I could or can think of, I found myself recalling the last visit my father paid to the print shop, when it was already sold but the launderer had not yet moved in. Why was I there that day? Dad was mortally ill, he would die a few weeks later, so I suppose he had to have someone to accompany him on his valedictory outing. But why me? I was the youngest of the family. Why didn’t one of my brothers or my sister go with him? I was fifteen, and in a rage. I was young and callous and death bored me — death as it is for others, that is, my own and the prospect of it being one of the most fascinating and feared topics for thought and speculation. I had already lost my mother and was indignant that I would so soon again have to accompany my father on the same final, dismal descent. There was a lot of stuff left in the shop. Dad had tried to get rid of it all, but by now the town knew he was dying, and was therefore infected with bad luck, and on the day of the Positively Final Monster Sale few customers turned out. Now, stooped and cadaverous, he sorted among boxes of prints, looking for who knows what, thumbed through dog-eared account books, peered into the empty cash register, vexedly sighing when he wasn’t coughing. It was a summer Saturday afternoon, and billows of gilded dust-motes undulated in the air, and there was a smell of dry rot and parched paper. I stood in the open doorway with my hands in my pockets, glowering out into the sunlit street. “What’s the matter with you?” my father called to me testily. “I’ll be finished here in a minute, then you can go.” I said nothing, and kept my back turned. People passing by put their heads down and would not look in. The thought occurred to me that in a way my father was dead already, and everyone, including myself, was impatient for him to realise it and take himself off, out of our troubled sight. Suddenly there was a tremendous crash behind me, so loud that I instinctively ducked. My father had pushed over a heavy wooden display stand, it lay now face down at his feet in a cloud of dust. The side of it had splintered, and I remember marvelling at the stark, shocking whiteness of the wound where the inner wood was nakedly on show. My father stood at a crouch, knees bent and elbows crooked, looking at what he had done and shaking all over, his face twisted and his side teeth bared in a furious snarl that made me wonder for a moment if he had gone completely and violently mad at last, cracking under the strain of facing the death awaiting him. I gaped at him, frightened, but fascinated, too. Awful, isn’t it, how the most appalling calamity will seem a welcome punctuation of life’s general tedium? Boredom, the fear of it, is the Devil’s subtlest and most piercing goad. After a moment my father went limp, as if all his bones had melted on the spot, and he closed his eyes and put a trembling hand to his forehead. “Sorry,” he muttered, “it fell. I must have bumped it.” We both knew this was a lie, and were embarrassed. He wore a white shirt and a dark tie, as he always did in the shop, a biscuit-coloured cardigan with those buttons made of braided leather, and the pair of cracked black shoes that were, when I found them under his bed the day after he died, the thing that at last pressed a secret lever and let me break down and weep, sitting on the floor, in the puddle of my grieving self, holding them, one in each hand, while big hot extravagant tears rolled down my cheeks and dropped ticklingly off the tip of my chin. Do other people, remembering their parents, feel, as I do, a sense of having inadvertently done a small though significant, irreversible wrong? I think of my father’s worn shoes, of that cardigan with the drooping pockets, of his stringy neck wobbling inside a shirt-collar that lately had become three or four sizes too big for him, and it is as if I had woken up to find that while asleep I had put to death some small, defenceless creature, the last one, the very last, of its marvellous species. No forgiveness? None. He would let me off, would Dad, if he were here, but he isn’t, and I’m not permitted to absolve myself. No crime, no charge, aye, and no acquittal, either.

I led Polly to the sofa, as so often before but with a very different intent this time, and we sat down side by side, like a pair of guilty miscreants settling themselves resignedly in the dock. She hadn’t taken off her coat, and this made her look more miserable still, all toggled up in bulky shapelessness. “What am I going to do?” she said, a faint, strangled cry. I told her that was what Marcus had asked me when he was here, and that I hadn’t known what to say to him, either. “He was here?” she said, staring at me. I told her about him coming up the stairs and bursting in and demanding drink; I told her about us emptying the brandy bottle. “I thought you were drunk, all right,” she said. After that she was silent for a while, thinking. Then she began to speak about her life with Marcus, just as Marcus, a while ago, had spoken of his life with her. Her account of it — their early days together, the baby, their happiness, all that — was strikingly similar to his. This irritated me. In fact, I was by now in a state of irritation generally. Life, which had seemed so various before, a sprawling pageant of adventure and incident, had all at once narrowed to a point, the nexus of this little trio: Polly, her husband, me. Glumly I foresaw the days and weeks to come, as gradually our drama unfurled itself in all its predictable awfulness. Polly would admit who her secret lover was, and Marcus would come and shout at me and threaten violence — perhaps more than threaten — then Gloria would find out and I’d have her to deal with, too. I felt beaten down just by the thought of it. Polly was still telling her story, more to herself it seemed than to me, in a dreamy, singsong voice. I kept being distracted by the window and the washed-blue sky outside, with its sedately sailing pearl-and-copper clouds. Clouds, clouds, I never get used to them. Why do they have to be so baroque, so gaudily and artlessly lovely? “We used to take baths together,” Polly said. That got my attention. At once I had a searingly vivid image of them, sitting at either end of the tub, their soapy legs entwined, splashing each other, Marcus chuckling and Polly hilariously squealing. It was strange, but I had never, before today, thought of them in the intimacy of their lives together. Marvellous how the mind can keep things tightly sealed away in so many separate compartments. I knew, of course, that they shared a bed — there was only one bed in their house, a double, Polly had told me so herself — but I had declined to picture the ramifications of this simple though striking fact. I could no more have imagined them making love than I could have pictured my parents, when they were alive, clasped to each other in the throes of passion. All that was changed, now. I could feel my shoulder-blades begin to sweat. Is there anything more overwhelming than the sudden onset of jealousy? It rolls over one inexorably, like lava, boiling and smoking.

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