Ги Мопассан - Pierre and Jean

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Henry James’s admiration for “this masterly little novel” has been echoed throughout the twentieth century by readers of Pierre et Jean. It marked a turning point in the development of French fiction, situated as it is between traditional social realism and the psychological novel. It isrecognized as a classic study of filial jealousy, triggered by one of the two brothers of its title finding himself the sole inheritor of the fortune of his mother’s former lover. Pierre et Jean is set in Le Havre in the 1880s and is notable for its evocation of the Normandy coastline captured by the Impressionists. But Maupassant’s greatest achievement is to have woven from this simple plot in a maritime context a brilliantly crafted exploration of the complexities at theheart of family life.

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But yet, but yet—if he were mistaken? How could he make sure? Oh, if only some likeness, however slight, could be traced between his father and Jean, one of those mysterious resemblances which run from an ancestor to the great–great–grandson, showing that the whole race are the offspring of the same embrace. To him, a medical man, so little would suffice to enable him to discern this—the curve of a nostril, the space between the eyes, the character of the teeth or hair; nay less—a gesture, a trick, a habit, an inherited taste, any mark or token which a practised eye might recognise as characteristic.

He thought long, but could remember nothing; no, nothing. But he had looked carelessly, observed badly, having no reason for spying such imperceptible indications.

He got up to go back to his room and mounted the stairs with a slow step, still lost in thought. As he passed the door of his brother's room he stood stock still, his hand put out to open it. An imperative need had just come over him to see Jean at once, to look at him at his leisure, to surprise him in his sleep, while the calm countenance and relaxed features were at rest and all the grimace of life put off. Thus he might catch the dormant secret of his physiognomy, and if any appreciable likeness existed it would not escape him.

But supposing Jean were to wake, what could he say? How could he explain this intrusion?

He stood still, his fingers clinched on the door–handle, trying to devise a reason, an excuse. Then he remembered that a week ago he had lent his brother a phial of laudanum to relieve a fit of toothache. He might himself have been in pain this night and have come to find the drug. So he went in with a stealthy step, like a robber. Jean, his mouth open, was sunk in deep, animal slumbers. His beard and fair hair made a golden patch on the white linen; he did not wake, but he ceased snoring.

Pierre, leaning over him, gazed at him with hungry eagerness. No, this youngster was not in the least like Roland; and for the second time the recollection of the little portrait of Marechal, which had vanished, recurred to his mind. He must find it! When he should see it perhaps he should cease to doubt!

His brother stirred, conscious no doubt of a presence, or disturbed by the light of the taper on his eyelids. The doctor retired on tip–toe to the door which he noiselessly closed; then he went back to his room, but not to bed again.

Day was long in coming. The hours struck one after another on the dining–room clock, and its tone was a deep and solemn one, as though the little piece of clockwork had swallowed a cathedral–bell. The sound rose through the empty staircase, penetrating through walls and doors, and dying away in the rooms where it fell on the torpid ears of the sleeping household. Pierre had taken to walking to and fro between his bed and the window. What was he going to do? He was too much upset to spend this day at home. He wanted still to be alone, at any rate till the next day, to reflect, to compose himself, to strengthen himself for the common every–day life which he must take up again.

Well, he would go over to Trouville to see the swarming crowd on the sands. That would amuse him, change the air of his thoughts, and give him time to inure himself to the horrible thing he had discovered. As soon as morning dawned he made his toilet and dressed. The fog had vanished and it was fine, very fine. As the boat for Trouville did not start till nine, it struck the doctor that he must greet his mother before starting.

He waited till the hour at which she was accustomed to get up, and then went downstairs. His heart beat so violently as he touched her door that he paused for breath. His hand as it lay on the lock was limp and tremulous, almost incapable of the slight effort of turning the handle to open it. He knocked. His mother's voice inquired:

"Who is there?"

"I—Pierre."

"What do you want?"

"Only to say good–morning, because I am going to spend the day at Trouville with some friends."

"But I am still in bed."

"Very well, do not disturb yourself. I shall see you this evening, when I come in."

He hoped to get off without seeing her, without pressing on her cheek the false kiss which it made his heart sick to think of. But she replied:

"No. Wait a moment. I will let you in. Wait till I get into bed again."

He heard her bare feet on the floor and the sound of the bolt drawn back. Then she called out:

"Come in."

He went in. She was sitting up in bed, while, by her side, Roland, with a silk handkerchief by way of night–cap and his face to the wall, still lay sleeping. Nothing ever woke him but a shaking hard enough to pull his arm off. On the days when he went fishing it was Josephine, rung up by Papagris at the hour fixed, who roused her master from his stubborn slumbers.

Pierre, as he went towards his mother, looked at her with a sudden sense of never having seen her before. She held up her face, he kissed each cheek, and then sat down in a low chair.

"It was last evening that you decided on this excursion?" she asked.

"Yes, last evening."

"Will you return to dinner?"

"I do not know. At any rate do not wait for me."

He looked at her with stupefied curiosity. This woman was his mother! All those features, seen daily from childhood, from the time when his eye could first distinguish things, that smile, that voice—so well known, so familiar—abruptly struck him as new, different from what they had always been to him hitherto. He understood now that, loving her, he had never looked at her. All the same it was very really she, and he knew every little detail of her face; still, it was the first time he clearly identified them all. His anxious attention, scrutinizing her face which he loved, recalled a difference, a physiognomy he had never before discerned.

He rose to go; then, suddenly yielding to the invincible longing to know which had been gnawing at him since yesterday, he said:

"By the way, I fancy I remember that you used to have, in Paris, a little portrait of Marechal, in the drawing–room."

She hesitated for a second or two, or at least he fancied she hesitated; then she said:

"To be sure."

"What has become of the portrait?"

She might have replied more readily:

"That portrait—stay; I don't exactly know—perhaps it is in my desk."

"It would be kind of you to find it."

"Yes, I will look for it. What do you want it for?"

"Oh, it is not for myself. I thought it would be a natural thing to give it to Jean, and that he would be pleased to have it."

"Yes, you are right; that is a good idea. I will look for it, as soon as I am up."

And he went out.

It was a blue day without a breath of wind. The folks in the streets seemed in good spirits, the merchants going to business, the clerks going to their office, the girls going to their shop. Some sang as they went, exhilarated by the bright weather.

The passengers were already going on board the Trouville boat; Pierre took a seat aft on a wooden bench.

He asked himself:

"Now was she uneasy at my asking for the portrait or only surprised? Has she mislaid it, or has she hidden it? Does she know where it is, or does she not? If she had hidden it—why?"

And his mind, still following up the same line of thought from one deduction to another, came to this conclusion:

That portrait—of a friend, of a lover, had remained in the drawing–room in a conspicuous place, till one day when the wife and mother perceived, first of all and before any one else, that it bore a likeness to her son. Without doubt she had for a long time been on the watch for this resemblance; then, having detected it, having noticed its beginnings, and understanding that any one might, any day, observe it too, she had one evening removed the perilous little picture and had hidden it, not daring to destroy it.

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