Irwin Shaw - Rich Man, Poor Man. Beggarman, Thief

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A special two-in-one edition of Irwin Shaw’s enthralling novels following the Jordache family’s struggle with the forces of change in mid-century America. In 
, siblings Rudy, Tom, and Gretchen Jordache grow up in a small town on the Hudson River. They’re in their teens in the 1940s, too young to go to war but marked by it nevertheless. Their father is the local baker, and nothing suggests they will live storied lives. Yet, in this sprawling saga, each member of the family pushes against the grain of history and confronts the perils and pleasures of a world devastated by conflict and transformed by American commerce and culture.
In the sequel, 
, the Jordache family reunites after a terrible act of violence. Wesley never really knew his father, Tom, the black sheep of the Jordache family. Driven by his sorrow and a need for justice, Wesley uncovers surprising truths about his estranged family’s complicated past.

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“You can’t have everything,” Wesley said. “You have brains.”

“And you?”

“None to brag about.”

“You’ll go far in your chosen profession,” Billy said.

“If I choose it,” Wesley said, as he went into the shower room.

A moment later, Billy heard, over the splash of the water, Wesley’s voice, singing, “Raindrops keep falling on my head …” He had a strong, true voice and an accurate talent for phrasing on the lyrics. That, too, Billy thought, along with everything else he has. There was one sure thing, Billy thought, if anyone came into the locker room and saw and heard him, as though he hadn’t a care in the world, they’d never guess in a million years that he carried a pistol around with him day and night.

As they went to where the car was parked behind the clubhouse in the shadow of the trees there, Billy said, “If you piss it all away, my mother will never forgive you. Nor will I.”

Wesley didn’t say anything, but just plumped himself down in the bucket seat, whistling a melody from the score of his picture.

The next day Wesley kept his promise and played more calmly. Suddenly, he seemed to have found a sense of the tactics of the game and mixed up his shots, playing the percentages and not trying to kill every ball. At the end of the two hours Billy was exhausted, even though he had won all four sets. Wesley wasn’t even breathing hard, although he had run twice as much as Billy. And once again, he made Billy watch his coat while he took his shower.

The third day they could only play an hour because Billy had promised to get back early so that Donnelly and Gretchen could have the car to drive to Mougins for a quiet lunch. Since the running of the picture there was no chance of even a quiet fifteen minutes in Cannes for Gretchen, and she was showing the strain.

It took the whole hour just to play one set and Billy had to fight for every point, even though he won six-three. “Whew,” he said as they walked toward the locker room, “I’m beginning to feel sorry I asked you to calm down. You’ll wear me down to the bone if you keep this up.”

“Child’s play,” Wesley said complacently.

They were dressing after their showers when they heard the explosion outside.

“What the hell was that?” Billy asked.

Wesley shrugged. “Maybe a gas main,” he said.

“That wasn’t any gas main,” Billy said. He felt shaky and had to sit down for a moment. He was sitting there shirtless when the manager of the club came running into the locker room. “Monsieur Abbott,” he said, babbling, his voice high and frightened, “you’d better come quick. It was your car.… It’s horrible.”

“I’ll be right there,” Billy said, but didn’t move for a moment. In the distance, there was the sound of a police siren approaching. Billy put on his shirt and meticulously and slowly began to button it as Wesley rushed into his jeans. “Wesley,” Billy said, “don’t you go out there.”

“What do you mean, don’t go out there?”

“You heard me. The police’ll be there in a few seconds,” Billy spoke swiftly, biting out his words. “You’ll be all over the papers. Just stay right here. And hide that fucking pistol of yours. In an inconspicuous place. And if anybody asks you anything, you don’t know anything.”

“But I don’t know anything …” Wesley said.

“Good,” said Billy. “Stay that way. Now I have to go and see what happened.” He finished buttoning his shirt and walked, without hurrying, out of the locker room.

People from the nearby apartment buildings had begun to stream toward the trees behind the clubhouse where the car had been parked. A small police car, its siren wailing, sped through the club gates and squealed to a halt on the driveway. Two policemen got out and ran toward the car. As Billy approached he saw that the car was torn apart, its front wheels blown off and the hood lying some feet from the body of the car. Billy’s view of the scene was blocked by the people standing around it, but he could see and hear a woman gesticulating wildly and screaming at the policemen that she had been walking past the gates and had seen a man bending over the front of the car with the hood up and then a few seconds later, after she had passed the gate, had heard the explosion.

In the high babble of excited conversation, Billy could hear one of the policemen asking the manager of the tennis club who owned the car and the manager answering and turning to point at Billy. Billy pushed through the crowd and only then saw the body of a man lying facedown, mangled and bloody, next to what had been the radiator of the Peugeot.

“Messieurs,” Billy said, “it is my car.” If the manager, who knew he spoke French, had not been there, he would have pretended he only spoke English.

As the two policemen started to turn the dead man’s body over, Billy turned his head. The people in the crowd recoiled and there was a woman’s scream.

“Monsieur,” one of the policemen said to Billy, “do you recognize this man?”

“I prefer not to look,” Billy said, with his head still turned away.

“Please, monsieur,” the policeman said. He was young and he was pale with fright and horror. “You must tell us if you know this man. If you don’t look now you will be forced to come to the morgue later and look then.”

The second policeman was kneeling over the dead man, searching what remained of his pockets. The policeman shook his head and rose. “No papers,” he said.

“Please, monsieur,” the young policeman pleaded.

Finally, turning his head slowly, conscious first of looking at the stricken faces of the onlookers, of the tops of trees, of the blue of the sky, Billy made himself look down. There was a gaping red hole where the chest had been and the face was torn and there was a crooked grimace that bared broken teeth between charred lips, but Billy still could recognize the face. It was the man he had known as George in Brussels.

Billy shook his head. “I’m sorry, messieurs,” he said, “I’ve never seen this man before.”

VOLUME

Rich Man Poor Man Beggarman Thief - изображение 80

FOUR

CHAPTER 1

Rich Man Poor Man Beggarman Thief - изображение 81

Billy was sitting at his desk in the almost deserted city room, staring at his typewriter. It was late at night and he had done his work for the day and he was free to go home. But home was a nasty little one-room studio near the university and there was no one there to greet him. This was by choice. Since Juan-les-Pins he had avoided company of all kinds.

On his desk, there was a bulky letter from his Uncle Rudolph, from Cannes. It had been on his desk, unopened, for three days. His uncle wrote too many letters, with tempting descriptions of the fascinating life at high pay for bright young men in Washington, where Rudolph now spent a good part of his time, doing some sort of unpaid but seemingly important work for the Democratic Party. At least his name had begun to appear in the newspaper stories from Washington, linked sometimes with that of Helen Morison and that of the senator from Connecticut with whom he traveled on missions to Europe.

Billy was reaching for his uncle’s letter when the telephone on his desk rang. He picked it up and said, “Abbott speaking.”

“Billy, this is Rhoda Flynn.” It was a woman’s voice, with the sound of music and conversation in the background.

“Hello, Rhoda,” he said. She was a cub reporter on the paper, a pretty girl who was doing a lot better than he was, who already had a by-line and who tried to flirt with him whenever they bumped into each other in the office.

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