Иоганн Гёте - Wilhelm Meister's Apprenticeship

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Wilhelm Meister, the son of a merchant, has been seduced by the chimerical world of the theater and embarks on the ambitious quest to become a great theatrical performer and dramatist. The Apprenticeship was a landmark in European literature, as not only one of the key works of Weimar Classicism, and the prototype for the Bildungs­roman genre, but also for being a timeless tale of self-discovery and a fascinating portrayal of theatre in the late 18th-century.

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To awaken these again within him, he would recall to memory the scenes of his by–gone happiness. He would paint them to his fancy in the liveliest colors, transport himself again into the days when they were real; and when standing on the highest elevation he could reach, when the sunshine of past times again seemed to animate his limbs and heave his bosom, he would look back into the fearful chasm, would feast his eye on its dismembering depth, then plunge down into its horrors, and thus force from nature the bitterest pains. With such repeated cruelty did he tear himself in pieces; for youth, which is so rich in undeveloped force, knows not what it squanders when, to the anguish which a loss occasions, it adds so many sorrows of its own production, as if it meant then first to give the right value to what is gone forever. He likewise felt so convinced that his present loss was the sole, the first, the last, he ever could experience in life, that he turned away from every consolation which aimed at showing that his sorrows might be less than endless.

Chapter II

Accustomed in this way to torment himself, he now also attacked what still remained to him; what next to love, and along with it, had given him the highest joys and hopes,—his talent as a poet and actor, with spiteful criticisms on every side. In his labors he could see nothing but a shallow imitation of prescribed forms, without intrinsic worth: he looked on them as stiff school–exercises, destitute of any spark of nature, truth, or inspiration. His poems now appeared nothing more than a monotonous arrangement of syllables, in which the most trite emotions and thoughts were dragged along and kept together by a miserable rhyme. And thus did he also deprive himself of every expectation, every pleasure, which on this quarter at least might have aided the recovery of his peace.

With his theatric talent it fared no better. He blamed himself for not having sooner detected the vanity on which alone this pretension had been founded. His figure, his gait, his movements, his mode of declamation, were severally taxed: he decisively renounced every species of advantage or merit that might have raised him above the common run of men, and so doing he increased his mute despair to the highest pitch. For, if it is hard to give up a woman's love, no less painful is the task to part from the fellowship of the Muses, to declare ourselves forever undeserving to be of their community, and to forego the fairest and most immediate kind of approbation, what is openly bestowed on our person, our voice, and our demeanor.

Thus, then, our friend had long ago entirely resigned himself, and set about devoting his powers with the greatest zeal to the business of trade. To the surprise of friends, and to the great contentment of his father, no one was now more diligent than Wilhelm, on the exchange or in the counting–house, in the sale–room or the warehouses: correspondence and calculations, all that was intrusted to his charge, he attended to and managed with the greatest diligence and zeal. Not, in truth, with that warm diligence which to the busy man is its own reward, when he follows with constancy and order the employment he was born for, but with the silent diligence of duty, which has the best principle for its foundation; which is nourished by conviction, and rewarded by conscience; yet which oft, even when the clearest testimony of our minds is crowning it with approbation, can scarcely repress a struggling sigh.

In this manner he lived for a time, assiduously busied, and at last persuaded that his former hard trial had been ordained by fate for the best. He felt glad at having thus been timefully, though somewhat harshly, warned about the proper path of life; while many are constrained to expiate more heavily, and at a later age, the misconceptions into which their youthful inexperience has betrayed them. For each man commonly defends himself as long as possible from casting out the idols which he worships in his soul, from acknowledging a master error, and admitting any truth which brings him to despair.

Determined as he was to abandon his dearest projects, some time was still necessary to convince him fully of his misfortune. At last, however, he had so completely succeeded, by irrefragable reasons, in annihilating every hope of love, or poetical performance, or stage representation, that he took courage to obliterate entirely all the traces of his folly,—all that could in any way remind him of it. For this purpose he had lit a fire in his chamber, one cool evening, and brought out a little chest of relics, among which were multitudes of small articles, that, in memorable moments, he had begged or stolen from Mariana. Each withered flower brought to his mind the time when it bloomed fresh among her hair; each little note the happy hour to which it had invited him; each ribbon–knot the lovely resting–place of his head,—her beautiful bosom. So occupied, was it not to be expected that each emotion which he thought long since quite dead, should again begin to move? Was it not to be expected that the passion over which, when separated from his mistress, he had gained the victory, should, in the presence of these memorials, again gather strength? We first observe how dreary and disagreeable an overclouded day is when a single sunbeam pierces through, and offers to us the exhilarating splendor of a serene hour.

Accordingly, it was not without disturbance that he saw these relics, long preserved as sacred, fade away from before him in smoke and flame. Sometimes he shuddered and hesitated in his task: he had still a pearl necklace and a flowered neckerchief in his hands, when he resolved to quicken the decaying fire with the poetical attempts of his youth.

Till now he had carefully laid up whatever had proceeded from his pen, since the earliest unfolding of his mind. His papers yet lay tied up in a bundle at the bottom of the chest, where he had packed them; purposing to take them with him in his elopement. How altogether different were his feelings now in opening them, and his feelings then in tying them together!

If we happen, under certain circumstances, to have written and sealed and despatched a letter to a friend, which, however, does not find him, but is brought back to us, and we open it at the distance of some considerable time, a singular emotion is produced in us, on breaking up our own seal, and conversing with our altered self as with a third person. A similar and deep feeling seized our friend, as he now opened this packet, and threw the scattered leaves into the fire; which was flaming fiercely with its offerings, when Werner entered, expressed his wonder at the blaze, and asked what was the matter.

"I am now giving proof," said Wilhelm, "that I am serious in abandoning a trade for which I was not born." And, with these words, he cast the second packet likewise into the fire. Werner made a motion to prevent him, but the business was already done.

"I cannot see how thou shouldst bring thyself to such extremities," said Werner. "Why must these labors, because they are not excellent, be annihilated?"

"Because either a poem is excellent, or it should not be allowed to exist. Because each man who has no gift for producing first–rate works, should entirely abstain from the pursuit of art, and seriously guard himself against every deception on that subject. For it must be owned, that in all men there is a certain vague desire to imitate whatever is presented to them; and such desires do not prove at all that we possess within us the force necessary for succeeding in these enterprises. Look at boys, how, whenever any rope–dancers have been visiting the town, they go scrambling up and down, and balancing on all the planks and beams within their reach, till some other charm calls them off to other sports, for which perhaps they are as little suited. Hast thou never marked it in the circle of our friends? No sooner does a dilettante introduce himself to notice, than numbers of them set themselves to learn playing on his instrument. How many wander back and forward on this bootless way! Happy they who soon detect the chasm that lies between their wishes and their powers!"

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