Джозеф Киплинг - Indian Tales

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The stories in this collection capture the varied scents and colours of India in the days of the Raj. Magic and religion, art and life, politics and society, combine into one special stroke of genius in Kipling’s imaginative canvas, bringing the short story and the poem together. These tales hold a tremendous appeal for children and adults alike, who can look forward to a dazzling array of incidents and characters, choreographed to perfection.

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"Have you got it?" he panted. "Will you not let me look at it also? I swear that I will return it."

"Got what? Return what?" I asked.

"That which you have in your hands. It will help us both." He stretched out his long, bird–like talons, trembling with eagerness,

"I could never find it," he continued. "He had secreted it about his person. Therefore I shot him, but nevertheless I was unable to obtain it."

Gunga Dass had quite forgotten his little fiction about the rifle–bullet. I received the information perfectly calmly. Morality is blunted by consorting with the Dead who are alive.

"What on earth are you raving about? What is it you want me to give you?"

"The piece of paper in the notebook. It will help us both. Oh, you fool! You fool! Can you not see what it will do for us? We shall escape!"

His voice rose almost to a scream, and he danced with excitement before me. I own I was moved at the chance of getting away.

"Don't skip! Explain yourself. Do you mean to say that this slip of paper will help us? What does it mean?"

"Read it aloud! Read it aloud! I beg and I pray you to read it aloud."

I did so. Gunga Dass listened delightedly, and drew an irregular line in the sand with his fingers.

"See now! It was the length of his gun–barrels without the stock. I have those barrels. Four gun–barrels out from the place where I caught crows. Straight out; do you follow me? Then three left—Ah! how well I remember when that man worked it out night after night. Then nine out, and so on. Out is always straight before you across the quicksand. He told me so before I killed him."

"But if you knew all this why didn't you get out before?"

"I did not know it. He told me that he was working it out a year and a half ago, and how he was working it out night after night when the boat had gone away, and he could get out near the quicksand safely. Then he said that we would get away together. But I was afraid that he would leave me behind one night when he had worked it all out, and so I shot him. Besides, it is not advisable that the men who once get in here should escape. Only I, and I am a Brahmin."

The prospect of escape had brought Gunga Dass's caste back to him. He stood up, walked about and gesticulated violently. Eventually I managed to make him talk soberly, and he told me how this Englishman had spent six months night after night in exploring, inch by inch, the passage across the quicksand; how he had declared it to be simplicity itself up to within about twenty yards of the river bank after turning the flank of the left horn of the horseshoe. This much he had evidently not completed when Gunga Dass shot him with his own gun,

In my frenzy of delight at the possibilities of escape I recollect shaking hands effusively with Gunga Dass, after we had decided that we were to make an attempt to get away that very night. It was weary work waiting throughout the afternoon.

About ten o'clock, as far as I could judge, when the Moon had just risen above the lip of the crater, Gunga Dass made a move for his burrow to bring out the gun–barrels whereby to measure our path. All the other wretched inhabitants had retired to their lairs long ago. The guardian boat drifted down–stream some hours before, and we were utterly alone by the crow–clump. Gunga Dass, while carrying the gun–barrels, let slip the piece of paper which was to be our guide. I stooped down hastily to recover it, and, as I did so, I was aware that the diabolical Brahmin was aiming a violent blow at the back of my head with the gun–barrels. It was too late to turn round. I must have received the blow somewhere on the nape of my neck. A hundred thousand fiery stars danced before my eyes, and I fell forward senseless at the edge of the quicksand.

When I recovered consciousness, the Moon was going down, and I was sensible of intolerable pain in the back of my head. Gunga Dass had disappeared and my mouth was full of blood. I lay down again and prayed that I might die without more ado. Then the unreasoning fury which I have before mentioned laid hold upon me, and I staggered inland toward the walls of the crater. It seemed that some one was calling to me in a whisper—"Sahib! Sahib! Sahib!" exactly as my bearer used to call me in the mornings. I fancied that I was delirious until a handful of sand fell at my feet, Then I looked up and saw a head peering down into the amphitheatre—the head of Dunnoo, my dog–boy, who attended to my collies. As soon as he had attracted my attention, he held up his hand and showed a rope. I motioned, staggering to and fro the while, that he should throw it down. It was a couple of leather punkah–ropes knotted together, with a loop at one end. I slipped the loop over my head and under my arms; heard Dunnoo urge something forward; was conscious that I was being dragged, face downward, up the steep sand slope, and the next instant found myself choked and half fainting on the sand hills overlooking the crater. Dunnoo, with his face ashy grey in the moonlight, implored me not to stay but to get back to my tent at once.

It seems that he had tracked Pornic's footprints fourteen miles across the sands to the crater; had returned and told my servants, who flatly refused to meddle with any one, white or black, once fallen into the hideous Village of the Dead; whereupon Dunnoo had taken one of my ponies and a couple of punkah–ropes, returned to the crater, and hauled me out as I have described.

To cut a long story short, Dunnoo is now my personal servant on a gold mohur a month—a sum which I still think far too little for the services he has rendered. Nothing on earth will induce me to go near that devilish spot again, or to reveal its whereabouts more clearly than I have done. Of Gunga Dass I have never found a trace, nor do I wish to do. My sole motive in giving this to be published is the hope that some one may possibly identify, from the details and the inventory which I have given above, the corpse of the man in the olive–green hunting–suit.

In the House of Suddhoo

A stone's throw out on either hand
From that well–ordered road we tread,
And all the world is wild and strange;
Churel and ghoul and Djinn and sprite
Shall bear us company to–night,
For we have reached the Oldest Land
Wherein the Powers of Darkness range.

From the Dusk to the Dawn.

The house of Suddhoo, near the Taksali Gate, is two–storied, with four carved windows of old brown wood, and a flat roof. You may recognize it by five red hand–prints arranged like the Five of Diamonds on the whitewash between the upper windows. Bhagwan Dass the grocer and a man who says he gets his living by seal–cutting live in the lower story with a troop of wives, servants, friends, and retainers. The two upper rooms used to be occupied by Janoo and Azizun and a little black–and–tan terrier that was stolen from an Englishman's house and given to Janoo by a soldier. To–day, only Janoo lives in the upper rooms. Suddhoo sleeps on the roof generally, except when he sleeps in the street. He used to go to Peshawar in the cold, weather to visit his son who sells curiosities near the Edwardes' Gate, and then he slept under a real mud roof. Suddhoo is a great friend of mine, because his cousin had a son who secured, thanks to my recommendation, the post of head–messenger to a big firm in the Station. Suddhoo says that God will make me a Lieutenant–Governor one of these days. I dare say his prophecy will come true. He is very, very old, with white hair and no teeth worth showing, and he has outlived his wits—outlived nearly everything except his fondness for his son at Peshawar. Janoo and Azizun are Kashmiris, Ladies of the City, and theirs was an ancient and more or less honorable profession; but Azizun has since married a medical student from the Northwest and has settled down to a most respectable life somewhere near Bareilly. Bhagwan Dass is an extortionate and an adulterator. He is very rich. The man who is supposed to get his living by seal–cutting pretends to be very poor. This lets you know as much as is necessary of the four principal tenants in the house of Suddhoo. Then there is Me of course; but I am only the chorus that comes in at the end to explain things. So I do not count.

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