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Джозеф Киплинг: Indian Tales

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Джозеф Киплинг Indian Tales

Indian Tales: краткое содержание, описание и аннотация

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The stories in this collection capture the varied scents and colours of India in the days of the Raj. Magic and religion, art and life, politics and society, combine into one special stroke of genius in Kipling’s imaginative canvas, bringing the short story and the poem together. These tales hold a tremendous appeal for children and adults alike, who can look forward to a dazzling array of incidents and characters, choreographed to perfection.

Джозеф Киплинг: другие книги автора


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Now it is written in the Saga of Eric the Red or that of Thorfin Karlsefne, that nine hundred years ago when Karlsefne's galleys came to Leif's booths, which Leif had erected in the unknown land called Markland, which may or may not have been Rhode Island, the Skroelings—and the Lord He knows who these may or may not have been—came to trade with the Vikings, and ran away because they were frightened at the bellowing of the cattle which Thorfin had brought with him in the ships. But what in the world could a Greek slave know of that affair? I wandered up and down among the streets trying to unravel the mystery, and the more I considered it, the more baffling it grew. One thing only seemed certain, and that certainty took away my breath for the moment. If I came to full knowledge of anything at all it would not be one life of the soul in Charlie Mears's body, but half a dozen—half a dozen several and separate existences spent on blue water in the morning of the world!

Then I walked round the situation.

Obviously if I used my knowledge I should stand alone and unapproachable until all men were as wise as myself. That would be something, but manlike I was ungrateful. It seemed bitterly unfair that Charlie's memory should fail me when I needed it most. Great Powers above—I looked up at them through the fog smoke—did the Lords of Life and Death know what this meant to me? Nothing less than eternal fame of the best kind, that comes from One, and is shared by one alone. I would be content—remembering Clive, I stood astounded at my own moderation,—with the mere right to tell one story, to work out one little contribution to the light literature of the day. If Charlie were permitted full recollection for one hour—for sixty short minutes—of existences that had extended over a thousand years—I would forego all profit and honor from all that I should make of his speech. I would take no share in the commotion that would follow throughout the particular corner of the earth that calls itself "the world." The thing should be put forth anonymously. Nay, I would make other men believe that they had written it. They would hire bull–hided self–advertising Englishmen to bellow it abroad. Preachers would found a fresh conduct of life upon it, swearing that it was new and that they had lifted the fear of death from all mankind. Every Orientalist in Europe would patronize it discursively with Sanskrit and Pali texts. Terrible women would invent unclean variants of the men's belief for the elevation of their sisters. Churches and religions would war over it. Between the hailing and re–starting of an omnibus I foresaw the scuffles that would arise among half a dozen denominations all professing "the doctrine of the True Metempsychosis as applied to the world and the New Era"; and saw, too, the respectable English newspapers shying, like frightened kine, over the beautiful simplicity of the tale. The mind leaped forward a hundred—two hundred—a thousand years. I saw with sorrow that men would mutilate and garble the story; that rival creeds would turn it upside down till, at last, the western world which clings to the dread of death more closely than the hope of life, would set it aside as an interesting superstition and stampede after some faith so long forgotten that it seemed altogether new. Upon this I changed the terms of the bargain that I would make with the Lords of Life and Death. Only let me know, let me write, the story with sure knowledge that I wrote the truth, and I would burn the manuscript as a solemn sacrifice. Five minutes after the last line was written I would destroy it all. But I must be allowed to write it with absolute certainty.

There was no answer. The flaming colors of an Aquarium poster caught my eye and I wondered whether it would be wise or prudent to lure Charlie into the hands of the professional mesmerist, and whether, if he were under his power, he would speak of his past lives. If he did, and if people believed him … but Charlie would be frightened and flustered, or made conceited by the interviews. In either case he would begin to lie, through fear or vanity. He was safest in my own hands,

"They are very funny fools, your English," said a voice at my elbow, and turning round I recognized a casual acquaintance, a young Bengali law student, called Grish Chunder, whose father had sent him to England to become civilized. The old man was a retired native official, and on an income of five pounds a month contrived to allow his son two hundred pounds a year, and the run of his teeth in a city where he could pretend to be the cadet of a royal house, and tell stories of the brutal Indian bureaucrats who ground the faces of the poor.

Grish Chunder was a young, fat, full–bodied Bengali dressed with scrupulous care in frock coat, tall hat, light trousers and tan gloves. But I had known him in the days when the brutal Indian Government paid for his university education, and he contributed cheap sedition to Sachi Durpan , and intrigued with the wives of his schoolmates.

"That is very funny and very foolish," he said, nodding at the poster. "I am going down to the Northbrook Club. Will you come too?"

I walked with him for some time. "You are not well," he said. "What is there in your mind? You do not talk."

"Grish Chunder, you've been too well educated to believe in a God, haven't you?"

"Oah, yes, here! But when I go home I must conciliate popular superstition, and make ceremonies of purification, and my women will anoint idols."

"And hang up tulsi and feast the purohit , and take you back into caste again and make a good khuttri of you again, you advanced social Free–thinker. And you'll eat desi food, and like it all, from the smell in the courtyard to the mustard oil over you."

"I shall very much like it," said Grish Chunder, unguardedly, "Once a Hindu—always a Hindu. But I like to know what the English think they know."

"I'll tell you something that one Englishman knows. It's an old tale to you."

I began to tell the story of Charlie in English, but Grish Chunder put a question in the vernacular, and the history went forward naturally in the tongue best suited for its telling. After all it could never have been told in English. Grish Chunder heard me, nodding from time to time, and then came up to my rooms where I finished the tale.

" Beshak, " he said, philosophically. " Lekin darwaza band hai . (Without doubt, but the door is shut.) I have heard of this remembering of previous existences among my people. It is of course an old tale with us, but, to happen to an Englishman—a cow–fed Malechh —an outcast. By Jove, that is most peculiar!"

"Outcast yourself, Grish Chunder! You eat cow–beef every day. Let's think the thing over. The boy remembers his incarnations."

"Does he know that?" said Grish Chunder, quietly, swinging his legs as he sat on my table. He was speaking in English now.

"He does not know anything. Would I speak to you if he did? Go on!"

"There is no going on at all. If you tell that to your friends they will say you are mad and put it in the papers. Suppose, now, you prosecute for libel."

"Let's leave that out of the question entirely. Is there any chance of his being made to speak?"

"There is a chance. Oah, yess! But if he spoke it would mean that all this world would end now— instanto —fall down on your head. These things are not allowed, you know. As I said, the door is shut."

"Not a ghost of a chance?"

"How can there be? You are a Christian, and it is forbidden to eat, in your books, of the Tree of Life, or else you would never die. How shall you all fear death if you all know what your friend does not know that he knows? I am afraid to be kicked, but I am not afraid to die, because I know what I know. You are not afraid to be kicked, but you are afraid to die. If you were not, by God! you English would be all over the shop in an hour, upsetting the balances of power, and making commotions. It would not be good. But no fear. He will remember a little and a little less, and he will call it dreams. Then he will forget altogether. When I passed my First Arts Examination in Calcutta that was all in the cram–book on Wordsworth. Trailing clouds of glory, you know."

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