Джозеф Киплинг: Indian Tales

It remained now only to encourage Charlie to talk, and here there was no difficulty. But I had forgotten those accursed books of poetry. He came to me time after time, as useless as a surcharged phonograph—drunk on Byron, Shelley, or Keats. Knowing now what the boy had been in his past lives, and desperately anxious not to lose one word of his babble, I could not hide from him my respect and interest. He misconstrued both into respect for the present soul of Charlie Mears, to whom life was as new as it was to Adam, and interest in his readings; and stretched my patience to breaking point by reciting poetry—not his own now, but that of others. I wished every English poet blotted out of the memory of mankind. I blasphemed the mightiest names of song because they had drawn Charlie from the path of direct narrative, and would, later, spur him to imitate them; but I choked down my impatience until the first flood of enthusiasm should have spent itself and the boy returned to his dreams.

"What's the use of my telling you what I think, when these chaps wrote things for the angels to read?" he growled, one evening. "Why don't you write something like theirs?"

"I don't think you're treating me quite fairly," I said, speaking under strong restraint.

"I've given you the story," he said, shortly, replunging into "Lara."

"But I want the details."

"The things I make up about that damned ship that you call a galley? They're quite easy. You can just make 'em up yourself. Turn up the gas a little, I want to go on reading."

I could have broken the gas globe over his head for his amazing stupidity. I could indeed make up things for myself did I only know what Charlie did not know that he knew. But since the doors were shut behind me I could only wait his youthful pleasure and strive to keep him in good temper. One minute's want of guard might spoil a priceless revelation; now and again he would toss his books aside—he kept them in my rooms, for his mother would have been shocked at the waste of good money had she seen them—and launched into his sea dreams, Again I cursed all the poets of England. The plastic mind of the bank–clerk had been overlaid, colored and distorted by that which he had read, and the result as delivered was a confused tangle of other voices most like the muttered song through a City telephone in the busiest part of the day.

He talked of the galley—his own galley had he but known it—with illustrations borrowed from the "Bride of Abydos." He pointed the experiences of his hero with quotations from "The Corsair," and threw in deep and desperate moral reflections from "Cain" and "Manfred," expecting me to use them all. Only when the talk turned on Longfellow were the jarring cross–currents dumb, and I knew that Charlie was speaking the truth as he remembered it.

"What do you think of this?" I said one evening, as soon as I understood the medium in which his memory worked best, and, before he could expostulate, read him the whole of "The Saga of King Olaf!"

He listened open–mouthed, flushed, his hands drumming on the back of the sofa where he lay, till I came to the Song of Einar Tamberskelver and the verse:

He gasped with pure delight of sound.

"That's better than Byron, a little," I ventured.

"Better? Why it's true! How could he have known?"

I went back and repeated:

"How could he have known how the ships crash and the oars rip out and go z–zzp all along the line? Why only the other night…. But go back please and read 'The Skerry of Shrieks' again."

"No, I'm tired. Let's talk. What happened the other night?"

"I had an awful nightmare about that galley of ours. I dreamed I was drowned in a fight. You see we ran alongside another ship in harbor. The water was dead still except where our oars whipped it up. You know where I always sit in the galley?" He spoke haltingly at first, under a fine English fear of being laughed at,

"No. That's news to me," I answered, meekly, my heart beginning to beat.

"On the fourth oar from the bow on the right side on the upper deck. There were four of us at that oar, all chained. I remember watching the water and trying to get my handcuffs off before the row began. Then we closed up on the other ship, and all their fighting men jumped over our bulwarks, and my bench broke and I was pinned down with the three other fellows on top of me, and the big oar jammed across our backs."

"Well?" Charlie's eyes were alive and alight. He was looking at the wall behind my chair.

"I don't know how we fought. The men were trampling all over my back, and I lay low. Then our rowers on the left side—tied to their oars, you know—began to yell and back water. I could hear the water sizzle, and we spun round like a cockchafer and I knew, lying where I was, that there was a galley coming up bow–on, to ram us on the left side. I could just lift up my head and see her sail over the bulwarks. We wanted to meet her bow to bow, but it was too late. We could only turn a little bit because the galley on our right had hooked herself on to us and stopped our moving. Then, by gum! there was a crash! Our left oars began to break as the other galley, the moving one y'know, stuck her nose into them. Then the lower–deck oars shot up through the deck planking, butt first, and one of them jumped clean up into the air and came down again close to my head."

"How was that managed?"

"The moving galley's bow was plunking them back through their own oar–holes, and I could hear the devil of a shindy in the decks below. Then her nose caught us nearly in the middle, and we tilted sideways, and the fellows in the right–hand galley unhitched their hooks and ropes, and threw things on to our upper deck—arrows, and hot pitch or something that stung, and we went up and up and up on the left side, and the right side dipped, and I twisted my head round and saw the water stand still as it topped the right bulwarks, and then it curled over and crashed down on the whole lot of us on the right side, and I felt it hit my back, and I woke."

"One minute, Charlie. When the sea topped the bulwarks, what did it look like?" I had my reasons for asking. A man of my acquaintance had once gone down with a leaking ship in a still sea, and had seen the water–level pause for an instant ere it fell on the deck.

"It looked just like a banjo–string drawn tight, and it seemed to stay there for years," said Charlie.

Exactly! The other man had said: "It looked like a silver wire laid down along the bulwarks, and I thought it was never going to break." He had paid everything except the bare life for this little valueless piece of knowledge, and I had traveled ten thousand weary miles to meet him and take his knowledge at second hand. But Charlie, the bank–clerk on twenty–five shillings a week, he who had never been out of sight of a London omnibus, knew it all. It was no consolation to me that once in his lives he had been forced to die for his gains. I also must have died scores of times, but behind me, because I could have used my knowledge, the doors were shut.

"And then?" I said, trying to put away the devil of envy.

"The funny thing was, though, in all the mess I didn't feel a bit astonished or frightened. It seemed as if I'd been in a good many fights, because I told my next man so when the row began. But that cad of an overseer on my deck wouldn't unloose our chains and give us a chance. He always said that we'd all be set free after a battle, but we never were; we never were." Charlie shook his head mournfully.