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Джозеф Киплинг: The Light That Failed

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Джозеф Киплинг The Light That Failed

The Light That Failed: краткое содержание, описание и аннотация

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The Light That Failed is a haunting and powerful novel of human suffering, love and loss. In Dick Heldar, artist and journalist, we see a man struggling to rise above his cruel beginnings and neglected childhood to grasp at a chance for happiness in later life. However as his hopes slowly turn to dust, his determination and mental powers begin to drain away, and the onset of premature physical decline determines his final demise. In a shocking and tragic conclusion, Kipling completes his frighteningly realistic survey of physical and psychological breakdown.

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With the soldiers sweated and toiled the correspondents of the newspapers, and they were almost as ignorant as their companions. But it was above all things necessary that England at breakfast should be amused and thrilled and interested, whether Gordon lived or died, or half the British army went to pieces in the sands. The Soudan campaign was a picturesque one, and lent itself to vivid word–painting. Now and again a 'Special' managed to get slain,—which was not altogether a disadvantage to the paper that employed him,—and more often the hand–to–hand nature of the fighting allowed of miraculous escapes which were worth telegraphing home at eighteenpence the word. There were many correspondents with many corps and columns,—from the veterans who had followed on the heels of the cavalry that occupied Cairo in '82, what time Arabi Pasha called himself king, who had seen the first miserable work round Suakin when the sentries were cut up nightly and the scrub swarmed with spears, to youngsters jerked into the business at the end of a telegraph–wire to take the places of their betters killed or invalided.

Among the seniors—those who knew every shift and change in the perplexing postal arrangements, the value of the seediest, weediest Egyptian garron offered for sale in Cairo or Alexandria, who could talk a telegraph–clerk into amiability and soothe the ruffled vanity of a newly appointed staff–officer when press regulations became burdensome—was the man in the flannel shirt, the black–browed Torpenhow. He represented the Central Southern Syndicate in the campaign, as he had represented it in the Egyptian war, and elsewhere. The syndicate did not concern itself greatly with criticisms of attack and the like. It supplied the masses, and all it demanded was picturesqueness and abundance of detail; for there is more joy in England over a soldier who insubordinately steps out of square to rescue a comrade than over twenty generals slaving even to baldness at the gross details of transport and commissariat.

He had met at Suakin a young man, sitting on the edge of a recently abandoned redoubt about the size of a hat–box, sketching a clump of shell–torn bodies on the gravel plain.

'What are you for?' said Torpenhow. The greeting of the correspondent is that of the commercial traveller on the road.

'My own hand,' said the young man, without looking up. 'Have you any tobacco?'

Torpenhow waited till the sketch was finished, and when he had looked at it said, 'What's your business here?'

'Nothing; there was a row, so I came. I'm supposed to be doing something down at the painting–slips among the boats, or else I'm in charge of the condenser on one of the water–ships. I've forgotten which.'

'You've cheek enough to build a redoubt with,' said Torpenhow, and took stock of the new acquaintance. 'Do you always draw like that?'

The young man produced more sketches. 'Row on a Chinese pig–boat,' said he, sententiously, showing them one after another.—'Chief mate dirked by a comprador.—Junk ashore off Hakodate.—Somali muleteer being flogged.—Star–shelled bursting over camp at Berbera.—Slave–dhow being chased round Tajurrah Bah.—Soldier lying dead in the moonlight outside Suakin.—throat cut by Fuzzies.'

'H'm!' said Torpenhow, 'can't say I care for Verestchagin–and–water myself, but there's no accounting for tastes. Doing anything now, are you?'

'No. I'm amusing myself here.'

Torpenhow looked at the sketches again, and nodded. 'Yes, you're right to take your first chance when you can get it.'

He rode away swiftly through the Gate of the Two War–Ships, rattled across the causeway into the town, and wired to his syndicate, 'Got man here, picture–work. Good and cheap. Shall I arrange? Will do letterpress with sketches.'

The man on the redoubt sat swinging his legs and murmuring, 'I knew the chance would come, sooner or later. By Gad, they'll have to sweat for it if I come through this business alive!'

In the evening Torpenhow was able to announce to his friend that the Central Southern Agency was willing to take him on trial, paying expenses for three months. 'And, by the way, what's your name?' said Torpenhow.

'Heldar. Do they give me a free hand?'

'They've taken you on chance. You must justify the choice. You'd better stick to me. I'm going up–country with a column, and I'll do what I can for you. Give me some of your sketches taken here, and I'll send 'em along.' To himself he said, 'That's the best bargain the Central southern has ever made; and they got me cheaply enough.'

So it came to pass that, after some purchase of horse–flesh and arrangements financial and political, Dick was made free of the New and Honourable Fraternity of war correspondents, who all possess the inalienable right of doing as much work as they can and getting as much for it as Providence and their owners shall please. To these things are added in time, if the brother be worthy, the power of glib speech that neither man nor woman can resist when a meal or a bed is in question, the eye of a horse–cope, the skill of a cook, the constitution of a bullock, the digestion of an ostrich, and an infinite adaptability to all circumstances. But many die before they attain to this degree, and the past–masters in the craft appear for the most part in dress–clothes when they are in England, and thus their glory is hidden from the multitude.

Dick followed Torpenhow wherever the latter's fancy chose to lead him, and between the two they managed to accomplish some work that almost satisfied themselves. It was not an easy life in any way, and under its influence the two were drawn very closely together, for they ate from the same dish, they shared the same water–bottle, and, most binding tie of all, their mails went off together. It was Dick who managed to make gloriously drunk a telegraph–clerk in a palm hut far beyond the Second Cataract, and, while the man lay in bliss on the floor, possessed himself of some laboriously acquired exclusive information, forwarded by a confiding correspondent of an opposition syndicate, made a careful duplicate of the matter, and brought the result to Torpenhow, who said that all was fair in love or war correspondence, and built an excellent descriptive article from his rival's riotous waste of words. It was Torpenhow who—but the tale of their adventures, together and apart, from Philae to the waste wilderness of Herawi and Muella, would fill many books. They had been penned into a square side by side, in deadly fear of being shot by over–excited soldiers; they had fought with baggage–camels in the chill dawn; they had jogged along in silence under blinding sun on indefatigable little Egyptian horses; and they had floundered on the shallows of the Nile when the whale–boat in which they had found a berth chose to hit a hidden rock and rip out half her bottom–planks.

Now they were sitting on the sand–bank, and the whale–boats were bringing up the remainder of the column.

'Yes,' said Torpenhow, as he put the last rude stitches into his over–long–neglected gear, 'it has been a beautiful business.'

'The patch or the campaign?' said Dick. 'Don't think much of either, myself.'

'You want the Euryalus brought up above the Third Cataract, don't you? and eighty–one–ton guns at Jakdul? Now, I'm quite satisfied with my breeches.' He turned round gravely to exhibit himself, after the manner of a clown.

'It's very pretty. Specially the lettering on the sack. G.B.T. Government Bullock Train. That's a sack from India.'

'It's my initials,—Gilbert Belling Torpenhow. I stole the cloth on purpose.

What the mischief are the camel–corps doing yonder?' Torpenhow shaded his eyes and looked across the scrub–strewn gravel.

A bugle blew furiously, and the men on the bank hurried to their arms and accoutrements.

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