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Джозеф Киплинг: The Light That Failed

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Джозеф Киплинг The Light That Failed

The Light That Failed: краткое содержание, описание и аннотация

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The Light That Failed is a haunting and powerful novel of human suffering, love and loss. In Dick Heldar, artist and journalist, we see a man struggling to rise above his cruel beginnings and neglected childhood to grasp at a chance for happiness in later life. However as his hopes slowly turn to dust, his determination and mental powers begin to drain away, and the onset of premature physical decline determines his final demise. In a shocking and tragic conclusion, Kipling completes his frighteningly realistic survey of physical and psychological breakdown.

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When Israel of the Lord believed Out of the land of bondage came.

He said them over and over thousands of times. The driver turned in the saddle to see if there were any chance of capturing the revolver and ending the ride. Dick roused, struck him over the head with the butt, and stormed himself wide awake. Somebody hidden in a clump of camel–thorn shouted as the camel toiled up rising ground. A shot was fired, and the silence shut down again, bringing the desire to sleep. Dick could think no longer. He was too tired and stiff and cramped to do more than nod uneasily from time to time, waking with a start and punching the driver with the pistol.

'Is there a moon?' he asked drowsily.

'She is near her setting.'

'I wish that I could see her. Halt the camel. At least let me hear the desert talk.'

The man obeyed. Out of the utter stillness came one breath of wind. It rattled the dead leaves of a shrub some distance away and ceased. A handful of dry earth detached itself from the edge of a rail trench and crumbled softly to the bottom.

'Go on. The night is very cold.'

Those who have watched till the morning know how the last hour before the light lengthens itself into many eternities. It seemed to Dick that he had never since the beginning of original darkness done anything at all save jolt through the air. Once in a thousand years he would finger the nailheads on the saddle–front and count them all carefully. Centuries later he would shift his revolver from his right hand to his left and allow the eased arm to drop down at his side. From the safe distance of London he was watching himself thus employed,—watching critically. Yet whenever he put out his hand to the canvas that he might paint the tawny yellow desert under the glare of the sinking moon, the black shadow of a camel and the two bowed figures atop, that hand held a revolver and the arm was numbed from wrist to collar–bone. Moreover, he was in the dark, and could see no canvas of any kind whatever.

The driver grunted, and Dick was conscious of a change in the air.

'I smell the dawn,' he whispered.

'It is here, and yonder are the troops. Have I done well?'

The camel stretched out its neck and roared as there came down wind the pungent reek of camels in the square.

'Go on. We must get there swiftly. Go on.'

'They are moving in their camp. There is so much dust that I cannot see what they do.'

'Am I in better case? Go forward.'

They could hear the hum of voices ahead, the howling and the bubbling of the beasts and the hoarse cries of the soldiers girthing up for the day.

Two or three shots were fired.

'Is that at us? Surely they can see that I am English,' Dick spoke angrily.

'Nay, it is from the desert,' the driver answered, cowering in his saddle.

'Go forward, my child! Well it is that the dawn did not uncover us an hour ago.'

The camel headed straight for the column and the shots behind multiplied. The children of the desert had arranged that most uncomfortable of surprises, a dawn attack for the English troops, and were getting their distance by snap–shots at the only moving object without the square.

'What luck! What stupendous and imperial luck!' said Dick. 'It's "just before the battle, mother." Oh, God has been most good to me!

Only'—the agony of the thought made him screw up his eyes for an instant—'Maisie…'

'Allahu! We are in,' said the man, as he drove into the rearguard and the camel knelt.

'Who the deuce are you? Despatches or what? What's the strength of the enemy behind that ridge? How did you get through?' asked a dozen voices. For all answer Dick took a long breath, unbuckled his belt, and shouted from the saddle at the top of a wearied and dusty voice, 'Torpenhow! Ohe, Torp! Coo–ee, Tor–pen–how.'

A bearded man raking in the ashes of a fire for a light to his pipe moved very swiftly towards that cry, as the rearguard, facing about, began to fire at the puffs of smoke from the hillocks around. Gradually the scattered white cloudlets drew out into the long lines of banked white that hung heavily in the stillness of the dawn before they turned over wave–like and glided into the valleys. The soldiers in the square were coughing and swearing as their own smoke obstructed their view, and they edged forward to get beyond it. A wounded camel leaped to its feet and roared aloud, the cry ending in a bubbling grunt. Some one had cut its throat to prevent confusion. Then came the thick sob of a man receiving his death–wound from a bullet; then a yell of agony and redoubled firing.

There was no time to ask any questions.

'Get down, man! Get down behind the camel!'

'No. Put me, I pray, in the forefront of the battle.' Dick turned his face to Torpenhow and raised his hand to set his helmet straight, but, miscalculating the distance, knocked it off. Torpenhow saw that his hair was gray on the temples, and that his face was the face of an old man.

'Come down, you damned fool! Dickie, come off!'

And Dick came obediently, but as a tree falls, pitching sideways from the Bisharin's saddle at Torpenhow's feet. His luck had held to the last, even to the crowning mercy of a kindly bullet through his head.

Torpenhow knelt under the lee of the camel, with Dick's body in his arms.

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