Vladimir Nabokov - Transparent things

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Returning to the correct level, we see Person's black raincoat on a hook and his charcoal-gray suitcoat over the back of a chair. Under the dwarf writing desk, full of useless drawers, in the northeastern corner of the lamplit room, the bottom of the wastepaper basket, recently emptied by the valet, retains a smudge of grease and a shred of paper napkin. The little spitz dog is asleep on the back seat of an Amilcar driven by the kennelman's wife back to Trux.

Person visited the bathroom, emptied his bladder, and thought of taking a shower, but she could come any moment now – if she came at all! He pulled on his smart turtleneck, and found a last antacid tablet in a remembered but not immediately located coat pocket (it is curious what difficulty some people have in distinguishing at one glance the right side from the left in a chaired jacket). She always said that real men had to be impeccably dressed, yet ought not to bathe too often. A male whiff from the gousset could, she said, be most attractive in certain confrontations, and only ladies and chambermaids should use deodorants. Never in his life had he waited for anybody or anything with such excitement. His brow was moist, he had the shakes, the corridor was long and silent, the few occupants of the hotel were mostly downstairs, in the lounge, chatting or playing cards, or just happily balancing on the soft brink of sleep. He bared the bed and rested his head on the pillow while the heels of his shoes were still in communication with the floor. Novices love to watch such fascinating trifles as the shallow hollow in a pillow as seen through a person's forehead, frontal bone, rippling brain, occipital bone, the back of the head, and its black hair. In the beginning of our always entrancing, sometimes terrifying, new being that kind of innocent curiosity (a child playing with wriggly refractions in brook water, an African nun in an arctic convent touching with delight the fragile clock of her first dandelion) is not unusual, especially if a person and the shadows of related matter are being followed from youth to death. Person, this person, was on the imagined brink of imagined bliss when Armande's footfalls approached – striking out both "imagined" in the proof's margin (never too wide for corrections and queries!). This is where the orgasm of art courses through the whole spine with incomparably more force than sexual ecstasy or metaphysical panic.

At this moment of her now indelible dawning through the limpid door of his room he felt the elation a tourist feels, when taking off and – to use a neo-Homeric metaphor – the earth slants and then regains its horizontal position, and practically in no spacetime we are thousands of feet above land, and the clouds (fleecy light clouds, very white, more or less widely separated) seem to lie on a flat sheet of glass in a celestial laboratory and, through this glass, far below it, bits of gingerbread earth show, a scarred hillside, a round indigo lake, the dark green of pine woods, the incrustations of villages. Here comes the air hostess bringing bright drinks, and she is Armande who has just accepted his offer of marriage though he warned her that she overestimated a lot of things, the pleasures of parties in New York, the importance of his job, a future inheritance, his uncle's stationery business, the mountains of Vermont – and now the airplane explodes with a roar and a retching cough.

Coughing, our Person sat up in asphyxiating darkness and groped for the light, but the click of the lamp was as ineffective as the attempt to move a paralyzed limb. Because the bed in his fourth-floor room had been in another, northern position, he now made for the door and flung it open instead of trying to escape, as he thought he could, through the window which stood ajar and banged wider as soon as a fatal draft carried in the smoke from the corridor.

The fire, fed first by oil-soaked rags planted in the basement and then helped up by lighter fluid judiciously sprayed here and there on stairs and walls, swept up rapidly through the hotel – although "fortunately," as the local paper was to put it next morning, "only a few people perished because only a few rooms happened to be occupied."

Now flames were mounting the stairs, in pairs, in trios, in redskin file, hand in hand, tongue after tongue, conversing and humming happily. It was not, though, the heat of their flicker, but the acrid dark smoke that caused Person to retreat back into the room; excuse me, said a polite flamelet holding open the door he was vainly trying to close. The window banged with such force that its panes broke into a torrent of rubies, and he realized before choking to death that a storm outside was aiding the inside fire.

At last, suffocation made him try to get out by climbing out and down, but there were no ledges or balconies on that side of the roaring house. As he reached the window a long lavender-tipped flame danced up to stop him with a graceful gesture of its gloved hand. Crumbling partitions of plaster and wood allowed human cries to reach him, and one of his last wrong ideas was that those were the shouts of people anxious to help him, and not the howls of fellow men. Rings of blurred colors circled around him, reminding him briefly of a childhood picture in a frightening book about triumphant vegetables whirling faster and faster around a nightshirted boy trying desperately to awake from the iridescent dizziness of dream life. Its ultimate vision was the incandescence of a book or a box grown completely transparent and hollow. This is, I believe, it: not the crude anguish of physical death but the incomparable pangs of the mysterious mental maneuver needed to pass from one state of being to another. Easy, you know, does it, son.

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