Бернард Маламуд - The Natural
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- Название:The Natural
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The Natural: краткое содержание, описание и аннотация
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Staring at the light gleaming on Pop’s bald bean, Roy felt himself going off… way way down, drifting through the tides into golden water as he searched for this lady fish, or mermaid, or whatever you called her. His eyes grew big in the seeking, first fish eyes, then bulbous frog eyes. Sailing lower into the pale green sea, he sought everywhere for the reddish glint of her scales, until the water became dense and dark green and then everything gradually got so black he lost all sight of where he was. When he tried to rise up into the light he couldn’t find it. He darted in all directions, and though there were times he saw flashes of her green tail, it was dark everywhere. He threshed up a storm of luminous bubbles but they gave out little light and he did not know where in all the glass to go.
Roy ripped open his lids and sprang up. He shoved his way out from between the benches.
The doctor was startled but made no attempt to stop him. Pop called out, “Hey, where do you think you’re going?”
“Out.”
“Sit down, dammit, you’re on the team.”
“I might be on the team but no medicine man is going to hypnotize me.”
“You signed a contract to obey orders,” Pop snapped shrilly.
“Yes, but not to let anybody monkey around in my mind.”
As he headed into the tunnel he heard Pop swear by his eight-foot uncle that nobody by the name of Roy Hobbs would ever play ball for him as long as he lived.
He had waited before… and he waited now, on a spikescuffed bench in the dugout, hidden from sky, wind and weather, from all but the dust that blew up from Knights Field and lodged dry in the throat, as the grass grew browner. And from time ticking off balls and strikes, batters up and out, halves and full innings, games won and (mostly) lost, days and nights, and the endless train miles from Philly, with in-between stops, along the arc to St. Louis, and circling back by way of Chi, Boston, Brooklyn… still waiting.
“C’mon, Roy,” Red had urged, “apologize to Pop, then the next time Knobb comes around, join the boys and everything will be okay.”
“Nix on that,” said Roy, “I don’t need a shyster quack to shoot me full of confidence juice. I want to go through on my own steam.”
“He only wants everybody to relax and be able to do their best.”
Roy shook his head. “I been a long time getting here and now that I am, I want to do it by myself, not with that kind of bunk.”
“Do what?” Red asked.
“What I have to do.”
Red shrugged and gave him up as too stubborn. Roy sat around, and though it said on his chest he was one of the team, he sat among them alone; at the train window, gazing at the moving trees, in front of his locker, absorbed in an untied shoe lace, in the dugout, squinting at the great glare of the game. He traveled in their company and dressed where they did but he joined them in nothing, except maybe batting practice, entering the cage with the lumber on his shoulder glistening like a leg bone in the sun and taking his chops at the pill. Almost always he hammered the swift, often murderous throws (the practice pitchers dumped their bag of tricks on him) deep into the stands, as the players watched and muttered at the swift flight of the balls, then forgot him when the game started. But there were days when the waiting got him. He could feel the strength draining from his bones, weakening him so he could hardly lift Wonderboy. He was unwilling to move then, for fear he would fall over on his puss and have to crawl away on all fours. Nobody noticed he did not bat when he felt this way except Pop; and Bump, seeing how white his face was, squirted contemptuous tobacco juice in the dust. Then when Roy’s strength ebbed back, he would once again go into the batters’ cage and do all sorts of marvelous things that made them watch in wonder.
He watched them and bad as he felt he had to laugh. They were a nutty bunch to begin with but when they were losing they were impossible. It was like some kind of sickness. They threw to the wrong bases, bumped heads together in the outfield, passed each other on the baselines, sometimes batted out of order, throwing both Pop and the ump into fits, and cussed everybody else for their mistakes. It was not uncommon to see them pile three men on a bag, or behold a catcher on the opposing team, in a single skip and jump, lay the tag on two of them as they came thundering together into home plate. Or watch Gabby Laslow, in a tight spot, freeze onto the ball, or Allie Stubbs get socked with it in the jaw, thrown by Olson on a steal as Allie admired a lady in the stands. Doc Knobb’s hypnotism cut down their jitters but it didn’t much help their coordination, yet when they were left unhypnotized for a few days, they were afflicted with more than the usual number of hexes and whammies and practiced all sorts of magic to undo them. To a man they crossed their fingers over spilled salt, or coffee or tea, or at the sight of a hearse. Emil Lajong did a backward flip whenever he located a cross-eyed fan in the stands. Olson hated a woman who wore the same drab brown-feathered hat every time she showed up. He spat through two fingers whenever he spotted her in the crowd. Bump went through his ritual with the colored threads in his socks and shorts. Pop sometimes stroked a rabbit’s foot. Red Blow never changed his clothes during a “winning streak,” and Flores secretly touched his genitals whenever a bird flew over his head.
They were not much different from the fans in the patched and peeling stands. On weekdays the stadium usually looked like a haunted house but over the weekend crowds developed. The place often resembled a zoo full of oddballs, including gamblers, bums, drunks, and some ugly crackpots. Many of them came just to get a laugh out of the bonehead plays. Some, when the boys were losing, cursed and jeered, showering them — whenever they came close enough — with rotten cabbages, tomatoes, blackened bananas and occasionally an eggplant. Yet let the umpire call a close play against the Knights and he became a target for pop bottles, beer cans, old shoes or anything that happened to be lying around loose. Surprisingly, however, a few players were chosen for affection and even admiration by their fans. Sadie Sutter, a girl of sixtyplus, who wore large flowered hats, bobby sox, and short skirts, showed her undying love for Dave Olson every time he came up to the plate by banging with all her might on a Chinese gong she dragged into the stadium every day. A Hungarian cook, a hearty man with a hard yellow straw hat jammed tight on his skull, hopped up on his seat and crowed like a rooster whenever Emil Lajong originated a double play. And there was a girl named Gloria from Mississippi, a washed-out flower of the vestibules, who between innings when her eyes were not on the game, lined up a customer or two for a quickie later. She gave her heart to Gabby, yelling, “Get a move on, mo-lasses,” to set him in motion after a fly ball. Besides these, there had appeared early in the present season, a pompous Otto P. Zipp, whose peevish loudspeaker could be heard all over the park, his self-chosen mission to rout the critics of Bump Baily, most of whom razzed the big boy for short legging on the other fielders. The dwarf honked a loud horn at the end of a two-foot walking stick, and it sounded as if a flock of geese had been let loose at the offenders, driving them — his purple curses ringing in their ears — to seek shelter in some hidden hole in the stands or altogether out of the ballpark. Zipp was present at every home game, sitting at the rail in short left field, and Bump made it his much publicized business, as he trotted out to his position at the start of the game, to greet him with a loud kiss on the forehead, leaving Otto in a state of creamy bliss.
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