Ambrose Bierce - The Collected Works of Ambrose Bierce — Volume II - In the Midst of Life - Tales of Soldiers and Civilians

To this depressing spot, drawn by some subtle influence he had sought neither to resist nor analyze, came Mr. Brentshaw. An altered man was Mr. Brentshaw. Five years of toil, anxiety, and wakefulness had dashed his black locks with streaks and patches of gray, bowed his fine figure, drawn sharp and angular his face, and debased his walk to a doddering shuffle. Nor had this lustrum of fierce contention wrought less upon his heart and intellect. The careless good humor that had prompted him to accept the trust of the dead man had given place to a fixed habit of melancholy. The firm, vigorous intellect had overripened into the mental mellowness of second childhood. His broad understanding had narrowed to the accommodation of a single idea; and in place of the quiet, cynical incredulity of former days, there was in him a haunting faith in the supernatural, that flitted and fluttered about his soul, shadowy, batlike, ominous of insanity. Unsettled in all else, his understanding clung to one conviction with the tenacity of a wrecked intellect. That was an unshaken belief in the entire blamelessness of the dead Gilson. He had so often sworn to this in court and asserted it in private conversation—had so frequently and so triumphantly established it by testimony that had come expensive to him (for that very day he had paid the last dollar of the Gilson estate to Mr. Jo. Bentley, the last witness to the Gilson good character)—that it had become to him a sort of religious faith. It seemed to him the one great central and basic truth of life—the sole serene verity in a world of lies.

On that night, as he seated himself pensively upon the prostrate monument, trying by the uncertain moonlight to spell out the epitaph which five years before he had composed with a chuckle that memory had not recorded, tears of remorse came into his eyes as he remembered that he had been mainly instrumental in compassing by a false accusation this good man's death; for during some of the legal proceedings, Mr. Harper, for a consideration (forgotten) had come forward and sworn that in the little transaction with his bay mare the deceased had acted in strict accordance with the Harperian wishes, confidentially communicated to the deceased and by him faithfully concealed at the cost of his life. All that Mr. Brentshaw had since done for the dead man's memory seemed pitifully inadequate—most mean, paltry, and debased with selfishness!

As he sat there, torturing himself with futile regrets, a faint shadow fell across his eyes. Looking toward the moon, hanging low in the west, he saw what seemed a vague, watery cloud obscuring her; but as it moved so that her beams lit up one side of it he perceived the clear, sharp outline of a human figure. The apparition became momentarily more distinct, and grew, visibly; it was drawing near. Dazed as were his senses, half locked up with terror and confounded with dreadful imaginings, Mr. Brentshaw yet could but perceive, or think he perceived, in this unearthly shape a strange similitude to the mortal part of the late Milton Gilson, as that person had looked when taken from The Tree five years before. The likeness was indeed complete, even to the full, stony eyes, and a certain shadowy circle about the neck. It was without coat or hat, precisely as Gilson had been when laid in his poor, cheap casket by the not ungentle hands of Carpenter Pete—for whom some one had long since performed the same neighborly office. The spectre, if such it was, seemed to bear something in its hands which Mr. Brentshaw could not clearly make out. It drew nearer, and paused at last beside the coffin containing the ashes of the late Mr. Gilson, the lid of which was awry, half disclosing the uncertain interior. Bending over this, the phantom seemed to shake into it from a basin some dark substance of dubious consistency, then glided stealthily back to the lowest part of the cemetery. Here the retiring flood had stranded a number of open coffins, about and among which it gurgled with low sobbings and stilly whispers. Stooping over one of these, the apparition carefully brushed its contents into the basin, then returning to its own casket, emptied the vessel into that, as before. This mysterious operation was repeated at every exposed coffin, the ghost sometimes dipping its laden basin into the running water, and gently agitating it to free it of the baser clay, always hoarding the residuum in its own private box. In short, the immortal part of the late Milton Gilson was cleaning up the dust of its neighbors and providently adding the same to its own.

Perhaps it was a phantasm of a disordered mind in a fevered body. Perhaps it was a solemn farce enacted by pranking existences that throng the shadows lying along the border of another world. God knows; to us is permitted only the knowledge that when the sun of another day touched with a grace of gold the ruined cemetery of Mammon Hill his kindliest beam fell upon the white, still face of Henry Brentshaw, dead among the dead.

Pushing his adventurous shins through the deep snow that had fallen overnight, and encouraged by the glee of his little sister, following in the open way that he made, a sturdy small boy, the son of Grayville's most distinguished citizen, struck his foot against something of which there was no visible sign on the surface of the snow. It is the purpose of this narrative to explain how it came to be there.

No one who has had the advantage of passing through Grayville by day can have failed to observe the large stone building crowning the low hill to the north of the railway station—that is to say, to the right in going toward Great Mowbray. It is a somewhat dull-looking edifice, of the Early Comatose order, and appears to have been designed by an architect who shrank from publicity, and although unable to conceal his work—even compelled, in this instance, to set it on an eminence in the sight of men—did what he honestly could to insure it against a second look. So far as concerns its outer and visible aspect, the Abersush Home for Old Men is unquestionably inhospitable to human attention. But it is a building of great magnitude, and cost its benevolent founder the profit of many a cargo of the teas and silks and spices that his ships brought up from the under-world when he was in trade in Boston; though the main expense was its endowment. Altogether, this reckless person had robbed his heirs-at-law of no less a sum than half a million dollars and flung it away in riotous giving. Possibly it was with a view to get out of sight of the silent big witness to his extravagance that he shortly afterward disposed of all his Grayville property that remained to him, turned his back upon the scene of his prodigality and went off across the sea in one of his own ships. But the gossips who got their inspiration most directly from Heaven declared that he went in search of a wife—a theory not easily reconciled with that of the village humorist, who solemnly averred that the bachelor philanthropist had departed this life (left Grayville, to wit) because the marriageable maidens had made it too hot to hold him. However this may have been, he had not returned, and although at long intervals there had come to Grayville, in a desultory way, vague rumors of his wanderings in strange lands, no one seemed certainly to know about him, and to the new generation he was no more than a name. But from above the portal of the Home for Old Men the name shouted in stone.

Despite its unpromising exterior, the Home is a fairly commodious place of retreat from the ills that its inmates have incurred by being poor and old and men. At the time embraced in this brief chronicle they were in number about a score, but in acerbity, querulousness, and general ingratitude they could hardly be reckoned at fewer than a hundred; at least that was the estimate of the superintendent, Mr. Silas Tilbody. It was Mr. Tilbody's steadfast conviction that always, in admitting new old men to replace those who had gone to another and a better Home, the trustees had distinctly in will the infraction of his peace, and the trial of his patience. In truth, the longer the institution was connected with him, the stronger was his feeling that the founder's scheme of benevolence was sadly impaired by providing any inmates at all. He had not much imagination, but with what he had he was addicted to the reconstruction of the Home for Old Men into a kind of "castle in Spain," with himself as castellan, hospitably entertaining about a score of sleek and prosperous middle-aged gentlemen, consummately good-humored and civilly willing to pay for their board and lodging. In this revised project of philanthropy the trustees, to whom he was indebted for his office and responsible for his conduct, had not the happiness to appear. As to them, it was held by the village humorist aforementioned that in their management of the great charity Providence had thoughtfully supplied an incentive to thrift. With the inference which he expected to be drawn from that view we have nothing to do; it had neither support nor denial from the inmates, who certainly were most concerned. They lived out their little remnant of life, crept into graves neatly numbered, and were succeeded by other old men as like them as could be desired by the Adversary of Peace. If the Home was a place of punishment for the sin of unthrift the veteran offenders sought justice with a persistence that attested the sincerity of their penitence. It is to one of these that the reader's attention is now invited.