Lawrence Durrell - The Alexandria Quartet

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The Alexandria Quartet by Lawrence Durrell
Justine first published in 1957 Balthazar first published in 1958 Mountolive first published in 1958 Clea first published in 1960

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Somewhere in that black hinterland of smashed and tumbled masonry, of abandoned and disembowelled houses, was a small garden with a tomb in it marking the site which was the sum and meaning of this riot. And here, before a glimmering taper would be read a Christian prayer for a Christian saint, while all around rode the dark press and flood of Alexandria. The dozen faiths and religions shared a celebration which time had sanctified, which was made common to all and dedicated to a season and a landscape, completely obliterating its canon referents in lore and code. To a religious country all religions were one and while the faithful uttered prayers for a chosen saint, the populace enjoyed the fair which had grown up around the celebration, a rocking carnival of light and music.

And through it all (sudden reminders of the city itself and the full-grown wants and powers of a great entrepфt ) came the whistle of steam-engines from the dark goods-yards or a sniff of sound from the siren of a liner, negotiating the tortuous fairways of the harbour as it set off for India. The night accommodated them all — a prostitute singing in the harsh chipped accents of the land to the gulp and spank of a finger-drum, the cries of children on the swings and sweating roundabouts and goose-nests, the cock-shies and snake—charmers, the freaks (Zubeida the bearded woman and the calf with five legs), the great canvas theatre outside which the muscle-dancers stood, naked except for loin-cloths, to advertise their skill, and motionless, save for the incredible rippling of their bodies — the flickering and toiling of pectoral, abdominal and dorsal muscles, deceptive as summer lightning.

Narouz was rapt and looked about him with the air of a drunkard, revelling in it all, letting his footsteps follow the haphazard meanderings of this township of light. At the end of one long gallery, having laughingly shaken off the grasp of a dozen girls who plied their raucous trade in painted canvas booths among the stalls, he came to the brilliantly lighted circumcision booths of which the largest and most colourful was that of Abdul’s master, Mahmoud Enayet Allah, splendid with lurid cartoons of the ceremony, painted and framed, and from whose lintel hung a great glass jar cloying with leeches. The doyen himself was there tonight, haranguing the crowd and promising free circumcision to any of the faithful too poor to pay the ordinary fee. His great voice rolled out and boomed, while his two assistants stood at attention behind the ancient brass-bound shoe-black’s chair with their razors at the alert. Inside the booth, two elderly men in dark suits sipped coffee with the air of philologists at a congress.

Business was slack. ‘Come along, come along, be purified, ye faithful’ boomed the old man, his thumbs behind the lapels of his ancient frock-coat, the sweat pouring down his face under his red tarbush. A little to one side, rapt in the performance of his trade sat a cousin of Mahmoud, tattooing the breast of a magnificentlooking male prostitute whose oiled curls hung down his back and whose eyes and lips were heavily painted. A glass panel of great brilliance hung beside him, painted with a selection of designs from which his clients could choose — purely geometric for Moslems, or Texts, or the record of a vow, or simply beloved names.

Touch by touch he filled in the pores of his subject’s skin, like a master of needlecraft, smiling from time to time as if at a private joke, building up his pointilliste picture while the old doyen roared and boomed from the step above him ‘Come along, come along, ye faithful!’ Narouz bent to the tattooist and said in a hoarse voice: ‘Is the Magzub here tonight?’ and the man raised his startled eye and paused. ‘Yes’ he said, ‘I think. By the tombs.’ Narouz thanked him and turned back once more to the crowded booths, picking his way haphazardly among the narrow thoroughfares until he reached the outskirts of the light. Somewhere ahead of him in the darkness lay a small cluster of abandoned shrines shadowed by leaning palms, and here the gaunt and terrible figure of the famous religious maniac stood, shooting out the thunderbolts of hypnotic personality on to a fearful but fascinated crowd.

Even Narouz shuddered as he gazed upon that ravaged face, the eyes of which had been painted with crayon so that they looked glaring, inhuman, like the eyes of a monster in a cartoon. The holy man hurled oaths and imprecations at the circle of listeners, his fingers curling and uncurling into claws as he worked upon them, dancing this way and that like a bear at bay, turning and twirling, advancing and retreating upon the crowd with grunts and roars and screams until it trembled before him, fascinated by his powers. He had ‘come already into his hour’, as the Arabs say, and the power of the spirit had filled him.

The holy man stood in an island of the fallen bodies of those he had hypnotized, some crawling about like scorpions, some screaming or bleating like goats, some braying. From time to time he would leap upon one of them uttering hideous screams and ride him across the ring, thrashing at his buttocks like a maniac, and then suddenly turning, with the foam bursting from between his teeth, he would dart into the crowd and pick upon some unfortunate victim, shouting: ‘Are you mocking me?’ and catching him by his nose or an ear or an arm, drag him with superhuman force into the ring where with a sudden quick pass of his talons he would ‘kill his light’ and hurl him down among the victims already crawling about in the sand at his feet, to utter shrill cries for mercy which were snuffled out by the braying and hooting of those already under his spell. One felt the power of his personality shooting out into the tense crowd like sparks from an anvil.

Narouz sat down on a tombstone to watch, in the darkness outside the circle. ‘Fiends, unclean ones’ shrieked the Magzub, thrusting forward his talons so that the circle gave before each onslaught.

‘You and You and You and You’ his voice rising to a terrible roar.

He feared and respected no-one when he was ‘in his hour’.

A respectable-looking sheik with the green turban which proclaimed him to be of the seed of the Prophet was walking across the outskirts of the crowd when the Magzub caught sight of him and with flying robes burst through the crowd to the old man’s side, shouting: ‘He is impure.’ The old sheik turned upon his accuser with angry eyes and started to expostulate, but the fanatic thrust his face close to him and sank those terrible eyes into him. The old sheik suddenly went dull, his head wobbled on his neck and with a shout the Magzub had him down on all fours, grunting like a boar, and dragged him by the turban to hurl him among the others. ‘Enough’ cried the crowd, outraged at this indifference to a man of holiness, but the Magzub twisted round and with flickering fingers rushed back towards the crowd, shrieking: ‘Who cries

“enough”, who cries “enough”?’ And now, obedient to the commands of this terrible nightmaremystic, the old sheik rose to his feet and began to perform a lonely little ceremonial dance, crying in thin bird-like tones: ‘Allah.

Allah!’ as he trod a shaky measure round the circle of bodies, his voice suddenly breaking into the choking cries of a dying animal.

‘Desist’ called the crowd, ‘desist, O Magzub.’ And the hypnotist made a few blunt passes and thrust the old sheik out of the ring, heaping horrible curses upon him.

The old man staggered and recovered himself. He was wide awake now and seemed little the worse for his experience. Narouz came to his side as he was readjusting his turban and dusting his robes. He saluted him and asked him the name of the Magzub, but the old sheik did not know. ‘But he is a very good man, a holy man’ he said. ‘He was once alone in the desert for years.’ He walked serenely off into the night and Narouz went back to his tombstone to meditate on the beauty of his surroundings and to wait until he might approach the Magzub whose animal shrieks still sounded upon the night, piercing the blank hubbub of the fair and the drone of the holy men from some nearby shrine. He had as yet not decided how best to deal with the strange personage of the darkness. He waited upon the event, meditating.

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