Djuna Barnes - Nightwood

Nora turned around, and speaking in a voice that she tried to make steady said: ‘Once, when she was sleeping, I wanted her to die. Now, that would stop nothing.’

The doctor, nodding, straightened his tie with two fingers. ‘The number of our days is not check rein enough to look upon the death of our love. While living we knew her too well, and never understood, for then our next gesture permitted our next misunderstanding. But death is intimacy walking backward. We are crazed with grief when she, who once permitted us, leaves to us the only recollection. We shed tears of bankruptcy then. So it’s well she didn’t.’ He sighed. ‘You are still in trouble—I thought you had put yourself outside of it. I might have known better, nothing is what everybody wants, the world runs on that law. Personally, if I could, I would instigate Meat-Axe Day, and out of the goodness of my heart I would whack your head off along with a couple of others. Every man should be allowed one day and a hatchet just to ease his heart.’

She said: ‘What will happen now, to me and to her?’

‘Nothing,’ the doctor answered, ‘as always. We all go down in battle, but we all come home.’

She said: ‘I can only find her again in my sleep or in her death; in both she has forgotten me.’

‘Listen,’ the doctor said, putting down his glass. ‘My war brought me many things; let yours bring you as much. Life is not to be told, call it as loud as you like, it will not tell itself. No one will be much or little except in someone else’s mind, so be careful of the minds you get into, and remember Lady Macbeth, who had her mind in her hand. We can’t all be as safe as that.’

Nora got up nervously and began walking. ‘I’m so miserable, Matthew, I don’t know how to talk, and I’ve got to. I’ve got to talk to somebody. I can’t live this way.’ She pressed her hands together, and, without looking at the doctor, went on walking.

‘Have you any more port?’ he inquired, putting the empty bottle down. Mechanically, Nora brought him a second decanter. He took the stopper out, held it to his nose a moment, then poured himself a glass.

‘You are’, he said, testing the wine between his lower lip and teeth, ‘experiencing the inbreeding of pain. Most of us do not dare it. We wed a stranger, and so “solve” our problem. But when you inbreed with suffering (which is merely to say that you have caught every disease and so pardoned your flesh) you are destroyed back to your structure as an old master disappears beneath the knife of the scientist who would know how it was painted. Death I imagine will be pardoned by the same identification; we all carry about with us the house of death, the skeleton, but unlike the turtle our safety is inside, our danger out. Time is a great conference planning our end, and youth is only the past putting a leg forward. Ah, to be able to hold on to suffering, but to let the spirit loose! And speaking of being destroyed, allow me to illustrate by telling you of one dark night in London, when I was hurrying along, my hands before me, praying I’d get home and into bed and wake up in the morning without finding my hands on my hips. So I started for London Bridge—all this was a long time ago, and I’d better be careful or one of these days I’ll tell a story that will give up my age.

‘Well, I went off under London Bridge and what should I see? A Tuppeny Upright! And do you know what a Tuppeny Upright might be? A Tuppeny is an old-time girl, and London Bridge is her last stand, as the last stand for a grue is Marseilles, if she doesn’t happen to have enough pocket money to get to Singapore. For tuppence, an upright is all anyone can expect. They used to walk along slowly, all ruffles and rags, with big terror hats on them, a pin stuck over the eye and slap up through the crown, half their shadows on the ground and the other half crawling along the wall beside them; ladies of the haute sewer taking their last stroll, sauntering on their last Rotten Row, going slowly along in the dark, holding up their badgered flounces, or standing still, silent and as indifferent as the dead, as if they were thinking of better days, or waiting for something that they had been promised when they were little girls; their poor damned dresses hiked up and falling away over the rump, all gathers and braid, like a Crusader’s mount, with all the trappings gone sideways with misery.’

While the doctor had been speaking Nora had stopped, as if he had got her attention for the first time.

‘And once Father Lucas said to me, “Be simple, Matthew, life is a simple book, and an open book, read and be simple as the beasts in the field; just being miserable isn’t enough—you have got to know how.” So I got to thinking and I said to myself, “This is a terrible thing that Father Lucas has put on me—be simple like the beasts and yet think and harm nobody.” I began walking then. It had begun to snow and the night was down. I went toward the Ile , because I could see the lights in the show-windows of Our Lady and all the children in the dark with the tapers twinkling, saying their prayers softly with that small breath that comes off little lungs, whispering fatally about nothing, which is the way children say their prayers. Then I said, “Matthew, tonight you must find a small church where there are no people, where you can be alone like an animal, and yet think.” So I turned off and went down until I came to St. Merri and I went forward and there I was. All the candles were burning steadily for the troubles that people had entrusted to them and I was almost alone, only in a far corner an old peasant woman saying her beads.

‘So I walked straight up to the box for the souls in Purgatory, just to show that I was a true sinner, in case there happened to be a Protestant about. I was trying to think which of my hands was the more blessed, because there’s a box in the Raspail that says the hand you give with to the Little Sisters of the Poor, that will be blessed all day. I gave it up, hoping it was my right hand. Kneeling in a dark corner, bending my head over and down, I spoke to Tiny O’Toole, because it was his turn, I had tried everything else. There was nothing for it this time but to make him face the mystery so it could see him clear as it saw me. So then I whispered, “What is this thing, Lord?” And I began to cry; the tears went like rain goes down on the world, without touching the face of Heaven. Suddenly I realized that it was the first time in my life my tears were strange to me, because they just went straight forward out of my eyes; I was crying because I had to embarrass Tiny like that for the good it might do him.

‘I was crying and striking my left hand against the prie-Dieu, and all the while Tiny O’Toole was lying in a swoon. I said, “I have tried to seek, and I only find.” I said, “It is I, my Lord, who know there’s beauty in any permanent mistakes like me. Haven’t I said it so? But", I says, “I’m not able to stay permanent unless you help me, oh Book of Concealment! C’est le plaisir qui me bouleversé ! The roaring lion goes forth, seeking his own fury! So tell me, what is permanent of me, me or him?” And there I was in the empty, almost empty church, all the people’s troubles flickering in little lights all over the place. And I said, “This would be a fine world, Lord, if you could get everybody out of it.” And there I was holding Tiny, bending over and crying, asking the question until I forgot, and went on crying, and I put Tiny away then, like a ruined bird, and went out of the place and walked looking at the stars that were twinkling, and I said, “Have I been simple like an animal, God, or have I been thinking?"’

She smiled. ‘Sometimes I don’t know why I talk to you. You’re so like a child; then again I know well enough.’