Jack London - White Fang

«You may be a number one, tip-top minin' expert, all right all right,» the dog-musher delivered himself oracularly, «but you missed the chance of your life when you was a boy an' didn't run off an' join a circus.»

White Fang snarled at the sound of his voice, but this time did not leap away from under the hand that was caressing his head and the back of his neck with long, soothing strokes.

It was the beginning of the end for White Fang-the ending of the old life and the reign of hate. A new and incomprehensibly fairer life was dawning. It required much thinking and endless patience on the part of Weedon Scott to accomplish this. And on the part of White Fang it required nothing less than a revolution. He had to ignore the urges and promptings of instinct and reason, defy experience, give the lie to life itself.

Life, as he had known it, not only had had no place in it for much that he now did; but all the currents had gone counter to those to which he now abandoned himself. In short, when all things were considered, he had to achieve an orientation far vaster than the one he had achieved at the time he came voluntarily in from the Wild and accepted Grey Beaver as his lord. At that time he was a mere puppy, soft from the making, without form, ready for the thumb of circumstance to begin its work upon him. But now it was different. The thumb of circumstance had done its work only too well. By it he had been formed and hardened into the Fighting Wolf, fierce and implacable, unloving and unlovable. To accomplish the change was like a reflux of being, and this when the plasticity of youth was no longer his; when the fibre of him had become tough and knotty; when the warp and the woof of him had made of him an adamantine texture, harsh and unyielding; when the face of his spirit had become iron and all his instincts and axioms had crystallised into set rules, cautions, dislikes, and desires.

Yet again, in this new orientation, it was the thumb of circumstance that pressed and prodded him, softening that which had become hard and remoulding it into fairer form. Weedon Scott was in truth this thumb. He had gone to the roots of White Fang's nature, and with kindness touched to life potencies that had languished and well-nigh perished. One such potency was LOVE. It took the place of LIKE, which latter had been the highest feeling that thrilled him in his intercourse with the gods.

But this love did not come in a day. It began with LIKE and out of it slowly developed. White Fang did not run away, though he was allowed to remain loose, because he liked this new god. This was certainly better than the life he had lived in the cage of Beauty Smith, and it was necessary that he should have some god. The lordship of man was a need of his nature. The seal of his dependence on man had been set upon him in that early day when he turned his back on the Wild and crawled to Grey Beaver's feet to receive the expected beating. This seal had been stamped upon him again, and ineradicably, on his second return from the Wild, when the long famine was over and there was fish once more in the village of Grey Beaver.

And so, because he needed a god and because he preferred Weedon Scott to Beauty Smith, White Fang remained. In acknowledgment of fealty, he proceeded to take upon himself the guardianship of his master's property. He prowled about the cabin while the sled-dogs slept, and the first night-visitor to the cabin fought him off with a club until Weedon Scott came to the rescue. But White Fang soon learned to differentiate between thieves and honest men, to appraise the true value of step and carriage. The man who travelled, loud-stepping, the direct line to the cabin door, he let alone-though he watched him vigilantly until the door opened and he received the endorsement of the master. But the man who went softly, by circuitous ways, peering with caution, seeking after secrecy-that was the man who received no suspension of judgment from White Fang, and who went away abruptly, hurriedly, and without dignity.

Weedon Scott had set himself the task of redeeming White Fang-or rather, of redeeming mankind from the wrong it had done White Fang. It was a matter of principle and conscience. He felt that the ill done White Fang was a debt incurred by man and that it must be paid. So he went out of his way to be especially kind to the Fighting Wolf. Each day he made it a point to caress and pet White Fang, and to do it at length.

At first suspicious and hostile, White Fang grew to like this petting. But there was one thing that he never outgrew-his growling. Growl he would, from the moment the petting began till it ended. But it was a growl with a new note in it. A stranger could not hear this note, and to such a stranger the growling of White Fang was an exhibition of primordial savagery, nerve-racking and blood-curdling. But White Fang's throat had become harsh– fibred from the making of ferocious sounds through the many years since his first little rasp of anger in the lair of his cubhood, and he could not soften the sounds of that throat now to express the gentleness he felt. Nevertheless, Weedon Scott's ear and sympathy were fine enough to catch the new note all but drowned in the fierceness-the note that was the faintest hint of a croon of content and that none but he could hear.

As the days went by, the evolution of LIKE into LOVE was accelerated. White Fang himself began to grow aware of it, though in his consciousness he knew not what love was. It manifested itself to him as a void in his being-a hungry, aching, yearning void that clamoured to be filled. It was a pain and an unrest; and it received easement only by the touch of the new god's presence. At such times love was joy to him, a wild, keen-thrilling satisfaction. But when away from his god, the pain and the unrest returned; the void in him sprang up and pressed against him with its emptiness, and the hunger gnawed and gnawed unceasingly.

White Fang was in the process of finding himself. In spite of the maturity of his years and of the savage rigidity of the mould that had formed him, his nature was undergoing an expansion. There was a burgeoning within him of strange feelings and unwonted impulses. His old code of conduct was changing. In the past he had liked comfort and surcease from pain, disliked discomfort and pain, and he had adjusted his actions accordingly. But now it was different. Because of this new feeling within him, he ofttimes elected discomfort and pain for the sake of his god. Thus, in the early morning, instead of roaming and foraging, or lying in a sheltered nook, he would wait for hours on the cheerless cabin-stoop for a sight of the god's face. At night, when the god returned home, White Fang would leave the warm sleeping-place he had burrowed in the snow in order to receive the friendly snap of fingers and the word of greeting. Meat, even meat itself, he would forego to be with his god, to receive a caress from him or to accompany him down into the town.

LIKE had been replaced by LOVE. And love was the plummet dropped down into the deeps of him where like had never gone. And responsive out of his deeps had come the new thing-love. That which was given unto him did he return. This was a god indeed, a love-god, a warm and radiant god, in whose light White Fang's nature expanded as a flower expands under the sun.

But White Fang was not demonstrative. He was too old, too firmly moulded, to become adept at expressing himself in new ways. He was too self-possessed, too strongly poised in his own isolation. Too long had he cultivated reticence, aloofness, and moroseness. He had never barked in his life, and he could not now learn to bark a welcome when his god approached. He was never in the way, never extravagant nor foolish in the expression of his love. He never ran to meet his god. He waited at a distance; but he always waited, was always there. His love partook of the nature of worship, dumb, inarticulate, a silent adoration. Only by the steady regard of his eyes did he express his love, and by the unceasing following with his eyes of his god's every movement. Also, at times, when his god looked at him and spoke to him, he betrayed an awkward self-consciousness, caused by the struggle of his love to express itself and his physical inability to express it.