Владимир Набоков - Lolita

“Oh, he knows that ” (mocking me).

“Anyway,” I said, giving up, “I have seen his face now. He is not pretty. He looks exactly like a relative of mine called Trapp.”

“Perhaps he is Trapp. If I were youOh, look, all the nines are changing into the next thousand. When I was a little kid,” she continued unexpectedly, “I used to think they’d stop and go back to nines, if only my mother agreed to put the car in reverse.”

It was the first time, I think, she spoke spontaneously of her pre-Humbertian childhood; perhaps, the theatre had taught her that trick; and silently we traveled on, unpursued.

but next day, like pain in a fatal disease that comes back as the drug and hope wear off, there it was again behind us, that glossy red beast. The traffic on the highway was light that day; nobody passed anybody; and nobody attempted to get in between our humble blue car and its imperious red shadowas if there were some spell cast on that interspace, a zone of evil mirth and magic, a zone whose very precision and stability had a glass-like virtue that was almost artistic. The driver behind me, with his stuffed shoulders and Trappish mustache, looked like a display dummy, and his convertible seemed to move only because an invisible rope of silent silk connected it with out shabby vehicle. We were many times weaker than his splendid, lacquered machine, so that I did not even attempt to outspeed him. O lente currite noctis equi! O softly run, nightmares! We climbed long grades and rolled downhill again, and heeded speed limits, and spared slow children, and reproduced in sweeping terms the black wiggles of curves on their yellow shields, and no matter how and where we drove, the enchanted interspace slid on intact, mathematical, mirage-like, the viatic counterpart of a magic carpet. And all the time I was aware of a private blaze on my right: her joyful eye, her flaming cheek.

A traffic policeman, deep in the nightmare of crisscross streetsat half-past-four p.m. in a factory townwas the hand of chance that interrupted the spell. He beckoned me on, and then with the same hand cut off my shadow. A score of cars were launched in between us, and I sped on, and deftly turned into a narrow lane. A sparrow alighted with a jumbo bread crumb, was tackled by another, and lost the crumb.

When after a few grim stoppages and a bit of deliberate meandering, I returned to the highway, our shadow had disappeared.

Lola snorted and said: “If he is what you think he is, how silly to give him the slip.”

“I have other notions by now,” I said.

“You shouldahcheck them byahkeeping in touch with him, fahther deah,” said Lo, writhing in the coils of her own sarcasm. “Gee, you are mean,” she added in her ordinary voice.

We spent a grim night in a very foul cabin, under a sonorous amplitude of rain, and with a kind of prehistorically loud thunder incessantly rolling above us.

“I am not a lady and do not like lightning,” said Lo, whose dread of electric storms gave me some pathetic solace.

We had breakfast in the township of Soda, pop. 1001.

“Judging by the terminal figure,” I remarked, “Fatface is already here.”

“Your humor,” said Lo, “is sidesplitting, deah fahther.”

We were in sage-brush country by that time, and there was a day or two of lovely release (I had been a fool, all was well, that discomfort was merely a trapped flatus), and presently the mesas gave way to real mountains, and, on time, we drove into Wace.

Oh, disaster. Some confusion had occurred, she had misread a date in the Tour Book, and the Magic Cave ceremonies were over! She took it bravely, I must admitand, when we discovered there was in jurortish Wace a summer theatre in full swing, we naturally drifted toward it one fair mid-June evening. I really could not tell you the plot of the play we saw. A trivial affair, no doubt, with self-conscious light effects and a mediocre leading lady. The only detail that pleased me was a garland of seven little graces, more or less immobile, prettily painted, barelimbedseven bemused pubescent girls in colored gauze that had been recruited locally (judging by the partisan flurry here and there among the audience) and were supposed to represent a living rainbow, which lingered throughout the last act, and rather teasingly faded behind a series of multiplied veils. I remember thinking that this idea of children-colors had been lifted by authors Clare Quilty and Vivian Darkbloom from a passage in James Joyce, and that two of the colors were quite exasperatingly lovelyOrange who kept fidgeting all the time, and Emerald who, when her eyes got used to the pitch-black pit where we all heavily sat, suddenly smiled at her mother or her protector.

As soon as the thing was over, and manual applausea sound my nerves cannot standbegan to crash all around me, I started to pull and push Lo toward the exit, in my so natural amorous impatience to get her back to our neon-blue cottage in the stunned, starry night: I always say nature is stunned by the sights she sees. Dolly-Lo, however, lagged behind, in a rosy daze, her pleased eyes narrowed, her sense of vision swamping the rest of her senses to such an extent that her limp hands hardly came together at all in the mechanical action of clapping they still went through. I had seen that kind of thing in children before but, by God, this was a special child, myopically beaming at the already remote stage where I glimpsed something of the joint authorsa man’s tuxedo and the bare shoulders of a hawk-like, black-haired, strikingly tall woman.

“You’ve again hurt my wrist, you brute,” said Lolita in a small voice as she slipped into her car seat.

“I am dreadfully sorry, my darling, my own ultraviolet darling,” I said, unsuccessfully trying to catch her elbow, and I added, to change the conversationto change the direction of fate, oh God, oh God: “Vivian is quite a woman. I am sure we saw her yesterday in that restaurant, in Soda pop.”

“Sometimes,” said Lo, “you are quite revoltingly dumb. First, Vivian is the male author, the gal author is Clare; and second, she is forty, married and has Negro blood.”

“I thought,” I said kidding her, “Quilty was an ancient flame of yours, in the days when you loved me, in sweet old Ramsdale.”

“What?” countered Lo, her features working. “that fat dentist? You must be confusing me with some other fast little article.”

And I thought to myself how those fast little articles forget everything, everything, while we, old lovers, treasure every inch of their nymphancy.

With Lo’s knowledge and assent, the two post offices given to the Beardsley postmaster as forwarding addresses were P.O. Wace and P.O. Elphinstone. Next morning we visited the former and had to wait in a short but slow queue. Serene Lo studied the rogues’ gallery. Handsome Bryan Bryanski, alias Anthony Bryan, alias Tony Brown, eyes hazel, complexion fair, was wanted for kidnapping. A sad-eyed old gentleman’s faux-pas was mail fraud, and, as if that were not enough, he was cursed with deformed arches. Sullen Sullivan came with a caution: Is believed armed, and should be considered extremely dangerous. If you want to make a movie out of my book, have one of these faces gently melt into my own, while I look. And moreover there was a smudgy snapshot of a Missing Girl, age fourteen, wearing brown shoes when last seen, rhymes. Please notify Sheriff Buller.

I forget my letters; as to Dolly’s, there was her report and a very special-looking envelope. This I deliberately opened and perused its contents. I concluded I was doing the foreseen since she did not seem to mind and drifted toward the newsstand near the exit.

“Dolly-Lo: Well, the play was a grand success. All three hounds lay quiet having been slightly drugged by Cutler, I suspect, and Linda knew all your lines. She was fine, she had alertness and control, but lacked somehow the responsiveness, the relaxed vitality, the charm of my and the author’sDiana; but there was no author to applaud us as last time, and the terrific electric storm outside interfered with our own modest offstage thunder. Oh dear, life does fly. Now that everything is over, school, play, the Roy mess, mother’s confinement (our baby, alas, did not live!), it all seems such a long time ago, though practically I still bear traces of the paint.