Amy Brashear - The Incredible True Story of the Making of the Eve of Destruction

Здесь есть возможность читать онлайн «Amy Brashear - The Incredible True Story of the Making of the Eve of Destruction» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2018, ISBN: 2018, Издательство: Soho Teen, Жанр: Историческая проза, ya, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

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Arkansas, 1984: The town of Griffin Flat is known for almost nothing other than its nuclear missile silos. MAD—Mutually Assured Destruction—is a fear every local lives with and tries to ignore. Unfortunately that’s impossible now that film moguls have picked Griffin Flat as the location for a new nuclear holocaust movie, aptly titled The Eve of Destruction.
When sixteen-year-old Laura Ratliff wins a walk-on role (with a plus-one!) thanks to a radio call-in contest, she is more relieved than excited. Mingling with Hollywood stars on the set of a phony nuclear war is a perfect distraction from being the only child in her real nuclear family—which has also been annihilated. Her parents are divorced. Her mother has recently married one of the only African-American men in town. Her father, an officer in the Strategic Air Command, is absent… except when he phones at odd hours to hint at an impending catastrophe. But isn’t that his job?
Laura’s only real friend is her new stepbrother, Terrence. She picks him as her plus-one for the film shoot, enraging her fair-weather friends. But their anger is nothing compared to what happens on set after the scripted nuclear explosion. Because nobody seems to know if a real nuclear bomb has detonated or not.

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ACCIDENT WAIVER AND
RELEASE OF LIABILITY FORM

I HEREBY ASSUME ALL OF THE RISKS OF PARTICIPATING IN ANY/ALL ACTIVITIES ASSOCIATED WITH THIS FILM, including by way of example and not limited to, any risks that may arise from negligence or carelessness on the part of the persons or entities being released, from dangerous or defective equipment or property owned, maintained, or controlled by them, or because of their possible liability without fault.

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(A) I WAIVE, RELEASE, AND DISCHARGE from any and all liability, including but not limited to liability arising from the negligence or fault of the entities or persons released, for my death, disability, personal injury, property damage, property theft, or actions of any kind which may hereafter occur to me including my traveling to and from this activity, THE FOLLOWING ENTITIES OR PERSONS: Economy Pictures, BC-AD Productions, Albert Burg Films and/or their directors, officers, employees, volunteers, representatives, and agents, and the activity holders, sponsors, and volunteers;

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I CERTIFY THAT I HAVE READ THIS DOCUMENT AND I FULLY UNDERSTAND ITS CONTENT. I AM AWARE THAT THIS IS A RELEASE OF LIABILITY AND A CONTRACT AND I SIGN IT OF MY OWN FREE WILL.

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(If under 18 years old, Parent or Guardian must also sign.)

Chapter Twelve

Dad forgot to call on Thanksgiving, even though he’d said he would. I didn’t hear from him until late Saturday night. The phone woke up Dennis, who ran to the kitchen. I knew this because I heard him curse when he stubbed his toe on the sofa table, the one Mom bought on sale on Black Friday. [40] 40 Since 1952, it is regarded as the beginning of the Christmas shopping season. It helps stores get back in the black after being in the red all year.

“Oh, thank God. Danny, I thought something had happened to Terrence,” he said.

I hesitated upstairs, standing outside my bedroom, listening.

“I’ll get her,” Dennis said, He jumped, seeing me hurrying down the stairs. “It’s your dad.” As we passed each other, he put his index finger over his mouth and went back to bed.

Thank goodness it wasn’t Mom who answered the phone. The yelling would have woken up the entire neighborhood.

Dennis told me right after the wedding ceremony, during the reception in fact, that stepdads were better than real dads because they stepped up when real dads stepped down. I smiled and didn’t believe him. But lately—

“Ladybug,” Dad said. The worst nickname ever . “I’m sorry”—the two words he always started off with in a conversation with me—“I know I was supposed to call”— but —“but things have been”— chaotic… insane… busy… choose your own word in place —“it’s been—”

Dad was slipping in his excuses. I could have sworn I heard someone yell his name. Maybe his train of thought was off, or maybe the explanations were running thin, but it was like his mind was elsewhere.

“Dad, is everything okay?” I asked.

“Of course, Ladybug,” he said, though his voice was shaky.

“You can tell me anything.”

“Ladybug, you’re better off not knowing some things.”

“Sergeant!” I could hear the man clearly that time.

Dad sighed. “Ladybug, I’m sorry but I’ve got to go—”

“Dad, you seem worried.”

“I am.”

The dial tone clicked, and I stood there in the kitchen, staring at my mom, who was staring at me with her arms crossed and her foot tapping.

“Your dad,” she said, but it was more of a statement than a question.

“Yes.”

“I should have known. He has no concept of time.”

Chapter Thirteen

The lingering smell of the rotting pumpkins set the mood—at least for me. The Harvest Party/Welcome Party had waited until after Thanksgiving to address the task of Halloween cleanup. Typical. Every other local was gushing over the invited guests. The ones who’d shown, anyway. Director Norman Edman looked intimidating, though his wire-rim glasses were smudged and his scraggly beard—I think you’d call that a beard—matched his hair, which looked like he hadn’t combed it in a week and was incredibly shaggy and wouldn’t fit in his baseball cap with the word Eve embroidered on. Granny would have made him get a haircut. His voice was groggy like he had been nonstop yelling. I was still intimidated by his presence. He had just sent the screenwriter—Eddie Payne, a “wildly charismatic genius”—back to the typewriter for a “rewrite” to fix the “issues” that he deemed “issues.”

Meaning: the girl who’d won the radio contest had picked a black kid as her plus-one.

That’s what I guessed, anyway. I was eavesdropping on Mr. Edman’s hushed conversation with a man in a suit, a man whose suit was pricey, a man who seemed more important than anyone else present. If I’d learned anything by living in Griffin Flat, it was the art of gossiping. You took snippets of what you overheard and spun them into outrageous truth.

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