Mary Russell - Doc

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Doc: краткое содержание, описание и аннотация

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The year is 1878, peak of the Texas cattle trade. The place is Dodge City, Kansas, a saloon-filled cow town jammed with liquored-up adolescent cowboys and young Irish hookers. Violence is random and routine, but when the burned body of a mixed-blood boy named Johnnie Sanders is discovered, his death shocks a part-time policeman named Wyatt Earp. And it is a matter of strangely personal importance to Doc Holliday, the frail twenty-six-year-old dentist who has just opened an office at No. 24, Dodge House.
Beautifully educated, born to the life of a Southern gentleman, Dr. John Henry Holliday is given an awful choice at the age of twenty-two: die within months in Atlanta or leave everyone and everything he loves in the hope that the dry air and sunshine of the West will restore him to health. Young, scared, lonely, and sick, he arrives on the rawest edge of the Texas frontier just as an economic crash wrecks the dreams of a nation. Soon, with few alternatives open to him, Doc Holliday is gambling professionally; he is also living with Mária Katarina Harony, a high-strung Hungarian whore with dazzling turquoise eyes, who can quote Latin classics right back at him. Kate makes it her business to find Doc the high-stakes poker games that will support them both in high style. It is Kate who insists that the couple travel to Dodge City, because 'that's where the money is.'
And that is where the unlikely friendship of Doc Holliday and Wyatt Earp really begins — before Wyatt Earp is the prototype of the square-jawed, fearless lawman; before Doc Holliday is the quintessential frontier gambler; before the gunfight at the O.K. Corral links their names forever in American frontier mythology — when neither man wanted fame or deserved notoriety.
Authentic, moving, and witty, Mary Doria Russell's fifth novel redefines these two towering figures of the American West and brings to life an extraordinary cast of historical characters, including Holliday's unforgettable companion, Kate. First and last, however, Doc is John Henry Holliday's story, written with compassion, humor, and respect by one of our greatest contemporary storytellers.

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“What is that song?” Morg asked after a while.

Doc looked up, puzzled.

“The one you were whistling.”

“Was I—?” Doc thought for a moment. “Oh! The Rondo from Beethoven’s Violin Concerto.”

Morgan knew what a violin was, anyways. “You play fiddle, too?”

“Not by a wide mile,” Doc murmured, eyes on the mount. “When I was in dental school, I went to every concert and recital I could at the Philadelphia Academy of Music. Fell in love with that piece … I was studyin’ the score when we were learnin’ to make bridges. Comes back to me, I guess.”

Must be hard on him, Morg thought, being so far from things like that. “Real pretty tune,” he said.

“Indeed. You have excellent taste, Morgan.” Doc put the tools down and stretched out his back, then winced suddenly, like he was snakebit. He sat still for a time, but relaxed again and went on. “Our houseboy—Wilson?—he disapproved of whistlin’ somethin’ fierce. Always said it was common. ‘A low-class, cracker habit,’ Wilson called it, but Mamma encouraged the practice when I was a boy.”

“Why would she want you to do something low-class?”

“Helped me establish control over the orbicularis oris .” Doc gestured with a finger, circling his mouth. His hand dropped into his lap and he considered Morgan for a time, like he was deciding something. “I was born with a harelip,” he said finally. “The defect was repaired when I was a baby.”

Morgan couldn’t help staring.

Doc threw his head back and stared right back, like he was daring Morg to make fun. “It is nothin’ to be ashamed of,” he declared.

And you could tell somehow: it was his mamma’s voice Doc heard when he was saying how it was nothing to be ashamed of, but he was ashamed—a little, anyways. You could tell that, too.

Morg made himself stop looking at Doc’s mouth. “I knew a kid once who had a harelip. I didn’t know they could fix it.”

“My Uncle John is a fine surgeon. You can—Oh, hell—Dammit! Some kind of—obstruction in the bronchus—I just can’t seem to—”

Morg put the lamp down and waited again while the bourbon was administered and the coughing eased off. Since the fall on the Fourth, Doc had been drinking more than usual. He drank it a little at a time, though, and it didn’t seem to affect him beyond helping with the cough. His eyes stayed clear and his hands were steady when he went back to work on the denture. It was such finicky work, but he seemed to have all the patience in the world, doing it. Strange, for a man who’d fly off the handle so easy, otherwise.

“I wouldn’t last five minutes doing what you are,” Morg said. “How can you spend so much time on something so little?”

“It’s hours for me, but it’ll be in Wyatt’s mouth for years. The tiniest flaw will be a trial to him … We all have different gifts, Mamma used to say. I’ve watched you and your brother walk straight into a mob and wondered, Where do they get the sand? I couldn’t do what you do.”

“You’ve got plenty of sand, Doc.”

“Morgan,” Doc said, “I am doin’ my best … How are you and Mr. Dickens gettin’ along?”

“I like him better than Dostoevsky,” Morg admitted. “Oliver Twist reminds me of Wyatt when he was a kid. I liked how Oliver stands up for himself and that other kid when they was so hungry. Wyatt was like that. He cannot abide a bully. Never could, even when he was little.”

“And why do you suppose that is?”

“Just his nature, I guess.”

“You met Mr. Fagin yet?”

“Yeah. Ain’t made up my mind about him. He’s good to feed all those boys, but he’s teaching them to be pickpockets, too. That don’t seem right.”

“But that is just what makes Fagin interestin’. Raskolnikoff, too. Fagin does his good deed with a bad purpose in mind, but the boys are still fed. Raskolnikoff kills the old woman, but he wants to use her money to improve society. As Monsieur Balzac asked, May we not do a small evil for the sake of accomplishin’ a great good?”

“I don’t know.” Morgan frowned. “It’s still an evil.”

“And yet, that seems to be the principle behind the crucifixion. Sacrifice the Son, redeem humanity … Hold the lamp up while you’re chewing that notion over.”

Morg tried, but it was too much to get his mind around. “I know what Wyatt would say. Fagin’s still a fence. Raskolnikoff was a murderer and a thief. Wyatt don’t care that James and Bessie run a decent house and treat their girls right. They’re still whoremongers.”

“And I suppose it doesn’t matter that my mamma inherited her people. Or that she was a gentle mistress, taught by her elders that slavery was Athenian in its dignity and blessed by the Bible itself.”

“She was still a slave owner,” Morg said quietly, braced for the reaction. Doc could be real touchy about his mother.

“We are none of us born into Eden,” Doc said reasonably. “World’s plenty evil when we get here. Question is, what’s the best way to play a bad hand? Abolitionists thought that all they had to do to right an ancient wrong was set the slaves free.” He looked at Morg. “Trouble was, they didn’t have a plan in the world for what came next. Cut ’em loose. That was the plan. Let ’em eat cake, I guess.”

He was muttering now, eyes on the bridge. “Four years of war. Hundreds of thousands of casualties … All so black folks in the South could be treated as bad as millworkers in the North! Pay as little as you can. Work ’em ’til they’re too old or sick or hurt to do the job. Then cut ’em loose! Hire a starvin’ Irish replacement! That’s abolitionist freedom for you … Heartless bastards … ‘Free the slaves’ sounds good until you start wonderin’ how Chainey and Wilson would make a livin’ when they were already so old they couldn’t do a lick of work. What was a little child like Sophie Walton supposed to do? No kin who’d care for her …” He looked up. “I doubt the abolitionists anticipated the Ku Klux Klan either, but here it is, makin’ life worse than ever for black folks.”

“The road to hell is paved with good intentions,” Morg said.

“Infinitely sad, but damnably true.”

Doc sat back in his chair and stared out of the window for a long time. “Bein’ born is craps,” he decided. He glanced at Morg and let loose that sly, lopsided smile of his. “How we live is poker .” Doc looked away and got thoughtful again. “Mamma played a bad hand well.”

He shook the mood off and went back to work on the denture. Morgan lifted the lamp, feeling vaguely unsettled by the conversation. Naturally, Doc saw things different, being from the South. Still … there had been a lot of arguing about Emancipation, even in the North. Nicholas Earp was all for the war when it was to punish the secessionists. After the Proclamation, he wrote Newton and James and Virgil to quit the army and come on home. “I won’t have my sons risking their necks for niggers” was what he said, but the boys stayed on and fought to the end. And Wyatt tried to join up when he was fifteen, except the old man caught him both times and dragged him home again. Somebody had to get that eighty acres of corn in.

“Doc? You think maybe it was the Klan got Johnnie Sanders?” Morg asked.

Doc stopped what he was doing. “Never thought of that … He was friendly with Belle Wright. Sometimes that’s all it takes.” He turned the idea over for a while. “No. They’d have lynched him, I imagine. And they’d want a crowd for the occasion. The Klan enjoys an audience as much as Eddie Foy.” He sat still for a time, frowning. “I don’t suppose you recall … Was that army captain—Grier, the one with the Arab mare?—was Captain Grier in town when the Elephant Barn burned down?”

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